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Por esfuerzo propio o mera casualidad, hay figuras que luego de cumplir una "},"link":[{"rel":"replies","type":"application/atom+xml","href":"http:\/\/le-criticon.blogspot.com\/feeds\/4109822818317589213\/comments\/default","title":"Enviar comentarios"},{"rel":"replies","type":"text/html","href":"http:\/\/le-criticon.blogspot.com\/2009\/03\/cada-cual-su-rol.html#comment-form","title":"5 comentarios"},{"rel":"edit","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/3874343899452800092\/posts\/default\/4109822818317589213"},{"rel":"self","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/3874343899452800092\/posts\/default\/4109822818317589213"},{"rel":"alternate","type":"text/html","href":"http:\/\/le-criticon.blogspot.com\/2009\/03\/cada-cual-su-rol.html","title":"CADA CUAL A SU ROL"}],"author":[{"name":{"$t":"Marcel Celmar"},"uri":{"$t":"http:\/\/www.blogger.com\/profile\/13804012043339392705"},"email":{"$t":"noreply@blogger.com"},"gd$image":{"rel":"http://schemas.google.com/g/2005#thumbnail","width":"24","height":"32","src":"http:\/\/bp2.blogger.com\/_DJtuhrCfgjs\/R-GT1ZRia7I\/AAAAAAAAADo\/U-slqLceyQ0\/S220\/453px-Faces-nevit.jpg"}}],"thr$total":{"$t":"5"}},{"id":{"$t":"tag:blogger.com,1999:blog-3874343899452800092.post-5929515255504836128"},"published":{"$t":"2009-03-04T09:36:00.012-02:00"},"updated":{"$t":"2009-03-04T10:42:45.745-02:00"},"category":[{"scheme":"http://www.blogger.com/atom/ns#","term":"Cassius Clay"},{"scheme":"http://www.blogger.com/atom/ns#","term":"colpsa la bolsa"},{"scheme":"http://www.blogger.com/atom/ns#","term":"EE.UU."},{"scheme":"http://www.blogger.com/atom/ns#","term":"esclavitud"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Google"},{"scheme":"http://www.blogger.com/atom/ns#","term":"hippismo"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Ku Klux Klan"},{"scheme":"http://www.blogger.com/atom/ns#","term":"revista Life"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Vietnam"}],"title":{"type":"text","$t":"PARTE DE ESTE MUNDO"},"summary":{"type":"text","$t":"Parte de la memoria colectiva de los Estados Unidos ya puede ser visitada en Google. Gracias a un acuerdo entre el buscador todopoderoso y la revista Life, es posible descubrir un catálogo fotográfico que consta de unas 10 millones de imágenes, 90 por ciento de las cuáles, nunca habían sido expuestas. Además de fotos, el archivo incluye diapositivas, grabados y placas de vidrio fechadas desde "},"link":[{"rel":"replies","type":"application/atom+xml","href":"http:\/\/le-criticon.blogspot.com\/feeds\/5929515255504836128\/comments\/default","title":"Enviar comentarios"},{"rel":"replies","type":"text/html","href":"http:\/\/le-criticon.blogspot.com\/2009\/03\/parte-de-este-mundo.html#comment-form","title":"1 comentarios"},{"rel":"edit","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/3874343899452800092\/posts\/default\/5929515255504836128"},{"rel":"self","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/3874343899452800092\/posts\/default\/5929515255504836128"},{"rel":"alternate","type":"text/html","href":"http:\/\/le-criticon.blogspot.com\/2009\/03\/parte-de-este-mundo.html","title":"PARTE DE ESTE MUNDO"}],"author":[{"name":{"$t":"Altazor"},"uri":{"$t":"http:\/\/www.blogger.com\/profile\/00964863927097668508"},"email":{"$t":"noreply@blogger.com"},"gd$image":{"rel":"http://schemas.google.com/g/2005#thumbnail","width":"21","height":"32","src":"http:\/\/bp1.blogger.com\/_pbZDFlX0Ve4\/SDnBS2SXNZI\/AAAAAAAAAAs\/tCYIMXzZQdo\/S220\/foto.JPG"}}],"thr$total":{"$t":"1"}},{"id":{"$t":"tag:blogger.com,1999:blog-3874343899452800092.post-9200084276685941283"},"published":{"$t":"2009-02-26T12:35:00.011-02:00"},"updated":{"$t":"2009-02-26T13:09:26.170-02:00"},"category":[{"scheme":"http://www.blogger.com/atom/ns#","term":"Ari Folman"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Bachir Gemayel"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Israel y el Líbano"},{"scheme":"http://www.blogger.com/atom/ns#","term":"rotoscopiado"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Vals con Bashir"}],"title":{"type":"text","$t":"LA TIERRA PERMANECE"},"summary":{"type":"text","$t":"Las heridas de batallas más severas no son las que están representadas por una cicatriz, sino aquellas que no dejan rastro. En el filme de animación israelí Vals Im Bashir se trata la realidad paralela que viven los soldados en un campo de batalla, un hecho que no consigue ser asimilado por el conjunto de la sociedad. Porque cuando esos muchachos regresan al hogar, su familia está hastiada de "},"link":[{"rel":"replies","type":"application/atom+xml","href":"http:\/\/le-criticon.blogspot.com\/feeds\/9200084276685941283\/comments\/default","title":"Enviar comentarios"},{"rel":"replies","type":"text/html","href":"http:\/\/le-criticon.blogspot.com\/2009\/02\/la-tierra-permanece.html#comment-form","title":"0 comentarios"},{"rel":"edit","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/3874343899452800092\/posts\/default\/9200084276685941283"},{"rel":"self","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/3874343899452800092\/posts\/default\/9200084276685941283"},{"rel":"alternate","type":"text/html","href":"http:\/\/le-criticon.blogspot.com\/2009\/02\/la-tierra-permanece.html","title":"LA TIERRA PERMANECE"}],"author":[{"name":{"$t":"Marcel Celmar"},"uri":{"$t":"http:\/\/www.blogger.com\/profile\/13804012043339392705"},"email":{"$t":"noreply@blogger.com"},"gd$image":{"rel":"http://schemas.google.com/g/2005#thumbnail","width":"24","height":"32","src":"http:\/\/bp2.blogger.com\/_DJtuhrCfgjs\/R-GT1ZRia7I\/AAAAAAAAADo\/U-slqLceyQ0\/S220\/453px-Faces-nevit.jpg"}}],"thr$total":{"$t":"0"}},{"id":{"$t":"tag:blogger.com,1999:blog-3874343899452800092.post-5517965970997003593"},"published":{"$t":"2009-02-18T10:35:00.011-02:00"},"updated":{"$t":"2009-02-18T15:33:31.757-02:00"},"category":[{"scheme":"http://www.blogger.com/atom/ns#","term":"Army of Darkness"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Bruce Campbell"},{"scheme":"http://www.blogger.com/atom/ns#","term":"cine clase B"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Sam Raimi"},{"scheme":"http://www.blogger.com/atom/ns#","term":"The Evil Dead"}],"title":{"type":"text","$t":"JUSTICIERO MALDITO"},"summary":{"type":"text","$t":"Deben existir pocas figuras provenientes del cine clase B que gocen del prestigio y la reputación del señor Bruce Campbell. La especialidad de este cazador de mutantes son las comedias de terror, género al que consagró gran parte de su carrera cinematográfica. Pero que los filmes hayan sido de bajo presupuesto no implica que la historia también lo sea. Incluso, algunos títulos como la trilogía "},"link":[{"rel":"replies","type":"application/atom+xml","href":"http:\/\/le-criticon.blogspot.com\/feeds\/5517965970997003593\/comments\/default","title":"Enviar comentarios"},{"rel":"replies","type":"text/html","href":"http:\/\/le-criticon.blogspot.com\/2009\/02\/justiciero-maldito.html#comment-form","title":"0 comentarios"},{"rel":"edit","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/3874343899452800092\/posts\/default\/5517965970997003593"},{"rel":"self","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/3874343899452800092\/posts\/default\/5517965970997003593"},{"rel":"alternate","type":"text/html","href":"http:\/\/le-criticon.blogspot.com\/2009\/02\/justiciero-maldito.html","title":"JUSTICIERO MALDITO"}],"author":[{"name":{"$t":"Marcel Celmar"},"uri":{"$t":"http:\/\/www.blogger.com\/profile\/13804012043339392705"},"email":{"$t":"noreply@blogger.com"},"gd$image":{"rel":"http://schemas.google.com/g/2005#thumbnail","width":"24","height":"32","src":"http:\/\/bp2.blogger.com\/_DJtuhrCfgjs\/R-GT1ZRia7I\/AAAAAAAAADo\/U-slqLceyQ0\/S220\/453px-Faces-nevit.jpg"}}],"thr$total":{"$t":"0"}},{"id":{"$t":"tag:blogger.com,1999:blog-3874343899452800092.post-7148596808199033904"},"published":{"$t":"2009-02-16T17:36:00.014-02:00"},"updated":{"$t":"2009-02-16T19:17:44.674-02:00"},"category":[{"scheme":"http://www.blogger.com/atom/ns#","term":"burguesía norteamericana"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Terry Rodgers"},{"scheme":"http://www.blogger.com/atom/ns#","term":"W.A.S.P."}],"title":{"type":"text","$t":"LA DECADENCIA DEL IMPERIO"},"summary":{"type":"text","$t":"No por repetitivas, las escenas que pinta Terry Rodgers dejan de tener una fuerte crítica social. Este artista figurativo se encarga de retratar en grandes lienzos y con llamativos colores, la decadencia de la burguesía norteamericana. En sus pinturas al óleo, la desnudez del cuerpo forma parte de un paisaje tan característico como los vasos a medio llenar o los collares que penden de cuerpos "},"link":[{"rel":"replies","type":"application/atom+xml","href":"http:\/\/le-criticon.blogspot.com\/feeds\/7148596808199033904\/comments\/default","title":"Enviar comentarios"},{"rel":"replies","type":"text/html","href":"http:\/\/le-criticon.blogspot.com\/2009\/02\/la-decadencia-del-imperio.html#comment-form","title":"0 comentarios"},{"rel":"edit","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/3874343899452800092\/posts\/default\/7148596808199033904"},{"rel":"self","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/3874343899452800092\/posts\/default\/7148596808199033904"},{"rel":"alternate","type":"text/html","href":"http:\/\/le-criticon.blogspot.com\/2009\/02\/la-decadencia-del-imperio.html","title":"LA DECADENCIA DEL IMPERIO"}],"author":[{"name":{"$t":"Altazor"},"uri":{"$t":"http:\/\/www.blogger.com\/profile\/00964863927097668508"},"email":{"$t":"noreply@blogger.com"},"gd$image":{"rel":"http://schemas.google.com/g/2005#thumbnail","width":"21","height":"32","src":"http:\/\/bp1.blogger.com\/_pbZDFlX0Ve4\/SDnBS2SXNZI\/AAAAAAAAAAs\/tCYIMXzZQdo\/S220\/foto.JPG"}}],"thr$total":{"$t":"0"}},{"id":{"$t":"tag:blogger.com,1999:blog-3874343899452800092.post-2813311447300711571"},"published":{"$t":"2009-02-10T12:34:00.005-02:00"},"updated":{"$t":"2009-02-10T12:50:39.796-02:00"},"category":[{"scheme":"http://www.blogger.com/atom/ns#","term":"Darren Aronofsky"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Marisa Tomei"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Mike Rourke"},{"scheme":"http://www.blogger.com/atom/ns#","term":"The Wrestler"}],"title":{"type":"text","$t":"AL BORDE DEL KO"},"summary":{"type":"text","$t":"Como es verdad que las apariencias engañan y no siempre lo que brilla es oro, la sumatoria de distinciones acumuladas por un filme -más los elogios de una crítica cómplice- hacen que muchas veces el espectador se sienta en desnivel. Porque lo que vio en la pantalla no se condice con las expectativas que la industria generó en los meses previos a su estreno. Mientras hace un bollo con la entrada y"},"link":[{"rel":"replies","type":"application/atom+xml","href":"http:\/\/le-criticon.blogspot.com\/feeds\/2813311447300711571\/comments\/default","title":"Enviar comentarios"},{"rel":"replies","type":"text/html","href":"http:\/\/le-criticon.blogspot.com\/2009\/02\/al-borde-del-ko.html#comment-form","title":"0 comentarios"},{"rel":"edit","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/3874343899452800092\/posts\/default\/2813311447300711571"},{"rel":"self","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/3874343899452800092\/posts\/default\/2813311447300711571"},{"rel":"alternate","type":"text/html","href":"http:\/\/le-criticon.blogspot.com\/2009\/02\/al-borde-del-ko.html","title":"AL BORDE DEL KO"}],"author":[{"name":{"$t":"Marcel Celmar"},"uri":{"$t":"http:\/\/www.blogger.com\/profile\/13804012043339392705"},"email":{"$t":"noreply@blogger.com"},"gd$image":{"rel":"http://schemas.google.com/g/2005#thumbnail","width":"24","height":"32","src":"http:\/\/bp2.blogger.com\/_DJtuhrCfgjs\/R-GT1ZRia7I\/AAAAAAAAADo\/U-slqLceyQ0\/S220\/453px-Faces-nevit.jpg"}}],"thr$total":{"$t":"0"}},{"id":{"$t":"tag:blogger.com,1999:blog-3874343899452800092.post-8100091119042628749"},"published":{"$t":"2009-01-27T10:03:00.003-02:00"},"updated":{"$t":"2009-01-27T10:24:02.116-02:00"},"category":[{"scheme":"http://www.blogger.com/atom/ns#","term":"Atahualpa Yupanqui"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Carlos Gardel"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Mercedes Sosa"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Pescado Rabioso"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Porsuigieco"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Roberto Goyeneche"}],"title":{"type":"text","$t":"LISTA CANTADA"},"summary":{"type":"text","$t":"Siguiendo la metodología de Rob Gordon, aquel memorable personaje de High Fidelity que no paraba de confeccionar listas de todo lo que se le cruzaba por la mente, vamos a iniciar nuestra sección de preferencias. Vale señalar, para aquellos que vieron el filme de Stephen Frears y se lanzaron al libro de Nick Horby (o viceversa) que una vez más, la adaptación cinematográfica superó a la historia "},"link":[{"rel":"replies","type":"application/atom+xml","href":"http:\/\/le-criticon.blogspot.com\/feeds\/8100091119042628749\/comments\/default","title":"Enviar comentarios"},{"rel":"replies","type":"text/html","href":"http:\/\/le-criticon.blogspot.com\/2009\/01\/lista-cantada.html#comment-form","title":"2 comentarios"},{"rel":"edit","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/3874343899452800092\/posts\/default\/8100091119042628749"},{"rel":"self","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/3874343899452800092\/posts\/default\/8100091119042628749"},{"rel":"alternate","type":"text/html","href":"http:\/\/le-criticon.blogspot.com\/2009\/01\/lista-cantada.html","title":"LISTA CANTADA"}],"author":[{"name":{"$t":"Altazor"},"uri":{"$t":"http:\/\/www.blogger.com\/profile\/00964863927097668508"},"email":{"$t":"noreply@blogger.com"},"gd$image":{"rel":"http://schemas.google.com/g/2005#thumbnail","width":"21","height":"32","src":"http:\/\/bp1.blogger.com\/_pbZDFlX0Ve4\/SDnBS2SXNZI\/AAAAAAAAAAs\/tCYIMXzZQdo\/S220\/foto.JPG"}}],"thr$total":{"$t":"2"}},{"id":{"$t":"tag:blogger.com,1999:blog-3874343899452800092.post-9073838191179282319"},"published":{"$t":"2009-01-21T12:08:00.004-02:00"},"updated":{"$t":"2009-01-21T13:32:27.729-02:00"},"category":[{"scheme":"http://www.blogger.com/atom/ns#","term":"Bollywood"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Danny Boyle"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Loveleen Tandon"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Slumdog Millionaire ¿Quieres ser millonario?"}],"title":{"type":"text","$t":"EL RETO SUPREMO"},"summary":{"type":"text","$t":"Si alguien decide mirar Slumdog Millionaire ¿Quieres ser millonario? (así de insistente es la traducción local) sin ningún condicionamiento previo, la primer sorpresa es que el filme está ambientado en la India y en consecuencia, los actores son completamente ignotos para el público occidental. Lo curioso del caso es que la dirección está a cargo del británico Danny Boyle (Trainspotting - 1996). "},"link":[{"rel":"replies","type":"application/atom+xml","href":"http:\/\/le-criticon.blogspot.com\/feeds\/9073838191179282319\/comments\/default","title":"Enviar comentarios"},{"rel":"replies","type":"text/html","href":"http:\/\/le-criticon.blogspot.com\/2009\/01\/el-gran-reto.html#comment-form","title":"0 comentarios"},{"rel":"edit","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/3874343899452800092\/posts\/default\/9073838191179282319"},{"rel":"self","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/3874343899452800092\/posts\/default\/9073838191179282319"},{"rel":"alternate","type":"text/html","href":"http:\/\/le-criticon.blogspot.com\/2009\/01\/el-gran-reto.html","title":"EL RETO SUPREMO"}],"author":[{"name":{"$t":"Altazor"},"uri":{"$t":"http:\/\/www.blogger.com\/profile\/00964863927097668508"},"email":{"$t":"noreply@blogger.com"},"gd$image":{"rel":"http://schemas.google.com/g/2005#thumbnail","width":"21","height":"32","src":"http:\/\/bp1.blogger.com\/_pbZDFlX0Ve4\/SDnBS2SXNZI\/AAAAAAAAAAs\/tCYIMXzZQdo\/S220\/foto.JPG"}}],"thr$total":{"$t":"0"}},{"id":{"$t":"tag:blogger.com,1999:blog-3874343899452800092.post-4758761770980041577"},"published":{"$t":"2009-01-16T12:35:00.010-02:00"},"updated":{"$t":"2009-01-16T13:03:51.794-02:00"},"category":[{"scheme":"http://www.blogger.com/atom/ns#","term":"Javier Bardem"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Penélope Cruz"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Scarlett Johansson"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Vicky Cristina Barcelona"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Woody Allen"}],"title":{"type":"text","$t":"DE A TRES"},"summary":{"type":"text","$t":"Con toda la polémica y la expectativa que despiertan las películas de Woody Allen, su aporte para el año en curso es Vicky Cristina Barcelona. Siguiendo el trazado de El sueño de Cassandra (2007), su filme anterior, para esta ocasión borró el tono de comedia que lo caracteriza y en lugar de su repetido arsenal de sainetes decidió apostar por un drama pasional, en donde no abunda la risotada "},"link":[{"rel":"replies","type":"application/atom+xml","href":"http:\/\/le-criticon.blogspot.com\/feeds\/4758761770980041577\/comments\/default","title":"Enviar comentarios"},{"rel":"replies","type":"text/html","href":"http:\/\/le-criticon.blogspot.com\/2009\/01\/de-tres.html#comment-form","title":"1 comentarios"},{"rel":"edit","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/3874343899452800092\/posts\/default\/4758761770980041577"},{"rel":"self","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/3874343899452800092\/posts\/default\/4758761770980041577"},{"rel":"alternate","type":"text/html","href":"http:\/\/le-criticon.blogspot.com\/2009\/01\/de-tres.html","title":"DE A TRES"}],"author":[{"name":{"$t":"Marcel Celmar"},"uri":{"$t":"http:\/\/www.blogger.com\/profile\/13804012043339392705"},"email":{"$t":"noreply@blogger.com"},"gd$image":{"rel":"http://schemas.google.com/g/2005#thumbnail","width":"24","height":"32","src":"http:\/\/bp2.blogger.com\/_DJtuhrCfgjs\/R-GT1ZRia7I\/AAAAAAAAADo\/U-slqLceyQ0\/S220\/453px-Faces-nevit.jpg"}}],"thr$total":{"$t":"1"}},{"id":{"$t":"tag:blogger.com,1999:blog-3874343899452800092.post-6463461569459636300"},"published":{"$t":"2008-12-18T11:01:00.005-02:00"},"updated":{"$t":"2008-12-18T11:33:21.154-02:00"},"category":[{"scheme":"http://www.blogger.com/atom/ns#","term":"Dead Race"},{"scheme":"http://www.blogger.com/atom/ns#","term":"JCVD"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Saw V"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Splinter"},{"scheme":"http://www.blogger.com/atom/ns#","term":"The objective"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Tres días"}],"title":{"type":"text","$t":"DE TIRO CORTO"},"summary":{"type":"text","$t":"Entre el calor, la proximidad de las fiestas y los oscuros vaticinios para el 2009, lo menos que uno tiene ganas de hacer es involucrarse con una película densa, con diálogos sesudos y largos planos secuencia. Para quien pretenda “matar su tiempo” sin obtener a cambio una reflexión metafísica sobre la finalidad de la raza o la ausencia de Dios, acá marchan seis filmes menores para ver con el cubo"},"link":[{"rel":"replies","type":"application/atom+xml","href":"http:\/\/le-criticon.blogspot.com\/feeds\/6463461569459636300\/comments\/default","title":"Enviar comentarios"},{"rel":"replies","type":"text/html","href":"http:\/\/le-criticon.blogspot.com\/2008\/12\/de-tiro-corto.html#comment-form","title":"0 comentarios"},{"rel":"edit","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/3874343899452800092\/posts\/default\/6463461569459636300"},{"rel":"self","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/3874343899452800092\/posts\/default\/6463461569459636300"},{"rel":"alternate","type":"text/html","href":"http:\/\/le-criticon.blogspot.com\/2008\/12\/de-tiro-corto.html","title":"DE TIRO CORTO"}],"author":[{"name":{"$t":"Marcel Celmar"},"uri":{"$t":"http:\/\/www.blogger.com\/profile\/13804012043339392705"},"email":{"$t":"noreply@blogger.com"},"gd$image":{"rel":"http://schemas.google.com/g/2005#thumbnail","width":"24","height":"32","src":"http:\/\/bp2.blogger.com\/_DJtuhrCfgjs\/R-GT1ZRia7I\/AAAAAAAAADo\/U-slqLceyQ0\/S220\/453px-Faces-nevit.jpg"}}],"thr$total":{"$t":"0"}},{"id":{"$t":"tag:blogger.com,1999:blog-3874343899452800092.post-7982623254302738578"},"published":{"$t":"2008-12-16T10:39:00.006-02:00"},"updated":{"$t":"2008-12-16T16:32:32.677-02:00"},"category":[{"scheme":"http://www.blogger.com/atom/ns#","term":"Happy Birthday"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Remind Me"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Röyksopp"}],"title":{"type":"text","$t":"PARA RECORDAR"},"summary":{"type":"text","$t":"Hay algunos videos que como los vinos de buena cepa mejoran con el reposo. Este es el caso de Remind Me, del dúo noruego Röyksopp que inspirados en la sistematización de la sociedad contemporánea lograron una verdadera obra maestra. Esta suerte de infografía animada pertenece al álbum Melody AM (2001), una placa a mitad de camino entre la decadencia del Downtempo y el ascenso del Hip-hop. Por "},"link":[{"rel":"replies","type":"application/atom+xml","href":"http:\/\/le-criticon.blogspot.com\/feeds\/7982623254302738578\/comments\/default","title":"Enviar comentarios"},{"rel":"replies","type":"text/html","href":"http:\/\/le-criticon.blogspot.com\/2008\/12\/para-recordar.html#comment-form","title":"2 comentarios"},{"rel":"edit","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/3874343899452800092\/posts\/default\/7982623254302738578"},{"rel":"self","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/3874343899452800092\/posts\/default\/7982623254302738578"},{"rel":"alternate","type":"text/html","href":"http:\/\/le-criticon.blogspot.com\/2008\/12\/para-recordar.html","title":"PARA RECORDAR"}],"author":[{"name":{"$t":"Altazor"},"uri":{"$t":"http:\/\/www.blogger.com\/profile\/00964863927097668508"},"email":{"$t":"noreply@blogger.com"},"gd$image":{"rel":"http://schemas.google.com/g/2005#thumbnail","width":"21","height":"32","src":"http:\/\/bp1.blogger.com\/_pbZDFlX0Ve4\/SDnBS2SXNZI\/AAAAAAAAAAs\/tCYIMXzZQdo\/S220\/foto.JPG"}}],"thr$total":{"$t":"2"}},{"id":{"$t":"tag:blogger.com,1999:blog-3874343899452800092.post-6663860599180649153"},"published":{"$t":"2008-12-15T19:08:00.010-02:00"},"updated":{"$t":"2008-12-15T19:41:33.907-02:00"},"category":[{"scheme":"http://www.blogger.com/atom/ns#","term":"armónica de cristal"},{"scheme":"http://www.blogger.com/atom/ns#","term":"arpa giratoria"},{"scheme":"http://www.blogger.com/atom/ns#","term":"guitarra habanera"},{"scheme":"http://www.blogger.com/atom/ns#","term":"luthier"}],"title":{"type":"text","$t":"EL OFICIO DEL SONIDO"},"summary":{"type":"text","$t":"El luthier es un artesano que se dedica a inventar o reparar artefactos musicales. Aunque la acepción francesa del término «luthérie» hace referencia a quien ajusta instrumentos de cuerda, el concepto se extiende a cualquier artífice que se entrega a la fabricación de dispositivos sonoros. Este oficio que despuntó durante el Renacimiento, encontró su apogeo en la ciudad de Cremona, Italia y logró"},"link":[{"rel":"replies","type":"application/atom+xml","href":"http:\/\/le-criticon.blogspot.com\/feeds\/6663860599180649153\/comments\/default","title":"Enviar comentarios"},{"rel":"replies","type":"text/html","href":"http:\/\/le-criticon.blogspot.com\/2008\/12\/taidos-retintines-y-soniquetes.html#comment-form","title":"2 comentarios"},{"rel":"edit","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/3874343899452800092\/posts\/default\/6663860599180649153"},{"rel":"self","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/3874343899452800092\/posts\/default\/6663860599180649153"},{"rel":"alternate","type":"text/html","href":"http:\/\/le-criticon.blogspot.com\/2008\/12\/taidos-retintines-y-soniquetes.html","title":"EL OFICIO DEL SONIDO"}],"author":[{"name":{"$t":"Marcel Celmar"},"uri":{"$t":"http:\/\/www.blogger.com\/profile\/13804012043339392705"},"email":{"$t":"noreply@blogger.com"},"gd$image":{"rel":"http://schemas.google.com/g/2005#thumbnail","width":"24","height":"32","src":"http:\/\/bp2.blogger.com\/_DJtuhrCfgjs\/R-GT1ZRia7I\/AAAAAAAAADo\/U-slqLceyQ0\/S220\/453px-Faces-nevit.jpg"}}],"thr$total":{"$t":"2"}},{"id":{"$t":"tag:blogger.com,1999:blog-3874343899452800092.post-7582901003263585388"},"published":{"$t":"2008-12-12T10:11:00.027-02:00"},"updated":{"$t":"2008-12-19T14:58:45.600-02:00"},"category":[{"scheme":"http://www.blogger.com/atom/ns#","term":"Atenas"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Bisie"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Chattrapati Shivaji"},{"scheme":"http://www.blogger.com/atom/ns#","term":"MV Faina"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Pakistán"}],"title":{"type":"text","$t":"GUERRA TOTAL"},"summary":{"type":"text","$t":"Por más mediaciones y tratados que se firmen, las guerras van a seguir existiendo más allá de George W. Bush, Dmitri Medvedev, Shimon Peres, Mahmoud Abbas, Osama bin Laden o Barak Obama. Los pueblos primitivos peleaban por el control del territorio, la dominación del otro o simplemente, por miedo o codicia. En la actualidad, las disputas tienen un carácter político y un costado social. Alguna vez"},"link":[{"rel":"replies","type":"application/atom+xml","href":"http:\/\/le-criticon.blogspot.com\/feeds\/7582901003263585388\/comments\/default","title":"Enviar comentarios"},{"rel":"replies","type":"text/html","href":"http:\/\/le-criticon.blogspot.com\/2008\/12\/guerra-total.html#comment-form","title":"1 comentarios"},{"rel":"edit","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/3874343899452800092\/posts\/default\/7582901003263585388"},{"rel":"self","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/3874343899452800092\/posts\/default\/7582901003263585388"},{"rel":"alternate","type":"text/html","href":"http:\/\/le-criticon.blogspot.com\/2008\/12\/guerra-total.html","title":"GUERRA TOTAL"}],"author":[{"name":{"$t":"Marcel Celmar"},"uri":{"$t":"http:\/\/www.blogger.com\/profile\/13804012043339392705"},"email":{"$t":"noreply@blogger.com"},"gd$image":{"rel":"http://schemas.google.com/g/2005#thumbnail","width":"24","height":"32","src":"http:\/\/bp2.blogger.com\/_DJtuhrCfgjs\/R-GT1ZRia7I\/AAAAAAAAADo\/U-slqLceyQ0\/S220\/453px-Faces-nevit.jpg"}}],"thr$total":{"$t":"1"}},{"id":{"$t":"tag:blogger.com,1999:blog-3874343899452800092.post-3466701759152543143"},"published":{"$t":"2008-12-08T12:15:00.011-02:00"},"updated":{"$t":"2008-12-08T12:55:41.422-02:00"},"category":[{"scheme":"http://www.blogger.com/atom/ns#","term":"Gomorra"},{"scheme":"http://www.blogger.com/atom/ns#","term":"La Camorra"},{"scheme":"http://www.blogger.com/atom/ns#","term":"mafia"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Matteo Garrone"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Nápoles"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Roberto Saviano"}],"title":{"type":"text","$t":"LA CIUDAD DE LA FURIA"},"summary":{"type":"text","$t":"Con películas tan sangrientas como taquilleras, el cine norteamericano convirtió a la mafia mediterránea en un género cinematográfico. Realizadores como Martin Scorssese «Casino – 1995, Goodfellas - 1990», Francis Ford Coppola «The Godfather I, II, III» y Sergio Leone «Once Upon a Time in America - 1984» se encargaron de trasmitir los códigos de honor y los valores de esta organización familiar. "},"link":[{"rel":"replies","type":"application/atom+xml","href":"http:\/\/le-criticon.blogspot.com\/feeds\/3466701759152543143\/comments\/default","title":"Enviar comentarios"},{"rel":"replies","type":"text/html","href":"http:\/\/le-criticon.blogspot.com\/2008\/12\/tiro-fijo.html#comment-form","title":"0 comentarios"},{"rel":"edit","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/3874343899452800092\/posts\/default\/3466701759152543143"},{"rel":"self","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/3874343899452800092\/posts\/default\/3466701759152543143"},{"rel":"alternate","type":"text/html","href":"http:\/\/le-criticon.blogspot.com\/2008\/12\/tiro-fijo.html","title":"LA CIUDAD DE LA FURIA"}],"author":[{"name":{"$t":"Altazor"},"uri":{"$t":"http:\/\/www.blogger.com\/profile\/00964863927097668508"},"email":{"$t":"noreply@blogger.com"},"gd$image":{"rel":"http://schemas.google.com/g/2005#thumbnail","width":"21","height":"32","src":"http:\/\/bp1.blogger.com\/_pbZDFlX0Ve4\/SDnBS2SXNZI\/AAAAAAAAAAs\/tCYIMXzZQdo\/S220\/foto.JPG"}}],"thr$total":{"$t":"0"}},{"id":{"$t":"tag:blogger.com,1999:blog-3874343899452800092.post-6186864082587829871"},"published":{"$t":"2008-12-05T15:35:00.012-02:00"},"updated":{"$t":"2008-12-05T16:03:10.843-02:00"},"category":[{"scheme":"http://www.blogger.com/atom/ns#","term":"equipos cazavampiros"},{"scheme":"http://www.blogger.com/atom/ns#","term":"gitanos"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Rumania"},{"scheme":"http://www.blogger.com/atom/ns#","term":"vampiros"}],"title":{"type":"text","$t":"CAZA VAMPIROS"},"summary":{"type":"text","$t":"El folklore de los vampiros se inició con las primeras caravanas de gitanos que atravesaron los montes Cárpatos y trajeron a Eslovaquia el mito de seres anochecidos que se alimentaban con la sangre de sus semejantes. En 1431 estás tribus nómadas se cruzaron hasta Rumania para establecerse al norte de Transilvania. La leyenda de esta raza con prominentes colmillos y poderes de ultratumba fue "},"link":[{"rel":"replies","type":"application/atom+xml","href":"http:\/\/le-criticon.blogspot.com\/feeds\/6186864082587829871\/comments\/default","title":"Enviar comentarios"},{"rel":"replies","type":"text/html","href":"http:\/\/le-criticon.blogspot.com\/2008\/12\/caza-vampiros.html#comment-form","title":"1 comentarios"},{"rel":"edit","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/3874343899452800092\/posts\/default\/6186864082587829871"},{"rel":"self","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/3874343899452800092\/posts\/default\/6186864082587829871"},{"rel":"alternate","type":"text/html","href":"http:\/\/le-criticon.blogspot.com\/2008\/12\/caza-vampiros.html","title":"CAZA VAMPIROS"}],"author":[{"name":{"$t":"Marcel Celmar"},"uri":{"$t":"http:\/\/www.blogger.com\/profile\/13804012043339392705"},"email":{"$t":"noreply@blogger.com"},"gd$image":{"rel":"http://schemas.google.com/g/2005#thumbnail","width":"24","height":"32","src":"http:\/\/bp2.blogger.com\/_DJtuhrCfgjs\/R-GT1ZRia7I\/AAAAAAAAADo\/U-slqLceyQ0\/S220\/453px-Faces-nevit.jpg"}}],"thr$total":{"$t":"1"}},{"id":{"$t":"tag:blogger.com,1999:blog-3874343899452800092.post-795453162348199701"},"published":{"$t":"2008-12-04T11:26:00.009-02:00"},"updated":{"$t":"2008-12-04T11:43:51.708-02:00"},"category":[{"scheme":"http://www.blogger.com/atom/ns#","term":"Los cronocrímenes"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Nacho Vigalondo"},{"scheme":"http://www.blogger.com/atom/ns#","term":"viajes temporales"}],"title":{"type":"text","$t":"VOLVER AL PASADO"},"summary":{"type":"text","$t":"En teoría, los desplazamientos temporales pueden practicarse en dos direcciones: el porvenir o hacia lo ya acontecido. En ambos casos, la motivación del explorador es modificar sucesos consumados o que están a punto de definirse. Desde la óptica científica no existe algo que impida cumplir estos trayectos. En particular los viajes al pasado, ya que no contradicen las leyes físicas fundamentales "},"link":[{"rel":"replies","type":"application/atom+xml","href":"http:\/\/le-criticon.blogspot.com\/feeds\/795453162348199701\/comments\/default","title":"Enviar comentarios"},{"rel":"replies","type":"text/html","href":"http:\/\/le-criticon.blogspot.com\/2008\/12\/volver-al-pasado.html#comment-form","title":"0 comentarios"},{"rel":"edit","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/3874343899452800092\/posts\/default\/795453162348199701"},{"rel":"self","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/3874343899452800092\/posts\/default\/795453162348199701"},{"rel":"alternate","type":"text/html","href":"http:\/\/le-criticon.blogspot.com\/2008\/12\/volver-al-pasado.html","title":"VOLVER AL PASADO"}],"author":[{"name":{"$t":"Marcel Celmar"},"uri":{"$t":"http:\/\/www.blogger.com\/profile\/13804012043339392705"},"email":{"$t":"noreply@blogger.com"},"gd$image":{"rel":"http://schemas.google.com/g/2005#thumbnail","width":"24","height":"32","src":"http:\/\/bp2.blogger.com\/_DJtuhrCfgjs\/R-GT1ZRia7I\/AAAAAAAAADo\/U-slqLceyQ0\/S220\/453px-Faces-nevit.jpg"}}],"thr$total":{"$t":"0"}},{"id":{"$t":"tag:blogger.com,1999:blog-3874343899452800092.post-8883007760149228467"},"published":{"$t":"2008-12-02T02:58:00.003-02:00"},"updated":{"$t":"2008-12-02T15:35:16.229-02:00"},"category":[{"scheme":"http://www.blogger.com/atom/ns#","term":"alien"},{"scheme":"http://www.blogger.com/atom/ns#","term":"basilisco"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Behemot"},{"scheme":"http://www.blogger.com/atom/ns#","term":"bestiario"},{"scheme":"http://www.blogger.com/atom/ns#","term":"garuda"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Golem"},{"scheme":"http://www.blogger.com/atom/ns#","term":"hipogrifo"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Nagas"}],"title":{"type":"text","$t":"ZOOLOGIA FANTASTICA"},"summary":{"type":"text","$t":"El bestiario «o bestiarum vocabulum» es un catálogo en donde se reseñan criaturas de orden ilusorio o real. Estos volúmenes acompañados por majestuosas ilustraciones, tuvieron su auge en la Edad Media y sobrevivieron hasta nuestros días. Aunque estas enciclopedias zoológicas eran obra de naturalistas, exploradores y aventureros de la época, nunca fueron concebidas como textos científicos, por lo "},"link":[{"rel":"replies","type":"application/atom+xml","href":"http:\/\/le-criticon.blogspot.com\/feeds\/8883007760149228467\/comments\/default","title":"Enviar comentarios"},{"rel":"replies","type":"text/html","href":"http:\/\/le-criticon.blogspot.com\/2008\/12\/zoologia-fantastica.html#comment-form","title":"5 comentarios"},{"rel":"edit","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/3874343899452800092\/posts\/default\/8883007760149228467"},{"rel":"self","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/3874343899452800092\/posts\/default\/8883007760149228467"},{"rel":"alternate","type":"text/html","href":"http:\/\/le-criticon.blogspot.com\/2008\/12\/zoologia-fantastica.html","title":"ZOOLOGIA FANTASTICA"}],"author":[{"name":{"$t":"Marcel Celmar"},"uri":{"$t":"http:\/\/www.blogger.com\/profile\/13804012043339392705"},"email":{"$t":"noreply@blogger.com"},"gd$image":{"rel":"http://schemas.google.com/g/2005#thumbnail","width":"24","height":"32","src":"http:\/\/bp2.blogger.com\/_DJtuhrCfgjs\/R-GT1ZRia7I\/AAAAAAAAADo\/U-slqLceyQ0\/S220\/453px-Faces-nevit.jpg"}}],"thr$total":{"$t":"5"}},{"id":{"$t":"tag:blogger.com,1999:blog-3874343899452800092.post-3429146513374551045"},"published":{"$t":"2008-11-30T12:08:00.006-02:00"},"updated":{"$t":"2008-11-30T14:14:06.666-02:00"},"category":[{"scheme":"http://www.blogger.com/atom/ns#","term":"Bee Gees"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Faith No More"},{"scheme":"http://www.blogger.com/atom/ns#","term":"I Started a Joke"},{"scheme":"http://www.blogger.com/atom/ns#","term":"MTV Music"}],"title":{"type":"text","$t":"A CONTRAMANO"},"summary":{"type":"text","$t":"Para qué guardar algo que nadie atesora, habrá sido el razonamiento de MTV y su vasto imperio musical. Porque desde hace algún tiempo, colgaron del sitio MTV Music parte de su colección de videos para que cualquiera (en teoría) los pueda revisar. La librería contiene más de 16 mil entradas, que incluyen conciertos, unpluggeds y algunos especiales. Hasta acá todo fenómeno. Salvo que la calidad de "},"link":[{"rel":"replies","type":"application/atom+xml","href":"http:\/\/le-criticon.blogspot.com\/feeds\/3429146513374551045\/comments\/default","title":"Enviar comentarios"},{"rel":"replies","type":"text/html","href":"http:\/\/le-criticon.blogspot.com\/2008\/11\/tarde-y-destiempo.html#comment-form","title":"2 comentarios"},{"rel":"edit","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/3874343899452800092\/posts\/default\/3429146513374551045"},{"rel":"self","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/3874343899452800092\/posts\/default\/3429146513374551045"},{"rel":"alternate","type":"text/html","href":"http:\/\/le-criticon.blogspot.com\/2008\/11\/tarde-y-destiempo.html","title":"A CONTRAMANO"}],"author":[{"name":{"$t":"Altazor"},"uri":{"$t":"http:\/\/www.blogger.com\/profile\/00964863927097668508"},"email":{"$t":"noreply@blogger.com"},"gd$image":{"rel":"http://schemas.google.com/g/2005#thumbnail","width":"21","height":"32","src":"http:\/\/bp1.blogger.com\/_pbZDFlX0Ve4\/SDnBS2SXNZI\/AAAAAAAAAAs\/tCYIMXzZQdo\/S220\/foto.JPG"}}],"thr$total":{"$t":"2"}},{"id":{"$t":"tag:blogger.com,1999:blog-3874343899452800092.post-707173434091025887"},"published":{"$t":"2008-11-26T12:28:00.027-02:00"},"updated":{"$t":"2008-11-26T13:31:51.432-02:00"},"category":[{"scheme":"http://www.blogger.com/atom/ns#","term":"cárceles"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Michel Foucault"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Prison Life"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Reuters"}],"title":{"type":"text","$t":"EN CUATRO PAREDES"},"summary":{"type":"text","$t":"Aunque las oscuras mazmorras de principio de siglo fueron reemplazadas por celdas asfixiantes de máxima seguridad, una vigilancia sistemática es la penitencia a la que deben someterse los convictos. El propósito de las instituciones penitenciarias es reencauzar a los individuos, borrar todo rastro de amenaza y disuadir cualquier vestigio de reincidencia. Y aunque las estructuras disciplinarias "},"link":[{"rel":"replies","type":"application/atom+xml","href":"http:\/\/le-criticon.blogspot.com\/feeds\/707173434091025887\/comments\/default","title":"Enviar comentarios"},{"rel":"replies","type":"text/html","href":"http:\/\/le-criticon.blogspot.com\/2008\/11\/entre-cuatro-paredes.html#comment-form","title":"1 comentarios"},{"rel":"edit","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/3874343899452800092\/posts\/default\/707173434091025887"},{"rel":"self","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/3874343899452800092\/posts\/default\/707173434091025887"},{"rel":"alternate","type":"text/html","href":"http:\/\/le-criticon.blogspot.com\/2008\/11\/entre-cuatro-paredes.html","title":"EN CUATRO PAREDES"}],"author":[{"name":{"$t":"Marcel Celmar"},"uri":{"$t":"http:\/\/www.blogger.com\/profile\/13804012043339392705"},"email":{"$t":"noreply@blogger.com"},"gd$image":{"rel":"http://schemas.google.com/g/2005#thumbnail","width":"24","height":"32","src":"http:\/\/bp2.blogger.com\/_DJtuhrCfgjs\/R-GT1ZRia7I\/AAAAAAAAADo\/U-slqLceyQ0\/S220\/453px-Faces-nevit.jpg"}}],"thr$total":{"$t":"1"}},{"id":{"$t":"tag:blogger.com,1999:blog-3874343899452800092.post-5834609584595096923"},"published":{"$t":"2008-11-25T16:17:00.003-02:00"},"updated":{"$t":"2008-11-25T16:25:03.859-02:00"},"category":[{"scheme":"http://www.blogger.com/atom/ns#","term":"culpa"},{"scheme":"http://www.blogger.com/atom/ns#","term":"John Lennon"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Observatore Romano"},{"scheme":"http://www.blogger.com/atom/ns#","term":"perdón"}],"title":{"type":"text","$t":"PERDON DIVINO"},"summary":{"type":"text","$t":"La culpa es un mecanismo ético que sirve para regular de forma efectiva el comportamiento social. Así, cada persona ajusta su existencia a una tabla de valores morales que le indican cuando una conducta es apropiada y en que momento deja de serlo. En el ámbito religioso, el concepto de culpa está asociado al perdón. Una frase del Antiguo Testamento reza \"perdónanos nuestras ofensas, como también "},"link":[{"rel":"replies","type":"application/atom+xml","href":"http:\/\/le-criticon.blogspot.com\/feeds\/5834609584595096923\/comments\/default","title":"Enviar comentarios"},{"rel":"replies","type":"text/html","href":"http:\/\/le-criticon.blogspot.com\/2008\/11\/perdon-divino.html#comment-form","title":"0 comentarios"},{"rel":"edit","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/3874343899452800092\/posts\/default\/5834609584595096923"},{"rel":"self","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/3874343899452800092\/posts\/default\/5834609584595096923"},{"rel":"alternate","type":"text/html","href":"http:\/\/le-criticon.blogspot.com\/2008\/11\/perdon-divino.html","title":"PERDON DIVINO"}],"author":[{"name":{"$t":"Marcel Celmar"},"uri":{"$t":"http:\/\/www.blogger.com\/profile\/13804012043339392705"},"email":{"$t":"noreply@blogger.com"},"gd$image":{"rel":"http://schemas.google.com/g/2005#thumbnail","width":"24","height":"32","src":"http:\/\/bp2.blogger.com\/_DJtuhrCfgjs\/R-GT1ZRia7I\/AAAAAAAAADo\/U-slqLceyQ0\/S220\/453px-Faces-nevit.jpg"}}],"thr$total":{"$t":"0"}},{"id":{"$t":"tag:blogger.com,1999:blog-3874343899452800092.post-5090312314734064588"},"published":{"$t":"2008-11-19T16:27:00.006-02:00"},"updated":{"$t":"2008-11-19T16:55:13.102-02:00"},"category":[{"scheme":"http://www.blogger.com/atom/ns#","term":"Hollywood Pin-ups"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Pin-Up"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Timothy White"}],"title":{"type":"text","$t":"CHICA DE TAPA"},"summary":{"type":"text","$t":"El Pin-Up es una estética que se inició en 1920 cuando las actrices símbolos de la época eran pintadas o retratadas de manera provocativa para un almanaque. Su impacto social radicaba en la explosiva combinación de una actitud cándida con una pose sugestiva. Con la llegada del glamour hollywoodense esta tendencia se popularizó notablemente. Así, Lucille Ball, Judy Garland, Lana Turner, Bettie "},"link":[{"rel":"replies","type":"application/atom+xml","href":"http:\/\/le-criticon.blogspot.com\/feeds\/5090312314734064588\/comments\/default","title":"Enviar comentarios"},{"rel":"replies","type":"text/html","href":"http:\/\/le-criticon.blogspot.com\/2008\/11\/chica-de-tapa.html#comment-form","title":"0 comentarios"},{"rel":"edit","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/3874343899452800092\/posts\/default\/5090312314734064588"},{"rel":"self","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/3874343899452800092\/posts\/default\/5090312314734064588"},{"rel":"alternate","type":"text/html","href":"http:\/\/le-criticon.blogspot.com\/2008\/11\/chica-de-tapa.html","title":"CHICA DE TAPA"}],"author":[{"name":{"$t":"Marcel Celmar"},"uri":{"$t":"http:\/\/www.blogger.com\/profile\/13804012043339392705"},"email":{"$t":"noreply@blogger.com"},"gd$image":{"rel":"http://schemas.google.com/g/2005#thumbnail","width":"24","height":"32","src":"http:\/\/bp2.blogger.com\/_DJtuhrCfgjs\/R-GT1ZRia7I\/AAAAAAAAADo\/U-slqLceyQ0\/S220\/453px-Faces-nevit.jpg"}}],"thr$total":{"$t":"0"}},{"id":{"$t":"tag:blogger.com,1999:blog-3874343899452800092.post-9065267649948388661"},"published":{"$t":"2008-11-18T10:48:00.007-02:00"},"updated":{"$t":"2008-11-26T18:22:02.735-02:00"},"category":[{"scheme":"http://www.blogger.com/atom/ns#","term":"Encounters short film festival"},{"scheme":"http://www.blogger.com/atom/ns#","term":"folioscopio"},{"scheme":"http://www.blogger.com/atom/ns#","term":"The Black Dog's Progress"}],"title":{"type":"text","$t":"PERRO ABANDONADO"},"summary":{"type":"text","$t":"Desde el 18 al 23 de noviembre, se lleva a cabo en la ciudad británica de Bristol la edición 14 del Encounters short film festival, donde se pueden ver cerca de 300 cortos que representan a unos 30 países del orbe. Para aquellos que no tenga la posibilidad de asistir personalmente, a través de Internet se pueden ver algunos de los mini metrajes en competencia. Uno de los seleccionados es The "},"link":[{"rel":"replies","type":"application/atom+xml","href":"http:\/\/le-criticon.blogspot.com\/feeds\/9065267649948388661\/comments\/default","title":"Enviar comentarios"},{"rel":"replies","type":"text/html","href":"http:\/\/le-criticon.blogspot.com\/2008\/11\/perro-abandonado.html#comment-form","title":"0 comentarios"},{"rel":"edit","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/3874343899452800092\/posts\/default\/9065267649948388661"},{"rel":"self","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/3874343899452800092\/posts\/default\/9065267649948388661"},{"rel":"alternate","type":"text/html","href":"http:\/\/le-criticon.blogspot.com\/2008\/11\/perro-abandonado.html","title":"PERRO ABANDONADO"}],"author":[{"name":{"$t":"Marcel Celmar"},"uri":{"$t":"http:\/\/www.blogger.com\/profile\/13804012043339392705"},"email":{"$t":"noreply@blogger.com"},"gd$image":{"rel":"http://schemas.google.com/g/2005#thumbnail","width":"24","height":"32","src":"http:\/\/bp2.blogger.com\/_DJtuhrCfgjs\/R-GT1ZRia7I\/AAAAAAAAADo\/U-slqLceyQ0\/S220\/453px-Faces-nevit.jpg"}}],"thr$total":{"$t":"0"}},{"id":{"$t":"tag:blogger.com,1999:blog-3874343899452800092.post-3648324323895086927"},"published":{"$t":"2008-11-17T18:20:00.006-02:00"},"updated":{"$t":"2008-11-17T18:58:57.985-02:00"},"category":[{"scheme":"http://www.blogger.com/atom/ns#","term":"Hellboy: El ejército dorado"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Max Payne"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Peligro en Bangkok"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Quémese después de leerse"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Traidor"}],"title":{"type":"text","$t":"MENOS CINCO"},"summary":{"type":"text","$t":"Cinco películas de acción que bien pueden ir a parar directo al video. No es que sean completamente malas, lo peor del caso es que tienen resto como para aspirar a algo más, pero cuando deben meter el cambio de marcha, se quedan atoradas en la pausa y ya no consiguen arrancar. Algunas están en cartel y otras se estrenan en las próximas semanas. Si quiere aceptar un consejo y ahorrar unos billetes"},"link":[{"rel":"replies","type":"application/atom+xml","href":"http:\/\/le-criticon.blogspot.com\/feeds\/3648324323895086927\/comments\/default","title":"Enviar comentarios"},{"rel":"replies","type":"text/html","href":"http:\/\/le-criticon.blogspot.com\/2008\/11\/menos-cinco.html#comment-form","title":"0 comentarios"},{"rel":"edit","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/3874343899452800092\/posts\/default\/3648324323895086927"},{"rel":"self","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/3874343899452800092\/posts\/default\/3648324323895086927"},{"rel":"alternate","type":"text/html","href":"http:\/\/le-criticon.blogspot.com\/2008\/11\/menos-cinco.html","title":"MENOS CINCO"}],"author":[{"name":{"$t":"Marcel Celmar"},"uri":{"$t":"http:\/\/www.blogger.com\/profile\/13804012043339392705"},"email":{"$t":"noreply@blogger.com"},"gd$image":{"rel":"http://schemas.google.com/g/2005#thumbnail","width":"24","height":"32","src":"http:\/\/bp2.blogger.com\/_DJtuhrCfgjs\/R-GT1ZRia7I\/AAAAAAAAADo\/U-slqLceyQ0\/S220\/453px-Faces-nevit.jpg"}}],"thr$total":{"$t":"0"}},{"id":{"$t":"tag:blogger.com,1999:blog-3874343899452800092.post-8105931781576839961"},"published":{"$t":"2008-11-14T19:45:00.019-02:00"},"updated":{"$t":"2008-11-14T20:38:09.477-02:00"},"category":[{"scheme":"http://www.blogger.com/atom/ns#","term":"Arnold Schwarzenegger"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Britney Spears"},{"scheme":"http://www.blogger.com/atom/ns#","term":"George W. Bush"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Madonna"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Sean Connery"}],"title":{"type":"text","$t":"SIN VERGUENZA"},"summary":{"type":"text","$t":"El temor al ridículo es una de las sensaciones más frustrantes que deben afrontar los seres humanos. Para muchos el oprobio no está en la mirada de los otros sino en la inquisición de los propios pensamientos. Es así que en algunas culturas, como en el caso de la asiática, un acto degradante sólo se redime con la muerte. El único consuelo para desfachatados es que nadie está exento de padecerlo. "},"link":[{"rel":"replies","type":"application/atom+xml","href":"http:\/\/le-criticon.blogspot.com\/feeds\/8105931781576839961\/comments\/default","title":"Enviar comentarios"},{"rel":"replies","type":"text/html","href":"http:\/\/le-criticon.blogspot.com\/2008\/11\/sin-verguenza.html#comment-form","title":"0 comentarios"},{"rel":"edit","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/3874343899452800092\/posts\/default\/8105931781576839961"},{"rel":"self","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/3874343899452800092\/posts\/default\/8105931781576839961"},{"rel":"alternate","type":"text/html","href":"http:\/\/le-criticon.blogspot.com\/2008\/11\/sin-verguenza.html","title":"SIN VERGUENZA"}],"author":[{"name":{"$t":"Marcel Celmar"},"uri":{"$t":"http:\/\/www.blogger.com\/profile\/13804012043339392705"},"email":{"$t":"noreply@blogger.com"},"gd$image":{"rel":"http://schemas.google.com/g/2005#thumbnail","width":"24","height":"32","src":"http:\/\/bp2.blogger.com\/_DJtuhrCfgjs\/R-GT1ZRia7I\/AAAAAAAAADo\/U-slqLceyQ0\/S220\/453px-Faces-nevit.jpg"}}],"thr$total":{"$t":"0"}},{"id":{"$t":"tag:blogger.com,1999:blog-3874343899452800092.post-2444809328455671433"},"published":{"$t":"2008-11-12T11:27:00.008-02:00"},"updated":{"$t":"2008-11-12T12:05:16.108-02:00"},"category":[{"scheme":"http://www.blogger.com/atom/ns#","term":"Albert Einstein"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Aristóteles"},{"scheme":"http://www.blogger.com/atom/ns#","term":"historia del tiempo"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Isaac Newton"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Platón"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Stephen Hawking"}],"title":{"type":"text","$t":"AL INFINITO Y MAS ALLA"},"summary":{"type":"text","$t":"El tiempo es un concepto que intenta mensurar el paso de las épocas, para fijar la duración del hombre sobre la tierra. En este recorrido intangible se pretende sobrevolar las aproximaciones históricas del tema. Sin dejar afuera el enfoque mecánico de la física ni la dialéctica ontológica. Desde la visión cíclica de los helenos, la concepción lineal de la tradición judío-cristiana, pasando por la"},"link":[{"rel":"replies","type":"application/atom+xml","href":"http:\/\/le-criticon.blogspot.com\/feeds\/2444809328455671433\/comments\/default","title":"Enviar comentarios"},{"rel":"replies","type":"text/html","href":"http:\/\/le-criticon.blogspot.com\/2008\/11\/al-infinito-y-mas-alla.html#comment-form","title":"3 comentarios"},{"rel":"edit","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/3874343899452800092\/posts\/default\/2444809328455671433"},{"rel":"self","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/3874343899452800092\/posts\/default\/2444809328455671433"},{"rel":"alternate","type":"text/html","href":"http:\/\/le-criticon.blogspot.com\/2008\/11\/al-infinito-y-mas-alla.html","title":"AL INFINITO Y MAS ALLA"}],"author":[{"name":{"$t":"Altazor"},"uri":{"$t":"http:\/\/www.blogger.com\/profile\/00964863927097668508"},"email":{"$t":"noreply@blogger.com"},"gd$image":{"rel":"http://schemas.google.com/g/2005#thumbnail","width":"21","height":"32","src":"http:\/\/bp1.blogger.com\/_pbZDFlX0Ve4\/SDnBS2SXNZI\/AAAAAAAAAAs\/tCYIMXzZQdo\/S220\/foto.JPG"}}],"thr$total":{"$t":"3"}},{"id":{"$t":"tag:blogger.com,1999:blog-3874343899452800092.post-6678095332960707537"},"published":{"$t":"2008-11-08T16:17:00.006-02:00"},"updated":{"$t":"2008-11-08T16:43:19.325-02:00"},"category":[{"scheme":"http://www.blogger.com/atom/ns#","term":"Festival de Woodstock"},{"scheme":"http://www.blogger.com/atom/ns#","term":"hippismo"},{"scheme":"http://www.blogger.com/atom/ns#","term":"póster psicodélicos"},{"scheme":"http://www.blogger.com/atom/ns#","term":"rock psicodélico"}],"title":{"type":"text","$t":"MARCHA HIPNOTICA"},"summary":{"type":"text","$t":"El rock psicodélico nació a mediados de los años 60 en una época de grandes cambios espirituales y sociales. El término es un neologismo que derivada del griego y significa “manifestación del alma”. Su fuente de inspiración eran las drogas lisérgicas y su imagen sensorial una paleta de colores resplandecientes. Es una música con base instrumental, de composición caótica, con letras esotéricas, "},"link":[{"rel":"replies","type":"application/atom+xml","href":"http:\/\/le-criticon.blogspot.com\/feeds\/6678095332960707537\/comments\/default","title":"Enviar comentarios"},{"rel":"replies","type":"text/html","href":"http:\/\/le-criticon.blogspot.com\/2008\/11\/marcha-hipnotica.html#comment-form","title":"0 comentarios"},{"rel":"edit","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/3874343899452800092\/posts\/default\/6678095332960707537"},{"rel":"self","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/3874343899452800092\/posts\/default\/6678095332960707537"},{"rel":"alternate","type":"text/html","href":"http:\/\/le-criticon.blogspot.com\/2008\/11\/marcha-hipnotica.html","title":"MARCHA HIPNOTICA"}],"author":[{"name":{"$t":"Altazor"},"uri":{"$t":"http:\/\/www.blogger.com\/profile\/00964863927097668508"},"email":{"$t":"noreply@blogger.com"},"gd$image":{"rel":"http://schemas.google.com/g/2005#thumbnail","width":"21","height":"32","src":"http:\/\/bp1.blogger.com\/_pbZDFlX0Ve4\/SDnBS2SXNZI\/AAAAAAAAAAs\/tCYIMXzZQdo\/S220\/foto.JPG"}}],"thr$total":{"$t":"0"}},{"id":{"$t":"tag:blogger.com,1999:blog-3874343899452800092.post-2613545096648027352"},"published":{"$t":"2008-11-05T18:52:00.008-02:00"},"updated":{"$t":"2008-11-05T19:21:53.609-02:00"},"category":[{"scheme":"http://www.blogger.com/atom/ns#","term":"Concurso LEA"},{"scheme":"http://www.blogger.com/atom/ns#","term":"fomentar interés literario"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Léemeloslabios.com"}],"title":{"type":"text","$t":"LABIOS SORDOS"},"summary":{"type":"text","$t":"Las situaciones desesperadas no siempre se arreglan con medidas descabelladas. Esta frase viene a cuento de un concurso bastante peculiar que organiza el Grupo LEA (Librerías Especializadas Asociadas) junto con el Ministerio de Cultura Español. Con la sana intención de fomentar la lectura se organizó un certamen llamado Léemeloslabios.com que consiste en realizar un video, con una duración máxima"},"link":[{"rel":"replies","type":"application/atom+xml","href":"http:\/\/le-criticon.blogspot.com\/feeds\/2613545096648027352\/comments\/default","title":"Enviar comentarios"},{"rel":"replies","type":"text/html","href":"http:\/\/le-criticon.blogspot.com\/2008\/11\/labios-sordos.html#comment-form","title":"2 comentarios"},{"rel":"edit","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/3874343899452800092\/posts\/default\/2613545096648027352"},{"rel":"self","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/3874343899452800092\/posts\/default\/2613545096648027352"},{"rel":"alternate","type":"text/html","href":"http:\/\/le-criticon.blogspot.com\/2008\/11\/labios-sordos.html","title":"LABIOS SORDOS"}],"author":[{"name":{"$t":"Altazor"},"uri":{"$t":"http:\/\/www.blogger.com\/profile\/00964863927097668508"},"email":{"$t":"noreply@blogger.com"},"gd$image":{"rel":"http://schemas.google.com/g/2005#thumbnail","width":"21","height":"32","src":"http:\/\/bp1.blogger.com\/_pbZDFlX0Ve4\/SDnBS2SXNZI\/AAAAAAAAAAs\/tCYIMXzZQdo\/S220\/foto.JPG"}}],"thr$total":{"$t":"2"}},{"id":{"$t":"tag:blogger.com,1999:blog-3874343899452800092.post-7612589801655924663"},"published":{"$t":"2008-11-04T11:15:00.011-02:00"},"updated":{"$t":"2008-11-04T17:08:30.081-02:00"},"category":[{"scheme":"http://www.blogger.com/atom/ns#","term":"Daniel Craig"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Ian Fleming"},{"scheme":"http://www.blogger.com/atom/ns#","term":"James Bond"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Quantum of Solace"}],"title":{"type":"text","$t":"DEMASIADO HUMANO"},"summary":{"type":"text","$t":"Para que una franquicia como la de James Bond se perpetúe en el tiempo, es indispensable ir adaptando a la época el modelo creado por Ian Fleming en 1954. Y no hablamos del aspecto tecnológico, porque no basta con llevar un cristal enquistado en la retina, en lugar de unos prismáticos con 8 niveles de aumento para evidenciar un cambio social. La transformación que se percibe en Quantum of Solace "},"link":[{"rel":"replies","type":"application/atom+xml","href":"http:\/\/le-criticon.blogspot.com\/feeds\/7612589801655924663\/comments\/default","title":"Enviar comentarios"},{"rel":"replies","type":"text/html","href":"http:\/\/le-criticon.blogspot.com\/2008\/11\/demasiado-humano.html#comment-form","title":"3 comentarios"},{"rel":"edit","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/3874343899452800092\/posts\/default\/7612589801655924663"},{"rel":"self","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/3874343899452800092\/posts\/default\/7612589801655924663"},{"rel":"alternate","type":"text/html","href":"http:\/\/le-criticon.blogspot.com\/2008\/11\/demasiado-humano.html","title":"DEMASIADO HUMANO"}],"author":[{"name":{"$t":"Marcel Celmar"},"uri":{"$t":"http:\/\/www.blogger.com\/profile\/13804012043339392705"},"email":{"$t":"noreply@blogger.com"},"gd$image":{"rel":"http://schemas.google.com/g/2005#thumbnail","width":"24","height":"32","src":"http:\/\/bp2.blogger.com\/_DJtuhrCfgjs\/R-GT1ZRia7I\/AAAAAAAAADo\/U-slqLceyQ0\/S220\/453px-Faces-nevit.jpg"}}],"thr$total":{"$t":"3"}},{"id":{"$t":"tag:blogger.com,1999:blog-3874343899452800092.post-656775648108651754"},"published":{"$t":"2008-11-03T09:01:00.004-02:00"},"updated":{"$t":"2008-11-03T09:11:50.599-02:00"},"category":[{"scheme":"http://www.blogger.com/atom/ns#","term":"American Museum of the Moving Image"},{"scheme":"http://www.blogger.com/atom/ns#","term":"ciencia ficción"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Joyce Draganosky"},{"scheme":"http://www.blogger.com/atom/ns#","term":"The Science of Love"}],"title":{"type":"text","$t":"CIENCIA FICCION"},"summary":{"type":"text","$t":"La unión entre la ciencia más estricta y la ficción literaria sirvió como un puente para conectar el presente con un futuro posible. Muchos de los adelantos tecnológicos que hoy son considerados irreemplazables, tuvieron su origen en especulaciones retóricas, fruto de la imaginación de algunos soñadores que miraron un poco más allá. Para fomentar esta alianza, el American Museum of the Moving "},"link":[{"rel":"replies","type":"application/atom+xml","href":"http:\/\/le-criticon.blogspot.com\/feeds\/656775648108651754\/comments\/default","title":"Enviar comentarios"},{"rel":"replies","type":"text/html","href":"http:\/\/le-criticon.blogspot.com\/2008\/11\/ciencia-ficcion.html#comment-form","title":"0 comentarios"},{"rel":"edit","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/3874343899452800092\/posts\/default\/656775648108651754"},{"rel":"self","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/3874343899452800092\/posts\/default\/656775648108651754"},{"rel":"alternate","type":"text/html","href":"http:\/\/le-criticon.blogspot.com\/2008\/11\/ciencia-ficcion.html","title":"CIENCIA FICCION"}],"author":[{"name":{"$t":"Marcel Celmar"},"uri":{"$t":"http:\/\/www.blogger.com\/profile\/13804012043339392705"},"email":{"$t":"noreply@blogger.com"},"gd$image":{"rel":"http://schemas.google.com/g/2005#thumbnail","width":"24","height":"32","src":"http:\/\/bp2.blogger.com\/_DJtuhrCfgjs\/R-GT1ZRia7I\/AAAAAAAAADo\/U-slqLceyQ0\/S220\/453px-Faces-nevit.jpg"}}],"thr$total":{"$t":"0"}},{"id":{"$t":"tag:blogger.com,1999:blog-3874343899452800092.post-7999166599753943623"},"published":{"$t":"2008-10-30T18:34:00.004-02:00"},"updated":{"$t":"2008-10-30T18:58:33.435-02:00"},"category":[{"scheme":"http://www.blogger.com/atom/ns#","term":"colección fotográfica"},{"scheme":"http://www.blogger.com/atom/ns#","term":"ideologías"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Vanity Fair"}],"title":{"type":"text","$t":"LA INDIFERENCIA DEL MUNDO"},"summary":{"type":"text","$t":"La proclamada pérdida de las ideologías es un síntoma que identifica a las nuevas generaciones. El pensamiento único y la militancia social de los años setenta fueron reemplazadas por la doctrina del individualismo supremo. El nuevo modelo encuentra en la globalización al gran impulsor del egoísmo a ultranza. Con un golpe de control remoto se pueden conocer las dictaduras más sanguinarias o las "},"link":[{"rel":"replies","type":"application/atom+xml","href":"http:\/\/le-criticon.blogspot.com\/feeds\/7999166599753943623\/comments\/default","title":"Enviar comentarios"},{"rel":"replies","type":"text/html","href":"http:\/\/le-criticon.blogspot.com\/2008\/10\/la-indiferencia-del-mundo.html#comment-form","title":"1 comentarios"},{"rel":"edit","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/3874343899452800092\/posts\/default\/7999166599753943623"},{"rel":"self","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/3874343899452800092\/posts\/default\/7999166599753943623"},{"rel":"alternate","type":"text/html","href":"http:\/\/le-criticon.blogspot.com\/2008\/10\/la-indiferencia-del-mundo.html","title":"LA INDIFERENCIA DEL MUNDO"}],"author":[{"name":{"$t":"Altazor"},"uri":{"$t":"http:\/\/www.blogger.com\/profile\/00964863927097668508"},"email":{"$t":"noreply@blogger.com"},"gd$image":{"rel":"http://schemas.google.com/g/2005#thumbnail","width":"21","height":"32","src":"http:\/\/bp1.blogger.com\/_pbZDFlX0Ve4\/SDnBS2SXNZI\/AAAAAAAAAAs\/tCYIMXzZQdo\/S220\/foto.JPG"}}],"thr$total":{"$t":"1"}},{"id":{"$t":"tag:blogger.com,1999:blog-3874343899452800092.post-6544515415286832627"},"published":{"$t":"2008-10-27T09:59:00.010-02:00"},"updated":{"$t":"2008-10-27T10:41:13.471-02:00"},"category":[{"scheme":"http://www.blogger.com/atom/ns#","term":"Al Pacino"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Asesinato justo"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Fuego contra fuego"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Robert De Niro"}],"title":{"type":"text","$t":"POLVO DE ESTRELLAS"},"summary":{"type":"text","$t":"La excusa comercial en Asesinato justo (Righteous Kill) es ver a dos actores legendarios en un mismo cartel. Y un poco la idea que se barajó para este tercer encuentro cumbre (los anteriores fueron El padrino II – 1974 y Fuego contra fuego – 1995) fue, si con uno alcanza con los dos es afano. Y casi sin pestañar, el grueso del presupuesto se invirtió en la contratación de estas luminarias. Con "},"link":[{"rel":"replies","type":"application/atom+xml","href":"http:\/\/le-criticon.blogspot.com\/feeds\/6544515415286832627\/comments\/default","title":"Enviar comentarios"},{"rel":"replies","type":"text/html","href":"http:\/\/le-criticon.blogspot.com\/2008\/10\/polvo-de-estrellas.html#comment-form","title":"0 comentarios"},{"rel":"edit","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/3874343899452800092\/posts\/default\/6544515415286832627"},{"rel":"self","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/3874343899452800092\/posts\/default\/6544515415286832627"},{"rel":"alternate","type":"text/html","href":"http:\/\/le-criticon.blogspot.com\/2008\/10\/polvo-de-estrellas.html","title":"POLVO DE ESTRELLAS"}],"author":[{"name":{"$t":"Marcel Celmar"},"uri":{"$t":"http:\/\/www.blogger.com\/profile\/13804012043339392705"},"email":{"$t":"noreply@blogger.com"},"gd$image":{"rel":"http://schemas.google.com/g/2005#thumbnail","width":"24","height":"32","src":"http:\/\/bp2.blogger.com\/_DJtuhrCfgjs\/R-GT1ZRia7I\/AAAAAAAAADo\/U-slqLceyQ0\/S220\/453px-Faces-nevit.jpg"}}],"thr$total":{"$t":"0"}},{"id":{"$t":"tag:blogger.com,1999:blog-3874343899452800092.post-2755569724871259653"},"published":{"$t":"2008-10-24T10:11:00.001-02:00"},"updated":{"$t":"2008-10-24T10:22:17.195-02:00"},"category":[{"scheme":"http://www.blogger.com/atom/ns#","term":"Banksy"},{"scheme":"http://www.blogger.com/atom/ns#","term":"The Village Pet Store And Charcoal Grill"}],"title":{"type":"text","$t":"REBELION EN LA GRANJA"},"summary":{"type":"text","$t":"El graffitero Banksy acaba de inaugurar una curiosa instalación en la ciudad de New York llamada The Village Pet Store And Charcoal Grill. Para el peatón que circule desprevenido por la West 4th y Bleeker Street, en el barrio de West Village, descubrirá lo que a simple vista parece una tienda de mascotas. Pero si se asoma a la vidriera notará que no existe nada menos genuino que la realidad. La "},"link":[{"rel":"replies","type":"application/atom+xml","href":"http:\/\/le-criticon.blogspot.com\/feeds\/2755569724871259653\/comments\/default","title":"Enviar comentarios"},{"rel":"replies","type":"text/html","href":"http:\/\/le-criticon.blogspot.com\/2008\/10\/rebelion-en-la-granja.html#comment-form","title":"3 comentarios"},{"rel":"edit","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/3874343899452800092\/posts\/default\/2755569724871259653"},{"rel":"self","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/3874343899452800092\/posts\/default\/2755569724871259653"},{"rel":"alternate","type":"text/html","href":"http:\/\/le-criticon.blogspot.com\/2008\/10\/rebelion-en-la-granja.html","title":"REBELION EN LA GRANJA"}],"author":[{"name":{"$t":"Altazor"},"uri":{"$t":"http:\/\/www.blogger.com\/profile\/00964863927097668508"},"email":{"$t":"noreply@blogger.com"},"gd$image":{"rel":"http://schemas.google.com/g/2005#thumbnail","width":"21","height":"32","src":"http:\/\/bp1.blogger.com\/_pbZDFlX0Ve4\/SDnBS2SXNZI\/AAAAAAAAAAs\/tCYIMXzZQdo\/S220\/foto.JPG"}}],"thr$total":{"$t":"3"}},{"id":{"$t":"tag:blogger.com,1999:blog-3874343899452800092.post-2506603837609659190"},"published":{"$t":"2008-10-23T11:16:00.001-02:00"},"updated":{"$t":"2008-10-23T11:39:10.295-02:00"},"category":[{"scheme":"http://www.blogger.com/atom/ns#","term":"Ben Kingsley"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Brad Anderson"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Eduardo Noriega"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Emily Mortimer"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Transsiberian"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Woody Harrelson"}],"title":{"type":"text","$t":"CAMARADAS"},"summary":{"type":"text","$t":"Una película entretenida no es aquella que cruza un sendero nunca antes transitado sino la que combina en forma magistral, paisajes y situaciones que a muchos les resultan familiares. A medida que los hechos se encadenan en Transsiberian, las complicidades de Alarma en el expreso (The Lady Vanishes – 1939) de Alfred Hitchcock y la brutalidad de Escape en tren (Runaway Train – 1985) de Andrei "},"link":[{"rel":"replies","type":"application/atom+xml","href":"http:\/\/le-criticon.blogspot.com\/feeds\/2506603837609659190\/comments\/default","title":"Enviar comentarios"},{"rel":"replies","type":"text/html","href":"http:\/\/le-criticon.blogspot.com\/2008\/10\/camaradas.html#comment-form","title":"1 comentarios"},{"rel":"edit","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/3874343899452800092\/posts\/default\/2506603837609659190"},{"rel":"self","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/3874343899452800092\/posts\/default\/2506603837609659190"},{"rel":"alternate","type":"text/html","href":"http:\/\/le-criticon.blogspot.com\/2008\/10\/camaradas.html","title":"CAMARADAS"}],"author":[{"name":{"$t":"Marcel Celmar"},"uri":{"$t":"http:\/\/www.blogger.com\/profile\/13804012043339392705"},"email":{"$t":"noreply@blogger.com"},"gd$image":{"rel":"http://schemas.google.com/g/2005#thumbnail","width":"24","height":"32","src":"http:\/\/bp2.blogger.com\/_DJtuhrCfgjs\/R-GT1ZRia7I\/AAAAAAAAADo\/U-slqLceyQ0\/S220\/453px-Faces-nevit.jpg"}}],"thr$total":{"$t":"1"}},{"id":{"$t":"tag:blogger.com,1999:blog-3874343899452800092.post-23667122025291929"},"published":{"$t":"2008-10-22T10:08:00.002-02:00"},"updated":{"$t":"2008-10-22T11:20:05.542-02:00"},"category":[{"scheme":"http://www.blogger.com/atom/ns#","term":"Afganistán"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Australia"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Bolivia"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Cuba"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Zambia"}],"title":{"type":"text","$t":"POR EL MUNDO"},"summary":{"type":"text","$t":"Un recorrido fotográfico que muestra seis enfoques diferentes del mundo. Algunas bastante contradictorias. Así, en Australia,  no llueve desde hace varios meses, algo que está afectando los cultivos y la cría de animales, y en un país centroamericano, los habitantes deben escapar de las tormentas que arrasan todo a su paso. Las producciones de opio en Afganistán y el drama de los negros blancos. "},"link":[{"rel":"replies","type":"application/atom+xml","href":"http:\/\/le-criticon.blogspot.com\/feeds\/23667122025291929\/comments\/default","title":"Enviar comentarios"},{"rel":"replies","type":"text/html","href":"http:\/\/le-criticon.blogspot.com\/2008\/10\/por-el-mundo.html#comment-form","title":"1 comentarios"},{"rel":"edit","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/3874343899452800092\/posts\/default\/23667122025291929"},{"rel":"self","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/3874343899452800092\/posts\/default\/23667122025291929"},{"rel":"alternate","type":"text/html","href":"http:\/\/le-criticon.blogspot.com\/2008\/10\/por-el-mundo.html","title":"POR EL MUNDO"}],"author":[{"name":{"$t":"Marcel Celmar"},"uri":{"$t":"http:\/\/www.blogger.com\/profile\/13804012043339392705"},"email":{"$t":"noreply@blogger.com"},"gd$image":{"rel":"http://schemas.google.com/g/2005#thumbnail","width":"24","height":"32","src":"http:\/\/bp2.blogger.com\/_DJtuhrCfgjs\/R-GT1ZRia7I\/AAAAAAAAADo\/U-slqLceyQ0\/S220\/453px-Faces-nevit.jpg"}}],"thr$total":{"$t":"1"}},{"id":{"$t":"tag:blogger.com,1999:blog-3874343899452800092.post-8713299190769348995"},"published":{"$t":"2008-10-21T09:58:00.002-02:00"},"updated":{"$t":"2008-10-21T10:13:00.902-02:00"},"category":[{"scheme":"http://www.blogger.com/atom/ns#","term":"Dan Roam"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Daniel H. Pink"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Johnny Bunko"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Visual Thinking"}],"title":{"type":"text","$t":"PODER GRAFICO"},"summary":{"type":"text","$t":"Hay gente que se las sabe todas y si no le aplauden los trucos se inventan un auditorio. Este es el caso de Daniel H. Pink, un gurú especializado en las nuevas tendencias empresariales. Para enseñar a los futuros patrones y gerontes que perdieron el norte a tomar las decisiones correctas, el tipo ideó una colección de manuales sobre gestión corporativa que causan furor en el mundo de los negocios"},"link":[{"rel":"replies","type":"application/atom+xml","href":"http:\/\/le-criticon.blogspot.com\/feeds\/8713299190769348995\/comments\/default","title":"Enviar comentarios"},{"rel":"replies","type":"text/html","href":"http:\/\/le-criticon.blogspot.com\/2008\/10\/poder-grafico.html#comment-form","title":"2 comentarios"},{"rel":"edit","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/3874343899452800092\/posts\/default\/8713299190769348995"},{"rel":"self","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/3874343899452800092\/posts\/default\/8713299190769348995"},{"rel":"alternate","type":"text/html","href":"http:\/\/le-criticon.blogspot.com\/2008\/10\/poder-grafico.html","title":"PODER GRAFICO"}],"author":[{"name":{"$t":"Marcel Celmar"},"uri":{"$t":"http:\/\/www.blogger.com\/profile\/13804012043339392705"},"email":{"$t":"noreply@blogger.com"},"gd$image":{"rel":"http://schemas.google.com/g/2005#thumbnail","width":"24","height":"32","src":"http:\/\/bp2.blogger.com\/_DJtuhrCfgjs\/R-GT1ZRia7I\/AAAAAAAAADo\/U-slqLceyQ0\/S220\/453px-Faces-nevit.jpg"}}],"thr$total":{"$t":"2"}},{"id":{"$t":"tag:blogger.com,1999:blog-3874343899452800092.post-1908093878758688930"},"published":{"$t":"2008-10-10T10:56:00.010-03:00"},"updated":{"$t":"2008-10-10T12:03:52.061-03:00"},"category":[{"scheme":"http://www.blogger.com/atom/ns#","term":"Battle in Seattle"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Espejos siniestros"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Fireflies In The Garden"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Happy Go Lucky"},{"scheme":"http://www.blogger.com/atom/ns#","term":"The Midnight Meat Train"},{"scheme":"http://www.blogger.com/atom/ns#","term":"The Visitor"}],"title":{"type":"text","$t":"CORTITAS"},"summary":{"type":"text","$t":"Seis películas que merecen algún comentario y que por alguna razón, quedaron traspapeladas. Algunas muy interesantes, de inminente estreno y otras, una decepción insostenible que esperemos nunca lleguen al cartel. Desde la última del director británico Mike Leigh, la aparición más reciente de Julia Roberts, dos títulos de terror que mueven el susto y la gran sorpresa de Thomas McCarthy. A unos "},"link":[{"rel":"replies","type":"application/atom+xml","href":"http:\/\/le-criticon.blogspot.com\/feeds\/1908093878758688930\/comments\/default","title":"Enviar comentarios"},{"rel":"replies","type":"text/html","href":"http:\/\/le-criticon.blogspot.com\/2008\/10\/cortitas.html#comment-form","title":"1 comentarios"},{"rel":"edit","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/3874343899452800092\/posts\/default\/1908093878758688930"},{"rel":"self","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/3874343899452800092\/posts\/default\/1908093878758688930"},{"rel":"alternate","type":"text/html","href":"http:\/\/le-criticon.blogspot.com\/2008\/10\/cortitas.html","title":"CORTITAS"}],"author":[{"name":{"$t":"Marcel Celmar"},"uri":{"$t":"http:\/\/www.blogger.com\/profile\/13804012043339392705"},"email":{"$t":"noreply@blogger.com"},"gd$image":{"rel":"http://schemas.google.com/g/2005#thumbnail","width":"24","height":"32","src":"http:\/\/bp2.blogger.com\/_DJtuhrCfgjs\/R-GT1ZRia7I\/AAAAAAAAADo\/U-slqLceyQ0\/S220\/453px-Faces-nevit.jpg"}}],"thr$total":{"$t":"1"}},{"id":{"$t":"tag:blogger.com,1999:blog-3874343899452800092.post-5448375242184073186"},"published":{"$t":"2008-10-09T10:09:00.007-03:00"},"updated":{"$t":"2008-10-09T10:31:18.292-03:00"},"category":[{"scheme":"http://www.blogger.com/atom/ns#","term":"fiesta internacional"},{"scheme":"http://www.blogger.com/atom/ns#","term":"globalización"},{"scheme":"http://www.blogger.com/atom/ns#","term":"video XXX"}],"title":{"type":"text","$t":"PORNO SUAVE"},"summary":{"type":"text","$t":"Cuando los mercados internacionales proclaman el agotamiento del modelo neoliberal, una de las máximas aspiraciones del capitalismo globalizado está a punto de volverse realidad: organizar un espectáculo musical en donde todo el mundo participe. El promotor de esta fiesta electrónica es una marca de jeans que irá extendiendo el ritmo de un continente a otro, a lo largo de 17 ciudades y 8 zonas "},"link":[{"rel":"replies","type":"application/atom+xml","href":"http:\/\/le-criticon.blogspot.com\/feeds\/5448375242184073186\/comments\/default","title":"Enviar comentarios"},{"rel":"replies","type":"text/html","href":"http:\/\/le-criticon.blogspot.com\/2008\/10\/porno-suave.html#comment-form","title":"0 comentarios"},{"rel":"edit","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/3874343899452800092\/posts\/default\/5448375242184073186"},{"rel":"self","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/3874343899452800092\/posts\/default\/5448375242184073186"},{"rel":"alternate","type":"text/html","href":"http:\/\/le-criticon.blogspot.com\/2008\/10\/porno-suave.html","title":"PORNO SUAVE"}],"author":[{"name":{"$t":"Marcel Celmar"},"uri":{"$t":"http:\/\/www.blogger.com\/profile\/13804012043339392705"},"email":{"$t":"noreply@blogger.com"},"gd$image":{"rel":"http://schemas.google.com/g/2005#thumbnail","width":"24","height":"32","src":"http:\/\/bp2.blogger.com\/_DJtuhrCfgjs\/R-GT1ZRia7I\/AAAAAAAAADo\/U-slqLceyQ0\/S220\/453px-Faces-nevit.jpg"}}],"thr$total":{"$t":"0"}},{"id":{"$t":"tag:blogger.com,1999:blog-3874343899452800092.post-3517600021735667086"},"published":{"$t":"2008-10-08T12:26:00.007-03:00"},"updated":{"$t":"2008-10-08T13:08:58.872-03:00"},"category":[{"scheme":"http://www.blogger.com/atom/ns#","term":"Allan Arbus"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Diane Arbus"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Lisette Model"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Patricia Bosworth"}],"title":{"type":"text","$t":"PATRONA DE LOS FREAKS"},"summary":{"type":"text","$t":"La realidad es un barco a la deriva en el que navegan criaturas aberrantes y bellezas sobrenaturales. Algunos flotan a contrapelo de la corriente y otros se dejan llevar por las olas. Aunque todos sufren las adversidades del destino, se complacen con las mismas caricias y son capaces de asesinar antes de ser olvidados. Aquellos que dejaron de soñar, que fueron abandonados en un rincón, que "},"link":[{"rel":"replies","type":"application/atom+xml","href":"http:\/\/le-criticon.blogspot.com\/feeds\/3517600021735667086\/comments\/default","title":"Enviar comentarios"},{"rel":"replies","type":"text/html","href":"http:\/\/le-criticon.blogspot.com\/2008\/10\/patrona-de-los-freaks.html#comment-form","title":"6 comentarios"},{"rel":"edit","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/3874343899452800092\/posts\/default\/3517600021735667086"},{"rel":"self","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/3874343899452800092\/posts\/default\/3517600021735667086"},{"rel":"alternate","type":"text/html","href":"http:\/\/le-criticon.blogspot.com\/2008\/10\/patrona-de-los-freaks.html","title":"PATRONA DE LOS FREAKS"}],"author":[{"name":{"$t":"Anthony \"el quakero\""},"uri":{"$t":"http:\/\/www.blogger.com\/profile\/05931660534371760150"},"email":{"$t":"noreply@blogger.com"},"gd$image":{"rel":"http://schemas.google.com/g/2005#thumbnail","width":"32","height":"24","src":"http:\/\/bp1.blogger.com\/_b1X7xC27TS8\/R-GbYlm0rAI\/AAAAAAAAAAM\/GSDUB37xRJI\/S220\/Mirada.jpg"}}],"thr$total":{"$t":"6"}},{"id":{"$t":"tag:blogger.com,1999:blog-3874343899452800092.post-1258720442156168429"},"published":{"$t":"2008-10-06T11:33:00.009-03:00"},"updated":{"$t":"2008-10-06T12:00:02.882-03:00"},"category":[{"scheme":"http://www.blogger.com/atom/ns#","term":"Ben Kingsley"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Isabel Coixet"},{"scheme":"http://www.blogger.com/atom/ns#","term":"La elegida"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Penélope Cruz"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Philip Roth"}],"title":{"type":"text","$t":"AMORES DE ESTUDIANTE"},"summary":{"type":"text","$t":"La ética, entendida como un ejercicio de la razón que asigna normas de conducta y principios de comportamiento a las personas, está emparentada con las convicciones. Cuando se replantean algunos de estos valores o se intenta modificarlos, el andamiaje intelectual se enfrenta a un conflicto moral que deriva en una profunda crisis emocional. Sobre este delgado hilo filosófico se transporta La "},"link":[{"rel":"replies","type":"application/atom+xml","href":"http:\/\/le-criticon.blogspot.com\/feeds\/1258720442156168429\/comments\/default","title":"Enviar comentarios"},{"rel":"replies","type":"text/html","href":"http:\/\/le-criticon.blogspot.com\/2008\/10\/amores-de-estudiante.html#comment-form","title":"0 comentarios"},{"rel":"edit","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/3874343899452800092\/posts\/default\/1258720442156168429"},{"rel":"self","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/3874343899452800092\/posts\/default\/1258720442156168429"},{"rel":"alternate","type":"text/html","href":"http:\/\/le-criticon.blogspot.com\/2008\/10\/amores-de-estudiante.html","title":"AMORES DE ESTUDIANTE"}],"author":[{"name":{"$t":"Marcel Celmar"},"uri":{"$t":"http:\/\/www.blogger.com\/profile\/13804012043339392705"},"email":{"$t":"noreply@blogger.com"},"gd$image":{"rel":"http://schemas.google.com/g/2005#thumbnail","width":"24","height":"32","src":"http:\/\/bp2.blogger.com\/_DJtuhrCfgjs\/R-GT1ZRia7I\/AAAAAAAAADo\/U-slqLceyQ0\/S220\/453px-Faces-nevit.jpg"}}],"thr$total":{"$t":"0"}},{"id":{"$t":"tag:blogger.com,1999:blog-3874343899452800092.post-7664612933143805867"},"published":{"$t":"2008-10-02T19:52:00.007-03:00"},"updated":{"$t":"2008-10-02T20:10:38.064-03:00"},"category":[{"scheme":"http://www.blogger.com/atom/ns#","term":"Beyonce"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Justin Timberlake"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Madonna"},{"scheme":"http://www.blogger.com/atom/ns#","term":"The Police"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Toby Keith"}],"title":{"type":"text","$t":"TODO X2 PESOS"},"summary":{"type":"text","$t":"El compositor, además de enriquecer a la sociedad con sus interpretaciones, debe asumir ciertos compromisos públicos. Entre los más elementales está la transparencia de su negocio. Porque esta profesión suele ser muy rentable al alcanzar cierta notoriedad. En algunos países como la Argentina, la hipocresía hace causa común con el gremio del sonido. La declaración anual de las ganancias es "},"link":[{"rel":"replies","type":"application/atom+xml","href":"http:\/\/le-criticon.blogspot.com\/feeds\/7664612933143805867\/comments\/default","title":"Enviar comentarios"},{"rel":"replies","type":"text/html","href":"http:\/\/le-criticon.blogspot.com\/2008\/10\/todo-x2-pesos.html#comment-form","title":"0 comentarios"},{"rel":"edit","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/3874343899452800092\/posts\/default\/7664612933143805867"},{"rel":"self","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/3874343899452800092\/posts\/default\/7664612933143805867"},{"rel":"alternate","type":"text/html","href":"http:\/\/le-criticon.blogspot.com\/2008\/10\/todo-x2-pesos.html","title":"TODO X2 PESOS"}],"author":[{"name":{"$t":"Anthony \"el quakero\""},"uri":{"$t":"http:\/\/www.blogger.com\/profile\/05931660534371760150"},"email":{"$t":"noreply@blogger.com"},"gd$image":{"rel":"http://schemas.google.com/g/2005#thumbnail","width":"32","height":"24","src":"http:\/\/bp1.blogger.com\/_b1X7xC27TS8\/R-GbYlm0rAI\/AAAAAAAAAAM\/GSDUB37xRJI\/S220\/Mirada.jpg"}}],"thr$total":{"$t":"0"}},{"id":{"$t":"tag:blogger.com,1999:blog-3874343899452800092.post-1071952654883585882"},"published":{"$t":"2008-09-29T11:11:00.007-03:00"},"updated":{"$t":"2008-09-29T12:21:27.058-03:00"},"category":[{"scheme":"http://www.blogger.com/atom/ns#","term":"Diet Coke and Mentos"},{"scheme":"http://www.blogger.com/atom/ns#","term":"EepyBird's Sticky Note experimento"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Los cazadores de Mitos"}],"title":{"type":"text","$t":"PAPELITOS DE COLORES"},"summary":{"type":"text","$t":"La oficina constituye el paradigma de la monotonía, es el presidio voluntario del hombre suburbano condenado a repetir puntualmente, la misma tarea de ayer y también la de mañana. Para demostrar que nada es tan gris como la fachada de un armario, Stephen y Fritz, fundadores de EepyBird, una productora casera que se dedica a realizar pruebas inverosímiles, como el famoso experimento de Diet Coke "},"link":[{"rel":"replies","type":"application/atom+xml","href":"http:\/\/le-criticon.blogspot.com\/feeds\/1071952654883585882\/comments\/default","title":"Enviar comentarios"},{"rel":"replies","type":"text/html","href":"http:\/\/le-criticon.blogspot.com\/2008\/09\/papelitos-de-colores.html#comment-form","title":"1 comentarios"},{"rel":"edit","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/3874343899452800092\/posts\/default\/1071952654883585882"},{"rel":"self","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/3874343899452800092\/posts\/default\/1071952654883585882"},{"rel":"alternate","type":"text/html","href":"http:\/\/le-criticon.blogspot.com\/2008\/09\/papelitos-de-colores.html","title":"PAPELITOS DE COLORES"}],"author":[{"name":{"$t":"Marcel Celmar"},"uri":{"$t":"http:\/\/www.blogger.com\/profile\/13804012043339392705"},"email":{"$t":"noreply@blogger.com"},"gd$image":{"rel":"http://schemas.google.com/g/2005#thumbnail","width":"24","height":"32","src":"http:\/\/bp2.blogger.com\/_DJtuhrCfgjs\/R-GT1ZRia7I\/AAAAAAAAADo\/U-slqLceyQ0\/S220\/453px-Faces-nevit.jpg"}}],"thr$total":{"$t":"1"}},{"id":{"$t":"tag:blogger.com,1999:blog-3874343899452800092.post-1101487413348471830"},"published":{"$t":"2008-09-27T20:38:00.034-03:00"},"updated":{"$t":"2008-09-29T19:43:29.827-03:00"},"category":[{"scheme":"http://www.blogger.com/atom/ns#","term":"Anne Hathaway"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Ellen Page"},{"scheme":"http://www.blogger.com/atom/ns#","term":"James McAvoy"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Marisa Tomei"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Michael Shannon"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Romain Duris"}],"title":{"type":"text","$t":"EN PLENO ASCENSO"},"summary":{"type":"text","$t":"Para convertirse en una celebridad, mal que le pese a Lee Strasberg y Constantin Stanislavsky, se requiere algo más que concentración y talento para componer personajes. Tampoco vamos a creer el cuento de que una cara bonita compensa cualquier torpeza escénica. Está más que demostrado que para forjar una carrera exitosa no hace falta belleza ni aptitud física. Uno de los puntos clave para obtener"},"link":[{"rel":"replies","type":"application/atom+xml","href":"http:\/\/le-criticon.blogspot.com\/feeds\/1101487413348471830\/comments\/default","title":"Enviar comentarios"},{"rel":"replies","type":"text/html","href":"http:\/\/le-criticon.blogspot.com\/2008\/09\/en-pleno-ascenso.html#comment-form","title":"0 comentarios"},{"rel":"edit","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/3874343899452800092\/posts\/default\/1101487413348471830"},{"rel":"self","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/3874343899452800092\/posts\/default\/1101487413348471830"},{"rel":"alternate","type":"text/html","href":"http:\/\/le-criticon.blogspot.com\/2008\/09\/en-pleno-ascenso.html","title":"EN PLENO ASCENSO"}],"author":[{"name":{"$t":"Marcel Celmar"},"uri":{"$t":"http:\/\/www.blogger.com\/profile\/13804012043339392705"},"email":{"$t":"noreply@blogger.com"},"gd$image":{"rel":"http://schemas.google.com/g/2005#thumbnail","width":"24","height":"32","src":"http:\/\/bp2.blogger.com\/_DJtuhrCfgjs\/R-GT1ZRia7I\/AAAAAAAAADo\/U-slqLceyQ0\/S220\/453px-Faces-nevit.jpg"}}],"thr$total":{"$t":"0"}},{"id":{"$t":"tag:blogger.com,1999:blog-3874343899452800092.post-5308698704236619552"},"published":{"$t":"2008-09-24T07:46:00.003-03:00"},"updated":{"$t":"2008-09-24T22:54:26.566-03:00"},"category":[{"scheme":"http://www.blogger.com/atom/ns#","term":"astrología"},{"scheme":"http://www.blogger.com/atom/ns#","term":"astros"},{"scheme":"http://www.blogger.com/atom/ns#","term":"doce signos"},{"scheme":"http://www.blogger.com/atom/ns#","term":"mitología"},{"scheme":"http://www.blogger.com/atom/ns#","term":"zodíaco"}],"title":{"type":"text","$t":"SIGNOS DE LOS TIEMPOS"},"summary":{"type":"text","$t":"La ruleta de los astros es para algunos una fantochada sin sentido y para muchos, una verdad que no se discute, porque refleja el carácter de cada persona, junto con sus virtudes y extravagancias. Estas características no son especulaciones caprichosas, están regidas por el zodíaco, un sistema astronómico basado en las coordenadas exactas del sol, la luna y los planetas, en el instante en que "},"link":[{"rel":"replies","type":"application/atom+xml","href":"http:\/\/le-criticon.blogspot.com\/feeds\/5308698704236619552\/comments\/default","title":"Enviar comentarios"},{"rel":"replies","type":"text/html","href":"http:\/\/le-criticon.blogspot.com\/2008\/09\/signos-de-los-tiempos.html#comment-form","title":"6 comentarios"},{"rel":"edit","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/3874343899452800092\/posts\/default\/5308698704236619552"},{"rel":"self","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/3874343899452800092\/posts\/default\/5308698704236619552"},{"rel":"alternate","type":"text/html","href":"http:\/\/le-criticon.blogspot.com\/2008\/09\/signos-de-los-tiempos.html","title":"SIGNOS DE LOS TIEMPOS"}],"author":[{"name":{"$t":"Anthony \"el quakero\""},"uri":{"$t":"http:\/\/www.blogger.com\/profile\/05931660534371760150"},"email":{"$t":"noreply@blogger.com"},"gd$image":{"rel":"http://schemas.google.com/g/2005#thumbnail","width":"32","height":"24","src":"http:\/\/bp1.blogger.com\/_b1X7xC27TS8\/R-GbYlm0rAI\/AAAAAAAAAAM\/GSDUB37xRJI\/S220\/Mirada.jpg"}}],"thr$total":{"$t":"6"}},{"id":{"$t":"tag:blogger.com,1999:blog-3874343899452800092.post-7901709367064104063"},"published":{"$t":"2008-09-19T13:07:00.020-03:00"},"updated":{"$t":"2008-09-19T16:37:55.899-03:00"},"category":[{"scheme":"http://www.blogger.com/atom/ns#","term":"Gallows"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Led Zeppelin"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Michael Jackson"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Radiohead"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Smashing Magazine"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Van Halen"}],"title":{"type":"text","$t":"ARTE DE TAPA"},"summary":{"type":"text","$t":"Seguramente, no debe existir algo más caprichoso que una selección de elementos (jugadores, cuadros, libros, autores, comidas, whatever). Porque al recortar una parte de la realidad se está ninguneando a todos los que no fueron incluidos en la lista. Sin demasiadas explicaciones sobre el criterio de clasificación, la revista Smashing Magazine escogió las 35 artes de tapa más bonitas de la música."},"link":[{"rel":"replies","type":"application/atom+xml","href":"http:\/\/le-criticon.blogspot.com\/feeds\/7901709367064104063\/comments\/default","title":"Enviar comentarios"},{"rel":"replies","type":"text/html","href":"http:\/\/le-criticon.blogspot.com\/2008\/09\/arte-de-tapa.html#comment-form","title":"2 comentarios"},{"rel":"edit","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/3874343899452800092\/posts\/default\/7901709367064104063"},{"rel":"self","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/3874343899452800092\/posts\/default\/7901709367064104063"},{"rel":"alternate","type":"text/html","href":"http:\/\/le-criticon.blogspot.com\/2008\/09\/arte-de-tapa.html","title":"ARTE DE TAPA"}],"author":[{"name":{"$t":"Anthony \"el quakero\""},"uri":{"$t":"http:\/\/www.blogger.com\/profile\/05931660534371760150"},"email":{"$t":"noreply@blogger.com"},"gd$image":{"rel":"http://schemas.google.com/g/2005#thumbnail","width":"32","height":"24","src":"http:\/\/bp1.blogger.com\/_b1X7xC27TS8\/R-GbYlm0rAI\/AAAAAAAAAAM\/GSDUB37xRJI\/S220\/Mirada.jpg"}}],"thr$total":{"$t":"2"}},{"id":{"$t":"tag:blogger.com,1999:blog-3874343899452800092.post-7975978210447791637"},"published":{"$t":"2008-09-17T13:37:00.012-03:00"},"updated":{"$t":"2008-09-17T14:17:25.214-03:00"},"category":[{"scheme":"http://www.blogger.com/atom/ns#","term":"Alberto Durero"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Eden Log"},{"scheme":"http://www.blogger.com/atom/ns#","term":"expresionismo alemán"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Franck Vestiel"}],"title":{"type":"text","$t":"EL IMPIO"},"summary":{"type":"text","$t":"A mitad de camino entre el cine experimental y la apropiación estética del expresionismo alemán, Eden Log se presenta como un ejercicio fotográfico que cruza terror con ciencia ficción en planos detalles y semi close up shot (semiprimer plano). Esta producción independiente de origen francés, puede espantar a los espectadores tradicionales que pretendan una explicación lógica de cada "},"link":[{"rel":"replies","type":"application/atom+xml","href":"http:\/\/le-criticon.blogspot.com\/feeds\/7975978210447791637\/comments\/default","title":"Enviar comentarios"},{"rel":"replies","type":"text/html","href":"http:\/\/le-criticon.blogspot.com\/2008\/09\/el-impio.html#comment-form","title":"1 comentarios"},{"rel":"edit","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/3874343899452800092\/posts\/default\/7975978210447791637"},{"rel":"self","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/3874343899452800092\/posts\/default\/7975978210447791637"},{"rel":"alternate","type":"text/html","href":"http:\/\/le-criticon.blogspot.com\/2008\/09\/el-impio.html","title":"EL IMPIO"}],"author":[{"name":{"$t":"Marcel Celmar"},"uri":{"$t":"http:\/\/www.blogger.com\/profile\/13804012043339392705"},"email":{"$t":"noreply@blogger.com"},"gd$image":{"rel":"http://schemas.google.com/g/2005#thumbnail","width":"24","height":"32","src":"http:\/\/bp2.blogger.com\/_DJtuhrCfgjs\/R-GT1ZRia7I\/AAAAAAAAADo\/U-slqLceyQ0\/S220\/453px-Faces-nevit.jpg"}}],"thr$total":{"$t":"1"}},{"id":{"$t":"tag:blogger.com,1999:blog-3874343899452800092.post-6720815767824663852"},"published":{"$t":"2008-09-14T16:54:00.010-03:00"},"updated":{"$t":"2008-09-15T17:58:19.353-03:00"},"category":[{"scheme":"http://www.blogger.com/atom/ns#","term":"Bryan Bertino"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Liv Tyler"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Los extraños"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Stephen King"}],"title":{"type":"text","$t":"LOS ENCAPOTADOS"},"summary":{"type":"text","$t":"Los filmes de psicópatas tuvieron su auge en los años ochenta y extendieron su rastro hasta la actualidad sin demasiados progresos. La base de esta exitosa receta depende de la adecuada combinación de tres ingredientes: cuchillo, pánico y ejecución. Pero también, existen otras variables que amparan al homicida como la inmortalidad, lo sobrenatural y la ubicuidad. Entre las motivaciones que "},"link":[{"rel":"replies","type":"application/atom+xml","href":"http:\/\/le-criticon.blogspot.com\/feeds\/6720815767824663852\/comments\/default","title":"Enviar comentarios"},{"rel":"replies","type":"text/html","href":"http:\/\/le-criticon.blogspot.com\/2008\/09\/los-encapotados.html#comment-form","title":"0 comentarios"},{"rel":"edit","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/3874343899452800092\/posts\/default\/6720815767824663852"},{"rel":"self","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/3874343899452800092\/posts\/default\/6720815767824663852"},{"rel":"alternate","type":"text/html","href":"http:\/\/le-criticon.blogspot.com\/2008\/09\/los-encapotados.html","title":"LOS ENCAPOTADOS"}],"author":[{"name":{"$t":"Marcel Celmar"},"uri":{"$t":"http:\/\/www.blogger.com\/profile\/13804012043339392705"},"email":{"$t":"noreply@blogger.com"},"gd$image":{"rel":"http://schemas.google.com/g/2005#thumbnail","width":"24","height":"32","src":"http:\/\/bp2.blogger.com\/_DJtuhrCfgjs\/R-GT1ZRia7I\/AAAAAAAAADo\/U-slqLceyQ0\/S220\/453px-Faces-nevit.jpg"}}],"thr$total":{"$t":"0"}},{"id":{"$t":"tag:blogger.com,1999:blog-3874343899452800092.post-5270183506779819004"},"published":{"$t":"2008-09-12T19:57:00.003-03:00"},"updated":{"$t":"2008-09-12T20:06:01.339-03:00"},"category":[{"scheme":"http://www.blogger.com/atom/ns#","term":"ACMI"},{"scheme":"http://www.blogger.com/atom/ns#","term":"afiches"},{"scheme":"http://www.blogger.com/atom/ns#","term":"cine clase B"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Cult movie poster competition"}],"title":{"type":"text","$t":"CULTO BIZARRO"},"summary":{"type":"text","$t":"El Australian Centre for the Moving Image (ACMI) es una suerte de museo cinematográfico, ubicado en la ciudad de Melbourne. Su función es preservar, difundir y exhibir la cultura de la imagen en todas sus variantes: televisión, cine, medios digitales, videojuegos y arte gráfica. En sus cuatro niveles, se pueden visitar diariamente diferentes exposiciones relacionadas con la cultura del celuloide."},"link":[{"rel":"replies","type":"application/atom+xml","href":"http:\/\/le-criticon.blogspot.com\/feeds\/5270183506779819004\/comments\/default","title":"Enviar comentarios"},{"rel":"replies","type":"text/html","href":"http:\/\/le-criticon.blogspot.com\/2008\/09\/culto-bizarro.html#comment-form","title":"1 comentarios"},{"rel":"edit","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/3874343899452800092\/posts\/default\/5270183506779819004"},{"rel":"self","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/3874343899452800092\/posts\/default\/5270183506779819004"},{"rel":"alternate","type":"text/html","href":"http:\/\/le-criticon.blogspot.com\/2008\/09\/culto-bizarro.html","title":"CULTO BIZARRO"}],"author":[{"name":{"$t":"Anthony \"el quakero\""},"uri":{"$t":"http:\/\/www.blogger.com\/profile\/05931660534371760150"},"email":{"$t":"noreply@blogger.com"},"gd$image":{"rel":"http://schemas.google.com/g/2005#thumbnail","width":"32","height":"24","src":"http:\/\/bp1.blogger.com\/_b1X7xC27TS8\/R-GbYlm0rAI\/AAAAAAAAAAM\/GSDUB37xRJI\/S220\/Mirada.jpg"}}],"thr$total":{"$t":"1"}},{"id":{"$t":"tag:blogger.com,1999:blog-3874343899452800092.post-6046692909145687698"},"published":{"$t":"2008-09-11T19:39:00.005-03:00"},"updated":{"$t":"2008-09-11T19:59:35.373-03:00"},"category":[{"scheme":"http://www.blogger.com/atom/ns#","term":"Kabluey"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Lisa Kudrow"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Scott Prendergast"}],"title":{"type":"text","$t":"EN EL CAMINO"},"summary":{"type":"text","$t":"Burlarse de la torpeza ajena es algo tan patético como regocijarse cuando una persona sufre un resbalón en la calle. Ahora, qué ocurriría si el accidentado, luego de dar varias vueltas por la acera, se levanta como si nada y con una sonrisa perfecta extiende su gorro para pedir a los curiosos, una colaboración por su acto. Algo de esta confusa mezcla de sensaciones es lo que ofrece Kabluey, un "},"link":[{"rel":"replies","type":"application/atom+xml","href":"http:\/\/le-criticon.blogspot.com\/feeds\/6046692909145687698\/comments\/default","title":"Enviar comentarios"},{"rel":"replies","type":"text/html","href":"http:\/\/le-criticon.blogspot.com\/2008\/09\/en-el-camino.html#comment-form","title":"2 comentarios"},{"rel":"edit","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/3874343899452800092\/posts\/default\/6046692909145687698"},{"rel":"self","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/3874343899452800092\/posts\/default\/6046692909145687698"},{"rel":"alternate","type":"text/html","href":"http:\/\/le-criticon.blogspot.com\/2008\/09\/en-el-camino.html","title":"EN EL CAMINO"}],"author":[{"name":{"$t":"Marcel Celmar"},"uri":{"$t":"http:\/\/www.blogger.com\/profile\/13804012043339392705"},"email":{"$t":"noreply@blogger.com"},"gd$image":{"rel":"http://schemas.google.com/g/2005#thumbnail","width":"24","height":"32","src":"http:\/\/bp2.blogger.com\/_DJtuhrCfgjs\/R-GT1ZRia7I\/AAAAAAAAADo\/U-slqLceyQ0\/S220\/453px-Faces-nevit.jpg"}}],"thr$total":{"$t":"2"}},{"id":{"$t":"tag:blogger.com,1999:blog-3874343899452800092.post-8413701115209819086"},"published":{"$t":"2008-09-09T17:54:00.011-03:00"},"updated":{"$t":"2008-09-10T10:25:35.070-03:00"},"category":[{"scheme":"http://www.blogger.com/atom/ns#","term":"Definitely Maybe"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Forgetting Sarah Marshall"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Married Life"},{"scheme":"http://www.blogger.com/atom/ns#","term":"The Promotion"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Un novio para mi mujer"},{"scheme":"http://www.blogger.com/atom/ns#","term":"What Happens in Vegas"}],"title":{"type":"text","$t":"VALE LA PENA"},"summary":{"type":"text","$t":" Las películas románticas deben sobreponerse a miles de prejuicios. Que son tontas, que no aportan nada útil; sólo aptas para novias sensibles. Son las herederas del folletín, el radioteatro y la telenovela de la tarde. Por más que se intente disfrazar su argumento, remite siempre a la historia de La cenicienta. Así, esta la bella pero humilde que se enamora del millonario apuesto, aunque puede "},"link":[{"rel":"replies","type":"application/atom+xml","href":"http:\/\/le-criticon.blogspot.com\/feeds\/8413701115209819086\/comments\/default","title":"Enviar comentarios"},{"rel":"replies","type":"text/html","href":"http:\/\/le-criticon.blogspot.com\/2008\/09\/vale-la-pena.html#comment-form","title":"3 comentarios"},{"rel":"edit","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/3874343899452800092\/posts\/default\/8413701115209819086"},{"rel":"self","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/3874343899452800092\/posts\/default\/8413701115209819086"},{"rel":"alternate","type":"text/html","href":"http:\/\/le-criticon.blogspot.com\/2008\/09\/vale-la-pena.html","title":"VALE LA PENA"}],"author":[{"name":{"$t":"Marcel Celmar"},"uri":{"$t":"http:\/\/www.blogger.com\/profile\/13804012043339392705"},"email":{"$t":"noreply@blogger.com"},"gd$image":{"rel":"http://schemas.google.com/g/2005#thumbnail","width":"24","height":"32","src":"http:\/\/bp2.blogger.com\/_DJtuhrCfgjs\/R-GT1ZRia7I\/AAAAAAAAADo\/U-slqLceyQ0\/S220\/453px-Faces-nevit.jpg"}}],"thr$total":{"$t":"3"}},{"id":{"$t":"tag:blogger.com,1999:blog-3874343899452800092.post-7831874059706214227"},"published":{"$t":"2008-09-08T19:42:00.005-03:00"},"updated":{"$t":"2008-09-09T17:54:32.919-03:00"},"category":[{"scheme":"http://www.blogger.com/atom/ns#","term":"Haruki Murakami"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Kafka en la orilla"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Tokio Blues"}],"title":{"type":"text","$t":"A PUNTO DE JAZZ"},"summary":{"type":"text","$t":" Hay una mitad que lo considera un clásico contemporáneo, un talento sólo comparable a la pluma de Salinger. El otro cincuenta por ciento, apenas lo registra. Hablamos del escritor japonés Haruki Murakami. Es el autor de éxitos como After Dark (2004), Kafka en la orilla (2002), Underground (1997), Crónica del pájaro que da cuerda al mundo (1994) y Tokio Blues (1987). Uno de sus textos fue el "},"link":[{"rel":"replies","type":"application/atom+xml","href":"http:\/\/le-criticon.blogspot.com\/feeds\/7831874059706214227\/comments\/default","title":"Enviar comentarios"},{"rel":"replies","type":"text/html","href":"http:\/\/le-criticon.blogspot.com\/2008\/09\/punto-de-jazz.html#comment-form","title":"0 comentarios"},{"rel":"edit","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/3874343899452800092\/posts\/default\/7831874059706214227"},{"rel":"self","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/3874343899452800092\/posts\/default\/7831874059706214227"},{"rel":"alternate","type":"text/html","href":"http:\/\/le-criticon.blogspot.com\/2008\/09\/punto-de-jazz.html","title":"A PUNTO DE JAZZ"}],"author":[{"name":{"$t":"Altazor"},"uri":{"$t":"http:\/\/www.blogger.com\/profile\/00964863927097668508"},"email":{"$t":"noreply@blogger.com"},"gd$image":{"rel":"http://schemas.google.com/g/2005#thumbnail","width":"21","height":"32","src":"http:\/\/bp1.blogger.com\/_pbZDFlX0Ve4\/SDnBS2SXNZI\/AAAAAAAAAAs\/tCYIMXzZQdo\/S220\/foto.JPG"}}],"thr$total":{"$t":"0"}},{"id":{"$t":"tag:blogger.com,1999:blog-3874343899452800092.post-8898773750031783995"},"published":{"$t":"2008-09-07T19:39:00.004-03:00"},"updated":{"$t":"2008-09-07T19:58:45.395-03:00"},"category":[{"scheme":"http://www.blogger.com/atom/ns#","term":"Death Magnetic"},{"scheme":"http://www.blogger.com/atom/ns#","term":"James Hetfield"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Lars Ulrich"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Metallica"}],"title":{"type":"text","$t":"HASTA LAS CHAPAS"},"summary":{"type":"text","$t":" Deben existir pocas agrupaciones que hicieron tanto mérito como Metallica para ganarse la antipatía de la gente. Desde la demanda contra las redes de intercambio musical Napster, la denunciar a los fanáticos que descargaban sus canciones, hasta la repentina cancelación de las giras, alegando estrés o cansancio. La aparición de Death Magnetic, su noveno disco en estudio, es una excelente "},"link":[{"rel":"replies","type":"application/atom+xml","href":"http:\/\/le-criticon.blogspot.com\/feeds\/8898773750031783995\/comments\/default","title":"Enviar comentarios"},{"rel":"replies","type":"text/html","href":"http:\/\/le-criticon.blogspot.com\/2008\/09\/hasta-las-chapas.html#comment-form","title":"0 comentarios"},{"rel":"edit","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/3874343899452800092\/posts\/default\/8898773750031783995"},{"rel":"self","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/3874343899452800092\/posts\/default\/8898773750031783995"},{"rel":"alternate","type":"text/html","href":"http:\/\/le-criticon.blogspot.com\/2008\/09\/hasta-las-chapas.html","title":"HASTA LAS CHAPAS"}],"author":[{"name":{"$t":"Anthony \"el quakero\""},"uri":{"$t":"http:\/\/www.blogger.com\/profile\/05931660534371760150"},"email":{"$t":"noreply@blogger.com"},"gd$image":{"rel":"http://schemas.google.com/g/2005#thumbnail","width":"32","height":"24","src":"http:\/\/bp1.blogger.com\/_b1X7xC27TS8\/R-GbYlm0rAI\/AAAAAAAAAAM\/GSDUB37xRJI\/S220\/Mirada.jpg"}}],"thr$total":{"$t":"0"}},{"id":{"$t":"tag:blogger.com,1999:blog-3874343899452800092.post-3988898947169497799"},"published":{"$t":"2008-09-06T11:46:00.011-03:00"},"updated":{"$t":"2008-09-07T13:07:26.017-03:00"},"category":[{"scheme":"http://www.blogger.com/atom/ns#","term":"Cat Power"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Chan Marshall"},{"scheme":"http://www.blogger.com/atom/ns#","term":"John Peel"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Lincol"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Space Oddity"}],"title":{"type":"text","$t":"MARCHA ATRAS"},"summary":{"type":"text","$t":" Se sabe, una de las debilidades que tiene la bella Chan Marshall son los covers. Como para despuntar este vicio, hace unos años editó The Covers Record (2000) un disco en donde le rendía homenaje a Bob Dylan, the Rolling Stones, the Velvet Underground, Moby Grape, Michael Hurley. Ese mismo año fue invitada a participar en el programa radial del musicalizador británico John Peel y allí registró "},"link":[{"rel":"replies","type":"application/atom+xml","href":"http:\/\/le-criticon.blogspot.com\/feeds\/3988898947169497799\/comments\/default","title":"Enviar comentarios"},{"rel":"replies","type":"text/html","href":"http:\/\/le-criticon.blogspot.com\/2008\/09\/marcha-atras.html#comment-form","title":"0 comentarios"},{"rel":"edit","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/3874343899452800092\/posts\/default\/3988898947169497799"},{"rel":"self","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/3874343899452800092\/posts\/default\/3988898947169497799"},{"rel":"alternate","type":"text/html","href":"http:\/\/le-criticon.blogspot.com\/2008\/09\/marcha-atras.html","title":"MARCHA ATRAS"}],"author":[{"name":{"$t":"Anthony \"el quakero\""},"uri":{"$t":"http:\/\/www.blogger.com\/profile\/05931660534371760150"},"email":{"$t":"noreply@blogger.com"},"gd$image":{"rel":"http://schemas.google.com/g/2005#thumbnail","width":"32","height":"24","src":"http:\/\/bp1.blogger.com\/_b1X7xC27TS8\/R-GbYlm0rAI\/AAAAAAAAAAM\/GSDUB37xRJI\/S220\/Mirada.jpg"}}],"thr$total":{"$t":"0"}},{"id":{"$t":"tag:blogger.com,1999:blog-3874343899452800092.post-4324589232308329106"},"published":{"$t":"2008-09-04T18:28:00.009-03:00"},"updated":{"$t":"2008-09-04T19:03:20.313-03:00"},"category":[{"scheme":"http://www.blogger.com/atom/ns#","term":"Ernst Haeckel"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Kunstformen der Natur"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Teoría de la Evolución"}],"title":{"type":"text","$t":"EL ARTE CIENTIFICO"},"summary":{"type":"text","$t":"Cien años atrás el futuro era algo inmenso, misterioso, todo por descubrir. Fue por aquel entonces que el biólogo alemán Ernst Haeckel publicó su tratado gráfico llamado Kunstformen der Natur (Obras de arte de la Naturaleza). El mismo estaba constituido por una serie de grabados a mitad de camino entre el arte, la biología y las especulaciones científicas. La obra en su conjunto consta de cien "},"link":[{"rel":"replies","type":"application/atom+xml","href":"http:\/\/le-criticon.blogspot.com\/feeds\/4324589232308329106\/comments\/default","title":"Enviar comentarios"},{"rel":"replies","type":"text/html","href":"http:\/\/le-criticon.blogspot.com\/2008\/09\/el-arte-cientifico.html#comment-form","title":"10 comentarios"},{"rel":"edit","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/3874343899452800092\/posts\/default\/4324589232308329106"},{"rel":"self","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/3874343899452800092\/posts\/default\/4324589232308329106"},{"rel":"alternate","type":"text/html","href":"http:\/\/le-criticon.blogspot.com\/2008\/09\/el-arte-cientifico.html","title":"EL ARTE CIENTIFICO"}],"author":[{"name":{"$t":"Altazor"},"uri":{"$t":"http:\/\/www.blogger.com\/profile\/00964863927097668508"},"email":{"$t":"noreply@blogger.com"},"gd$image":{"rel":"http://schemas.google.com/g/2005#thumbnail","width":"21","height":"32","src":"http:\/\/bp1.blogger.com\/_pbZDFlX0Ve4\/SDnBS2SXNZI\/AAAAAAAAAAs\/tCYIMXzZQdo\/S220\/foto.JPG"}}],"thr$total":{"$t":"10"}},{"id":{"$t":"tag:blogger.com,1999:blog-3874343899452800092.post-9101489554614970871"},"published":{"$t":"2008-09-03T12:10:00.006-03:00"},"updated":{"$t":"2008-09-03T12:57:22.677-03:00"},"category":[{"scheme":"http://www.blogger.com/atom/ns#","term":"Jean-François Léroy"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Perpiñán"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Visa pour l’Image"}],"title":{"type":"text","$t":"POR EL MUNDO"},"summary":{"type":"text","$t":"Como todos los años, se celebra en la ciudad francesa de Perpiñán (Pirineos Orientales) el mayor festival internacional de fotoperiodismo conocido como Visa pour l’Image. En este certamen internacional se presenta una selección de los mejores reportajes fotográficos del año. El jurado está integrado por directores de imagen de los medios más prestigiosos del mundo. La muestra número 20 se "},"link":[{"rel":"replies","type":"application/atom+xml","href":"http:\/\/le-criticon.blogspot.com\/feeds\/9101489554614970871\/comments\/default","title":"Enviar comentarios"},{"rel":"replies","type":"text/html","href":"http:\/\/le-criticon.blogspot.com\/2008\/09\/por-el-mundo.html#comment-form","title":"1 comentarios"},{"rel":"edit","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/3874343899452800092\/posts\/default\/9101489554614970871"},{"rel":"self","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/3874343899452800092\/posts\/default\/9101489554614970871"},{"rel":"alternate","type":"text/html","href":"http:\/\/le-criticon.blogspot.com\/2008\/09\/por-el-mundo.html","title":"POR EL MUNDO"}],"author":[{"name":{"$t":"Altazor"},"uri":{"$t":"http:\/\/www.blogger.com\/profile\/00964863927097668508"},"email":{"$t":"noreply@blogger.com"},"gd$image":{"rel":"http://schemas.google.com/g/2005#thumbnail","width":"21","height":"32","src":"http:\/\/bp1.blogger.com\/_pbZDFlX0Ve4\/SDnBS2SXNZI\/AAAAAAAAAAs\/tCYIMXzZQdo\/S220\/foto.JPG"}}],"thr$total":{"$t":"1"}},{"id":{"$t":"tag:blogger.com,1999:blog-3874343899452800092.post-1224162990067798724"},"published":{"$t":"2008-09-02T11:57:00.006-03:00"},"updated":{"$t":"2008-09-02T12:20:15.806-03:00"},"category":[{"scheme":"http://www.blogger.com/atom/ns#","term":"Chris Carter"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Los expedientes secretos X"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Millennium"},{"scheme":"http://www.blogger.com/atom/ns#","term":"The X-Files: I Want to Believe"}],"title":{"type":"text","$t":"DE NO CREER"},"summary":{"type":"text","$t":" El regreso a escena de la serie de ciencia ficción The X Files tiene mucho de banda de rock legendaria que luego de un largo alejamiento vuelve a juntarse para un concierto. Y se sabe, en esta reaparición no hay mística ni tampoco la necesidad de alcanzar la gloria. Esos valores forman parte del pasado. Los más románticos supondrán que la motivación de Fox Mulder y la Dr. Dana Scully es volver a"},"link":[{"rel":"replies","type":"application/atom+xml","href":"http:\/\/le-criticon.blogspot.com\/feeds\/1224162990067798724\/comments\/default","title":"Enviar comentarios"},{"rel":"replies","type":"text/html","href":"http:\/\/le-criticon.blogspot.com\/2008\/09\/de-no-creer.html#comment-form","title":"4 comentarios"},{"rel":"edit","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/3874343899452800092\/posts\/default\/1224162990067798724"},{"rel":"self","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/3874343899452800092\/posts\/default\/1224162990067798724"},{"rel":"alternate","type":"text/html","href":"http:\/\/le-criticon.blogspot.com\/2008\/09\/de-no-creer.html","title":"DE NO CREER"}],"author":[{"name":{"$t":"Marcel Celmar"},"uri":{"$t":"http:\/\/www.blogger.com\/profile\/13804012043339392705"},"email":{"$t":"noreply@blogger.com"},"gd$image":{"rel":"http://schemas.google.com/g/2005#thumbnail","width":"24","height":"32","src":"http:\/\/bp2.blogger.com\/_DJtuhrCfgjs\/R-GT1ZRia7I\/AAAAAAAAADo\/U-slqLceyQ0\/S220\/453px-Faces-nevit.jpg"}}],"thr$total":{"$t":"4"}},{"id":{"$t":"tag:blogger.com,1999:blog-3874343899452800092.post-1595907038594213014"},"published":{"$t":"2008-08-12T12:51:00.006-03:00"},"updated":{"$t":"2008-08-12T14:41:17.021-03:00"},"category":[{"scheme":"http://www.blogger.com/atom/ns#","term":"Doomsday"},{"scheme":"http://www.blogger.com/atom/ns#","term":"El último gran mago"},{"scheme":"http://www.blogger.com/atom/ns#","term":"The Life Before Her Eyes"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Youg People Fucking"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Zohan"}],"title":{"type":"text","$t":"NO RECOMENDABLES"},"summary":{"type":"text","$t":"Aunque no existe algo más subjetivo que el gusto estético, hay infinidad de casos en que el consenso entre las partes se da en forma integral, porque en realidad, no hay argumentos para discutir. En un aporte más a la comunidad cinéfila, cinco títulos que prometían un momento placentero y terminaron por convertirse en una tableta para el sueño. Sin mucho para agregar, las cinco películas "},"link":[{"rel":"replies","type":"application/atom+xml","href":"http:\/\/le-criticon.blogspot.com\/feeds\/1595907038594213014\/comments\/default","title":"Enviar comentarios"},{"rel":"replies","type":"text/html","href":"http:\/\/le-criticon.blogspot.com\/2008\/08\/no-recomendables.html#comment-form","title":"0 comentarios"},{"rel":"edit","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/3874343899452800092\/posts\/default\/1595907038594213014"},{"rel":"self","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/3874343899452800092\/posts\/default\/1595907038594213014"},{"rel":"alternate","type":"text/html","href":"http:\/\/le-criticon.blogspot.com\/2008\/08\/no-recomendables.html","title":"NO RECOMENDABLES"}],"author":[{"name":{"$t":"Marcel Celmar"},"uri":{"$t":"http:\/\/www.blogger.com\/profile\/13804012043339392705"},"email":{"$t":"noreply@blogger.com"},"gd$image":{"rel":"http://schemas.google.com/g/2005#thumbnail","width":"24","height":"32","src":"http:\/\/bp2.blogger.com\/_DJtuhrCfgjs\/R-GT1ZRia7I\/AAAAAAAAADo\/U-slqLceyQ0\/S220\/453px-Faces-nevit.jpg"}}],"thr$total":{"$t":"0"}},{"id":{"$t":"tag:blogger.com,1999:blog-3874343899452800092.post-1806359146939395384"},"published":{"$t":"2008-08-11T13:06:00.023-03:00"},"updated":{"$t":"2008-08-11T15:44:46.849-03:00"},"category":[{"scheme":"http://www.blogger.com/atom/ns#","term":"Mutant Chronicles"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Ron Perlman"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Simon Hunter"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Thomas Jane"}],"title":{"type":"text","$t":"LA LIGA SANTA"},"summary":{"type":"text","$t":"La industria del videojuego se convirtió en el edén del entretenimiento y sin despeinarse, desbancó de su pedestal a los grandes estudios cinematográficos. Para los financistas, siempre ávidos de público joven, la adaptación de cualquier juego taquillero es una inestimable oportunidad comercial. El problema es que este traspaso no siempre entrega buenos resultados y por lo general, los fracasos "},"link":[{"rel":"replies","type":"application/atom+xml","href":"http:\/\/le-criticon.blogspot.com\/feeds\/1806359146939395384\/comments\/default","title":"Enviar comentarios"},{"rel":"replies","type":"text/html","href":"http:\/\/le-criticon.blogspot.com\/2008\/08\/la-liga-errante.html#comment-form","title":"1 comentarios"},{"rel":"edit","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/3874343899452800092\/posts\/default\/1806359146939395384"},{"rel":"self","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/3874343899452800092\/posts\/default\/1806359146939395384"},{"rel":"alternate","type":"text/html","href":"http:\/\/le-criticon.blogspot.com\/2008\/08\/la-liga-errante.html","title":"LA LIGA SANTA"}],"author":[{"name":{"$t":"Altazor"},"uri":{"$t":"http:\/\/www.blogger.com\/profile\/00964863927097668508"},"email":{"$t":"noreply@blogger.com"},"gd$image":{"rel":"http://schemas.google.com/g/2005#thumbnail","width":"21","height":"32","src":"http:\/\/bp1.blogger.com\/_pbZDFlX0Ve4\/SDnBS2SXNZI\/AAAAAAAAAAs\/tCYIMXzZQdo\/S220\/foto.JPG"}}],"thr$total":{"$t":"1"}},{"id":{"$t":"tag:blogger.com,1999:blog-3874343899452800092.post-3917929870749303022"},"published":{"$t":"2008-08-08T03:57:00.002-03:00"},"updated":{"$t":"2008-08-08T15:53:44.318-03:00"},"category":[{"scheme":"http://www.blogger.com/atom/ns#","term":"apocalípsis"},{"scheme":"http://www.blogger.com/atom/ns#","term":"cataclismo"},{"scheme":"http://www.blogger.com/atom/ns#","term":"mundo deshabitado"}],"title":{"type":"text","$t":"RUINAS CIRCULARES"},"summary":{"type":"text","$t":"Escondidos sobre la faz de la tierra existen miles de escenarios dignos de un relato de ciencia ficción. Se trata de instalaciones abandonadas que de tan corroídas, transmiten la sensación de un desastre global. La desolación de los alrededores y la vegetación que se expande sin control, hacen suponer que la población mundial fue erradicada por obra de un cataclismo. Los rastros que indicaban la "},"link":[{"rel":"replies","type":"application/atom+xml","href":"http:\/\/le-criticon.blogspot.com\/feeds\/3917929870749303022\/comments\/default","title":"Enviar comentarios"},{"rel":"replies","type":"text/html","href":"http:\/\/le-criticon.blogspot.com\/2008\/08\/ruinas-circulares.html#comment-form","title":"2 comentarios"},{"rel":"edit","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/3874343899452800092\/posts\/default\/3917929870749303022"},{"rel":"self","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/3874343899452800092\/posts\/default\/3917929870749303022"},{"rel":"alternate","type":"text/html","href":"http:\/\/le-criticon.blogspot.com\/2008\/08\/ruinas-circulares.html","title":"RUINAS CIRCULARES"}],"author":[{"name":{"$t":"Anthony \"el quakero\""},"uri":{"$t":"http:\/\/www.blogger.com\/profile\/05931660534371760150"},"email":{"$t":"noreply@blogger.com"},"gd$image":{"rel":"http://schemas.google.com/g/2005#thumbnail","width":"32","height":"24","src":"http:\/\/bp1.blogger.com\/_b1X7xC27TS8\/R-GbYlm0rAI\/AAAAAAAAAAM\/GSDUB37xRJI\/S220\/Mirada.jpg"}}],"thr$total":{"$t":"2"}},{"id":{"$t":"tag:blogger.com,1999:blog-3874343899452800092.post-8439753741615222724"},"published":{"$t":"2008-08-07T13:24:00.004-03:00"},"updated":{"$t":"2008-08-07T13:48:22.705-03:00"},"category":[{"scheme":"http://www.blogger.com/atom/ns#","term":"Bharat Nalluri"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Miss Pettigrew Lives for a Day"},{"scheme":"http://www.blogger.com/atom/ns#","term":"screwball comedies"}],"title":{"type":"text","$t":"EN COMPLICIDAD"},"summary":{"type":"text","$t":"Hay un reducido número de actores que son capaces de remontar una película sin necesidad de piruetas ni amenazas. Porque para convencer, no necesitan recurrir a la belleza o la fuerza, sino que apelan a algo menos superficial como el talento. A este grupo de privilegiados pertenece Frances McDormand, cuya soltura frente a cámara y convicción emocional, hacen de Miss Pettigrew Lives for a Day una "},"link":[{"rel":"replies","type":"application/atom+xml","href":"http:\/\/le-criticon.blogspot.com\/feeds\/8439753741615222724\/comments\/default","title":"Enviar comentarios"},{"rel":"replies","type":"text/html","href":"http:\/\/le-criticon.blogspot.com\/2008\/08\/complices.html#comment-form","title":"0 comentarios"},{"rel":"edit","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/3874343899452800092\/posts\/default\/8439753741615222724"},{"rel":"self","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/3874343899452800092\/posts\/default\/8439753741615222724"},{"rel":"alternate","type":"text/html","href":"http:\/\/le-criticon.blogspot.com\/2008\/08\/complices.html","title":"EN COMPLICIDAD"}],"author":[{"name":{"$t":"Marcel Celmar"},"uri":{"$t":"http:\/\/www.blogger.com\/profile\/13804012043339392705"},"email":{"$t":"noreply@blogger.com"},"gd$image":{"rel":"http://schemas.google.com/g/2005#thumbnail","width":"24","height":"32","src":"http:\/\/bp2.blogger.com\/_DJtuhrCfgjs\/R-GT1ZRia7I\/AAAAAAAAADo\/U-slqLceyQ0\/S220\/453px-Faces-nevit.jpg"}}],"thr$total":{"$t":"0"}},{"id":{"$t":"tag:blogger.com,1999:blog-3874343899452800092.post-4330256689795828108"},"published":{"$t":"2008-08-06T12:01:00.004-03:00"},"updated":{"$t":"2008-08-06T12:16:52.560-03:00"},"category":[{"scheme":"http://www.blogger.com/atom/ns#","term":"bateristas"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Premier League inglesa"},{"scheme":"http://www.blogger.com/atom/ns#","term":"resistencia física"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Universidad de Chichester"}],"title":{"type":"text","$t":"RITMO COLOSAL"},"summary":{"type":"text","$t":"Aunque los platillos constituyen una pieza clave de cualquier banda de rock, los bateros son tipos subestimados que viven confinados en su mundo de cilindros. En los recitales, las cámaras no llegan a enfocarlos, en las tapas de los discos quedan relegados a la segunda fila, nunca son líderes, jamás les hacen reportajes. Además de los nombres fáciles como John Henry \"Bonzo\" Bonham, Lars Ulrich, "},"link":[{"rel":"replies","type":"application/atom+xml","href":"http:\/\/le-criticon.blogspot.com\/feeds\/4330256689795828108\/comments\/default","title":"Enviar comentarios"},{"rel":"replies","type":"text/html","href":"http:\/\/le-criticon.blogspot.com\/2008\/08\/ritmo-colosal.html#comment-form","title":"0 comentarios"},{"rel":"edit","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/3874343899452800092\/posts\/default\/4330256689795828108"},{"rel":"self","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/3874343899452800092\/posts\/default\/4330256689795828108"},{"rel":"alternate","type":"text/html","href":"http:\/\/le-criticon.blogspot.com\/2008\/08\/ritmo-colosal.html","title":"RITMO COLOSAL"}],"author":[{"name":{"$t":"Anthony \"el quakero\""},"uri":{"$t":"http:\/\/www.blogger.com\/profile\/05931660534371760150"},"email":{"$t":"noreply@blogger.com"},"gd$image":{"rel":"http://schemas.google.com/g/2005#thumbnail","width":"32","height":"24","src":"http:\/\/bp1.blogger.com\/_b1X7xC27TS8\/R-GbYlm0rAI\/AAAAAAAAAAM\/GSDUB37xRJI\/S220\/Mirada.jpg"}}],"thr$total":{"$t":"0"}},{"id":{"$t":"tag:blogger.com,1999:blog-3874343899452800092.post-5992373277294765681"},"published":{"$t":"2008-08-05T03:39:00.003-03:00"},"updated":{"$t":"2008-08-05T15:34:57.202-03:00"},"category":[{"scheme":"http://www.blogger.com/atom/ns#","term":"Garth Jennings"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Rambo"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Son of Rambow"}],"title":{"type":"text","$t":"AMIGOS SON LOS AMIGOS"},"summary":{"type":"text","$t":"Las historias protagonizadas por chicos están recubiertas por un manto de impunidad que disculpa cualquier error o distracción que se produzca durante el filme. Como ocurre con la producción inglesa Son of Rambow, hay algunos pasajes en donde la atención se dispersa y uno llega a evadirse por completo del relato y en otros, su poder de evocación es tan profundo que es imposible escapar a los "},"link":[{"rel":"replies","type":"application/atom+xml","href":"http:\/\/le-criticon.blogspot.com\/feeds\/5992373277294765681\/comments\/default","title":"Enviar comentarios"},{"rel":"replies","type":"text/html","href":"http:\/\/le-criticon.blogspot.com\/2008\/08\/amigos-son-los-amigos.html#comment-form","title":"1 comentarios"},{"rel":"edit","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/3874343899452800092\/posts\/default\/5992373277294765681"},{"rel":"self","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/3874343899452800092\/posts\/default\/5992373277294765681"},{"rel":"alternate","type":"text/html","href":"http:\/\/le-criticon.blogspot.com\/2008\/08\/amigos-son-los-amigos.html","title":"AMIGOS SON LOS AMIGOS"}],"author":[{"name":{"$t":"Marcel Celmar"},"uri":{"$t":"http:\/\/www.blogger.com\/profile\/13804012043339392705"},"email":{"$t":"noreply@blogger.com"},"gd$image":{"rel":"http://schemas.google.com/g/2005#thumbnail","width":"24","height":"32","src":"http:\/\/bp2.blogger.com\/_DJtuhrCfgjs\/R-GT1ZRia7I\/AAAAAAAAADo\/U-slqLceyQ0\/S220\/453px-Faces-nevit.jpg"}}],"thr$total":{"$t":"1"}},{"id":{"$t":"tag:blogger.com,1999:blog-3874343899452800092.post-6636505389154618591"},"published":{"$t":"2008-08-04T18:56:00.007-03:00"},"updated":{"$t":"2008-08-04T19:17:35.230-03:00"},"category":[{"scheme":"http://www.blogger.com/atom/ns#","term":"cine clase B"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Grindhouses"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Maiden Of Death"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Quentin Tarantino"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Robert Rodríguez"}],"title":{"type":"text","$t":"DE SEGUNDA SELECCION"},"summary":{"type":"text","$t":"El cine de clase B conoció su esplendor a mediados de los sesenta. Surgió como una alternativa a las producciones de los grandes estudios y se caracterizó por un bajo presupuesto, algunos brotes de sexo, un argumento improvisado, toda sangre y acción. Los actores eran prácticamente desconocidos o en plena caída y apenas podían hablar sin mirar a cámara. Entre los directores que mayor impulso le "},"link":[{"rel":"replies","type":"application/atom+xml","href":"http:\/\/le-criticon.blogspot.com\/feeds\/6636505389154618591\/comments\/default","title":"Enviar comentarios"},{"rel":"replies","type":"text/html","href":"http:\/\/le-criticon.blogspot.com\/2008\/08\/de-segunda-seleccion.html#comment-form","title":"1 comentarios"},{"rel":"edit","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/3874343899452800092\/posts\/default\/6636505389154618591"},{"rel":"self","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/3874343899452800092\/posts\/default\/6636505389154618591"},{"rel":"alternate","type":"text/html","href":"http:\/\/le-criticon.blogspot.com\/2008\/08\/de-segunda-seleccion.html","title":"DE SEGUNDA SELECCION"}],"author":[{"name":{"$t":"Marcel Celmar"},"uri":{"$t":"http:\/\/www.blogger.com\/profile\/13804012043339392705"},"email":{"$t":"noreply@blogger.com"},"gd$image":{"rel":"http://schemas.google.com/g/2005#thumbnail","width":"24","height":"32","src":"http:\/\/bp2.blogger.com\/_DJtuhrCfgjs\/R-GT1ZRia7I\/AAAAAAAAADo\/U-slqLceyQ0\/S220\/453px-Faces-nevit.jpg"}}],"thr$total":{"$t":"1"}},{"id":{"$t":"tag:blogger.com,1999:blog-3874343899452800092.post-169413367582967016"},"published":{"$t":"2008-08-01T08:10:00.001-03:00"},"updated":{"$t":"2008-08-01T20:05:24.247-03:00"},"category":[{"scheme":"http://www.blogger.com/atom/ns#","term":"Dark Knight"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Dragonball"},{"scheme":"http://www.blogger.com/atom/ns#","term":"publicidad viral"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Tropic Thunder"}],"title":{"type":"text","$t":"CONTAGIO"},"summary":{"type":"text","$t":"El concepto de publicidad viral o I-Advertising es un fenómeno que aprovecha las redes sociales y blogs temáticos para que la información se propague como una toxina. El éxito de esta epidemia, que se contagia a través de e-mail y SMS, reside en la espontaneidad de quien la envía y la credibilidad del receptor. Si la campaña se planificó metódicamente y el mensaje fue bien apuntado, el consumidor"},"link":[{"rel":"replies","type":"application/atom+xml","href":"http:\/\/le-criticon.blogspot.com\/feeds\/169413367582967016\/comments\/default","title":"Enviar comentarios"},{"rel":"replies","type":"text/html","href":"http:\/\/le-criticon.blogspot.com\/2008\/08\/contagio.html#comment-form","title":"0 comentarios"},{"rel":"edit","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/3874343899452800092\/posts\/default\/169413367582967016"},{"rel":"self","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/3874343899452800092\/posts\/default\/169413367582967016"},{"rel":"alternate","type":"text/html","href":"http:\/\/le-criticon.blogspot.com\/2008\/08\/contagio.html","title":"CONTAGIO"}],"author":[{"name":{"$t":"Marcel Celmar"},"uri":{"$t":"http:\/\/www.blogger.com\/profile\/13804012043339392705"},"email":{"$t":"noreply@blogger.com"},"gd$image":{"rel":"http://schemas.google.com/g/2005#thumbnail","width":"24","height":"32","src":"http:\/\/bp2.blogger.com\/_DJtuhrCfgjs\/R-GT1ZRia7I\/AAAAAAAAADo\/U-slqLceyQ0\/S220\/453px-Faces-nevit.jpg"}}],"thr$total":{"$t":"0"}},{"id":{"$t":"tag:blogger.com,1999:blog-3874343899452800092.post-5034522223932379449"},"published":{"$t":"2008-07-31T11:19:00.012-03:00"},"updated":{"$t":"2008-07-31T16:04:07.020-03:00"},"category":[{"scheme":"http://www.blogger.com/atom/ns#","term":"Angelina Jolie"},{"scheme":"http://www.blogger.com/atom/ns#","term":"James McAvoy"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Mark Millar"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Timur Bekmambetov"}],"title":{"type":"text","$t":"MATARIFES"},"summary":{"type":"text","$t":" Sea por la cantidad de público que abarca como por el entretenimiento que promete, el género de acción es uno de los más cotizados dentro del cine actual. Su problema son las repeticiones de imitaciones que se suceden en una fila interminables de clichés. Como para ofrecer algo original, los grandes estudios encontraron en los cómics un interesante filón para renovarse. Uno de los estrenos más "},"link":[{"rel":"replies","type":"application/atom+xml","href":"http:\/\/le-criticon.blogspot.com\/feeds\/5034522223932379449\/comments\/default","title":"Enviar comentarios"},{"rel":"replies","type":"text/html","href":"http:\/\/le-criticon.blogspot.com\/2008\/07\/matarifes.html#comment-form","title":"1 comentarios"},{"rel":"edit","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/3874343899452800092\/posts\/default\/5034522223932379449"},{"rel":"self","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/3874343899452800092\/posts\/default\/5034522223932379449"},{"rel":"alternate","type":"text/html","href":"http:\/\/le-criticon.blogspot.com\/2008\/07\/matarifes.html","title":"MATARIFES"}],"author":[{"name":{"$t":"Marcel Celmar"},"uri":{"$t":"http:\/\/www.blogger.com\/profile\/13804012043339392705"},"email":{"$t":"noreply@blogger.com"},"gd$image":{"rel":"http://schemas.google.com/g/2005#thumbnail","width":"24","height":"32","src":"http:\/\/bp2.blogger.com\/_DJtuhrCfgjs\/R-GT1ZRia7I\/AAAAAAAAADo\/U-slqLceyQ0\/S220\/453px-Faces-nevit.jpg"}}],"thr$total":{"$t":"1"}},{"id":{"$t":"tag:blogger.com,1999:blog-3874343899452800092.post-5282091364681034866"},"published":{"$t":"2008-07-29T19:32:00.015-03:00"},"updated":{"$t":"2008-07-29T22:37:02.331-03:00"},"category":[{"scheme":"http://www.blogger.com/atom/ns#","term":"afiches prohibidos"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Amnistía Internacional"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Cannes Lions"},{"scheme":"http://www.blogger.com/atom/ns#","term":"TBWA"}],"title":{"type":"text","$t":"EXPEDIENTES SECRETOS"},"summary":{"type":"text","$t":"Dentro de una semana, quedará inaugurada en la ciudad de Beijing, capital de la República Popular de China, la XXIX edición de las Olimpíadas. Como la violación de los derechos humanos es un método recurrente del PCCh (partido comunista chino), Amnistía Internacional le encargó a la agencia TBWA París, una campaña gráfica que, conservando la iconografía deportiva, refleje las persecuciones y "},"link":[{"rel":"replies","type":"application/atom+xml","href":"http:\/\/le-criticon.blogspot.com\/feeds\/5282091364681034866\/comments\/default","title":"Enviar comentarios"},{"rel":"replies","type":"text/html","href":"http:\/\/le-criticon.blogspot.com\/2008\/07\/expedientes-secretos.html#comment-form","title":"0 comentarios"},{"rel":"edit","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/3874343899452800092\/posts\/default\/5282091364681034866"},{"rel":"self","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/3874343899452800092\/posts\/default\/5282091364681034866"},{"rel":"alternate","type":"text/html","href":"http:\/\/le-criticon.blogspot.com\/2008\/07\/expedientes-secretos.html","title":"EXPEDIENTES SECRETOS"}],"author":[{"name":{"$t":"Marcel Celmar"},"uri":{"$t":"http:\/\/www.blogger.com\/profile\/13804012043339392705"},"email":{"$t":"noreply@blogger.com"},"gd$image":{"rel":"http://schemas.google.com/g/2005#thumbnail","width":"24","height":"32","src":"http:\/\/bp2.blogger.com\/_DJtuhrCfgjs\/R-GT1ZRia7I\/AAAAAAAAADo\/U-slqLceyQ0\/S220\/453px-Faces-nevit.jpg"}}],"thr$total":{"$t":"0"}},{"id":{"$t":"tag:blogger.com,1999:blog-3874343899452800092.post-6971686454235957286"},"published":{"$t":"2008-07-28T19:44:00.010-03:00"},"updated":{"$t":"2008-07-28T20:32:03.909-03:00"},"category":[{"scheme":"http://www.blogger.com/atom/ns#","term":"André Téchiné"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Emmanuelle Béart"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Les témoins"}],"title":{"type":"text","$t":"TIEMPO DE LIBERTAD"},"summary":{"type":"text","$t":"Hubo una época -que hoy resulta tan lejana- en donde el sexo se practicaba sin restricciones. Con la llegada del VIH-sida, para disfrutar de un encuentro casual, se hizo obligatoria la pausa de la precaución. El filme Les témoins está ambientado a mediados de los ochenta, cuando recién empezaban a manifestarse los primeros brotes de esta enfermedad. Por aquel entonces, todo era confusión y "},"link":[{"rel":"replies","type":"application/atom+xml","href":"http:\/\/le-criticon.blogspot.com\/feeds\/6971686454235957286\/comments\/default","title":"Enviar comentarios"},{"rel":"replies","type":"text/html","href":"http:\/\/le-criticon.blogspot.com\/2008\/07\/tiempo-de-libertad.html#comment-form","title":"0 comentarios"},{"rel":"edit","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/3874343899452800092\/posts\/default\/6971686454235957286"},{"rel":"self","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/3874343899452800092\/posts\/default\/6971686454235957286"},{"rel":"alternate","type":"text/html","href":"http:\/\/le-criticon.blogspot.com\/2008\/07\/tiempo-de-libertad.html","title":"TIEMPO DE LIBERTAD"}],"author":[{"name":{"$t":"Marcel Celmar"},"uri":{"$t":"http:\/\/www.blogger.com\/profile\/13804012043339392705"},"email":{"$t":"noreply@blogger.com"},"gd$image":{"rel":"http://schemas.google.com/g/2005#thumbnail","width":"24","height":"32","src":"http:\/\/bp2.blogger.com\/_DJtuhrCfgjs\/R-GT1ZRia7I\/AAAAAAAAADo\/U-slqLceyQ0\/S220\/453px-Faces-nevit.jpg"}}],"thr$total":{"$t":"0"}},{"id":{"$t":"tag:blogger.com,1999:blog-3874343899452800092.post-8340660009208850838"},"published":{"$t":"2008-07-27T13:14:00.010-03:00"},"updated":{"$t":"2008-07-27T16:20:02.730-03:00"},"category":[{"scheme":"http://www.blogger.com/atom/ns#","term":"Michael Foucault"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Sebastian Brant"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Stultifera Navis"}],"title":{"type":"text","$t":"LA NAVE DE LOS LOCOS"},"summary":{"type":"text","$t":"La demencia entendida como una desviación de las normas sociales, no encontró jamás un fundamento científicos que la explique. Durante la Edad Media, la teoría pasó de una perspectiva monacal, que la vinculó con un hechizo o una posesión diabólica, a un enfoque más técnico en donde consideraba que el afectado podría tener una piedra en su cabeza. Desde el principio de los tiempos la locura "},"link":[{"rel":"replies","type":"application/atom+xml","href":"http:\/\/le-criticon.blogspot.com\/feeds\/8340660009208850838\/comments\/default","title":"Enviar comentarios"},{"rel":"replies","type":"text/html","href":"http:\/\/le-criticon.blogspot.com\/2008\/07\/la-nave-de-los-locos.html#comment-form","title":"3 comentarios"},{"rel":"edit","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/3874343899452800092\/posts\/default\/8340660009208850838"},{"rel":"self","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/3874343899452800092\/posts\/default\/8340660009208850838"},{"rel":"alternate","type":"text/html","href":"http:\/\/le-criticon.blogspot.com\/2008\/07\/la-nave-de-los-locos.html","title":"LA NAVE DE LOS LOCOS"}],"author":[{"name":{"$t":"Marcel Celmar"},"uri":{"$t":"http:\/\/www.blogger.com\/profile\/13804012043339392705"},"email":{"$t":"noreply@blogger.com"},"gd$image":{"rel":"http://schemas.google.com/g/2005#thumbnail","width":"24","height":"32","src":"http:\/\/bp2.blogger.com\/_DJtuhrCfgjs\/R-GT1ZRia7I\/AAAAAAAAADo\/U-slqLceyQ0\/S220\/453px-Faces-nevit.jpg"}}],"thr$total":{"$t":"3"}},{"id":{"$t":"tag:blogger.com,1999:blog-3874343899452800092.post-1051885240860478396"},"published":{"$t":"2008-07-24T11:47:00.008-03:00"},"updated":{"$t":"2008-07-24T12:23:24.286-03:00"},"category":[{"scheme":"http://www.blogger.com/atom/ns#","term":"Andy Warhol"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Bob Dylan"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Edie"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Edith Minturn Sedgwick"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Factory"}],"title":{"type":"text","$t":"CULTURA POP"},"summary":{"type":"text","$t":"La sensual Edith Minturn Sedgwick lo tenía todo. Era carismática, seductora, inteligente y provenía de una familia influyente de la aristocracia norteamericana. Pero como muchas veces eso no alcanza, salió a buscar más. Corrían los años 60 y los Estados Unidos despachaba tropas a Vietnam. Los movimientos pacifistas se extendían por toda la costa de aquel país, pregonando amor, desenfreno y drogas"},"link":[{"rel":"replies","type":"application/atom+xml","href":"http:\/\/le-criticon.blogspot.com\/feeds\/1051885240860478396\/comments\/default","title":"Enviar comentarios"},{"rel":"replies","type":"text/html","href":"http:\/\/le-criticon.blogspot.com\/2008\/07\/cultura-pop.html#comment-form","title":"0 comentarios"},{"rel":"edit","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/3874343899452800092\/posts\/default\/1051885240860478396"},{"rel":"self","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/3874343899452800092\/posts\/default\/1051885240860478396"},{"rel":"alternate","type":"text/html","href":"http:\/\/le-criticon.blogspot.com\/2008\/07\/cultura-pop.html","title":"CULTURA POP"}],"author":[{"name":{"$t":"Altazor"},"uri":{"$t":"http:\/\/www.blogger.com\/profile\/00964863927097668508"},"email":{"$t":"noreply@blogger.com"},"gd$image":{"rel":"http://schemas.google.com/g/2005#thumbnail","width":"21","height":"32","src":"http:\/\/bp1.blogger.com\/_pbZDFlX0Ve4\/SDnBS2SXNZI\/AAAAAAAAAAs\/tCYIMXzZQdo\/S220\/foto.JPG"}}],"thr$total":{"$t":"0"}},{"id":{"$t":"tag:blogger.com,1999:blog-3874343899452800092.post-8281470142447698922"},"published":{"$t":"2008-07-22T14:23:00.006-03:00"},"updated":{"$t":"2008-07-22T14:36:48.530-03:00"},"category":[{"scheme":"http://www.blogger.com/atom/ns#","term":"Berta Gardes"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Carlos Escayola"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Carlos Gardel"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Charles Romuald Gardes"},{"scheme":"http://www.blogger.com/atom/ns#","term":"tango"}],"title":{"type":"text","$t":"ORGULLO NACIONAL"},"summary":{"type":"text","$t":" Carlos Gardel, fallecido hace 73 años en un accidente aéreo en Medellín, Colombia, fue un cantante y compositor naturalizado argentino, considerado como el tanguero más representativo de la milonga porteña. Hasta estas líneas, todas las versiones parecen coincidir. Pero si uno empieza a indagar en su biografía, encontrará que dos naciones vecinas se arrogan el origen del mito. Los uruguayos "},"link":[{"rel":"replies","type":"application/atom+xml","href":"http:\/\/le-criticon.blogspot.com\/feeds\/8281470142447698922\/comments\/default","title":"Enviar comentarios"},{"rel":"replies","type":"text/html","href":"http:\/\/le-criticon.blogspot.com\/2008\/07\/orgullo-nacional.html#comment-form","title":"3 comentarios"},{"rel":"edit","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/3874343899452800092\/posts\/default\/8281470142447698922"},{"rel":"self","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/3874343899452800092\/posts\/default\/8281470142447698922"},{"rel":"alternate","type":"text/html","href":"http:\/\/le-criticon.blogspot.com\/2008\/07\/orgullo-nacional.html","title":"ORGULLO NACIONAL"}],"author":[{"name":{"$t":"Anthony \"el quakero\""},"uri":{"$t":"http:\/\/www.blogger.com\/profile\/05931660534371760150"},"email":{"$t":"noreply@blogger.com"},"gd$image":{"rel":"http://schemas.google.com/g/2005#thumbnail","width":"32","height":"24","src":"http:\/\/bp1.blogger.com\/_b1X7xC27TS8\/R-GbYlm0rAI\/AAAAAAAAAAM\/GSDUB37xRJI\/S220\/Mirada.jpg"}}],"thr$total":{"$t":"3"}},{"id":{"$t":"tag:blogger.com,1999:blog-3874343899452800092.post-6582107019269629851"},"published":{"$t":"2008-07-21T13:53:00.009-03:00"},"updated":{"$t":"2008-07-21T14:17:21.588-03:00"},"category":[{"scheme":"http://www.blogger.com/atom/ns#","term":"microondas"},{"scheme":"http://www.blogger.com/atom/ns#","term":"ondas electromagnéticas"},{"scheme":"http://www.blogger.com/atom/ns#","term":"salud"},{"scheme":"http://www.blogger.com/atom/ns#","term":"teléfonos celulares"}],"title":{"type":"text","$t":"EL EXPERIMENTO"},"summary":{"type":"text","$t":"Si bien los teléfonos celulares y los hornos microondas operan en la misma radiofrecuencia y emiten radiaciones electromagnéticas, la diferencia entre estos “equipos primos” radica en la amplitud de la onda. Mientras las terminales trabajan con una potencia de entre 15W y 50W (Watt por kilogramo de masa), un microondas opera entre los 950W y los 1250W. Lo cierto es que se han escrito infinidad de"},"link":[{"rel":"replies","type":"application/atom+xml","href":"http:\/\/le-criticon.blogspot.com\/feeds\/6582107019269629851\/comments\/default","title":"Enviar comentarios"},{"rel":"replies","type":"text/html","href":"http:\/\/le-criticon.blogspot.com\/2008\/07\/el-experimento.html#comment-form","title":"2 comentarios"},{"rel":"edit","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/3874343899452800092\/posts\/default\/6582107019269629851"},{"rel":"self","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/3874343899452800092\/posts\/default\/6582107019269629851"},{"rel":"alternate","type":"text/html","href":"http:\/\/le-criticon.blogspot.com\/2008\/07\/el-experimento.html","title":"EL EXPERIMENTO"}],"author":[{"name":{"$t":"Marcel Celmar"},"uri":{"$t":"http:\/\/www.blogger.com\/profile\/13804012043339392705"},"email":{"$t":"noreply@blogger.com"},"gd$image":{"rel":"http://schemas.google.com/g/2005#thumbnail","width":"24","height":"32","src":"http:\/\/bp2.blogger.com\/_DJtuhrCfgjs\/R-GT1ZRia7I\/AAAAAAAAADo\/U-slqLceyQ0\/S220\/453px-Faces-nevit.jpg"}}],"thr$total":{"$t":"2"}},{"id":{"$t":"tag:blogger.com,1999:blog-3874343899452800092.post-6841915230265611948"},"published":{"$t":"2008-07-17T17:45:00.011-03:00"},"updated":{"$t":"2008-07-21T14:58:37.479-03:00"},"category":[{"scheme":"http://www.blogger.com/atom/ns#","term":"Bruce McDonald"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Ellen Page"},{"scheme":"http://www.blogger.com/atom/ns#","term":"The Tracey Fragments"},{"scheme":"http://www.blogger.com/atom/ns#","term":"trastorno de identidad disociativa"}],"title":{"type":"text","$t":"LOS OTROS YO"},"summary":{"type":"text","$t":"El trastorno de identidad disociativa se reconoce por la existencia de una o más personalidades dentro del mismo cuerpo. Uno de los ejemplos más célebres en literatura es El extraño caso del doctor Jekyll y mister Hyde, donde una de las personalidades asumía el control del comportamiento. El cine supo sacar partido de esta afección para hacer reír (Me, Myself \u0026 Irene -2000) para pegar un giro en "},"link":[{"rel":"replies","type":"application/atom+xml","href":"http:\/\/le-criticon.blogspot.com\/feeds\/6841915230265611948\/comments\/default","title":"Enviar comentarios"},{"rel":"replies","type":"text/html","href":"http:\/\/le-criticon.blogspot.com\/2008\/07\/los-otros-yo.html#comment-form","title":"2 comentarios"},{"rel":"edit","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/3874343899452800092\/posts\/default\/6841915230265611948"},{"rel":"self","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/3874343899452800092\/posts\/default\/6841915230265611948"},{"rel":"alternate","type":"text/html","href":"http:\/\/le-criticon.blogspot.com\/2008\/07\/los-otros-yo.html","title":"LOS OTROS YO"}],"author":[{"name":{"$t":"Marcel Celmar"},"uri":{"$t":"http:\/\/www.blogger.com\/profile\/13804012043339392705"},"email":{"$t":"noreply@blogger.com"},"gd$image":{"rel":"http://schemas.google.com/g/2005#thumbnail","width":"24","height":"32","src":"http:\/\/bp2.blogger.com\/_DJtuhrCfgjs\/R-GT1ZRia7I\/AAAAAAAAADo\/U-slqLceyQ0\/S220\/453px-Faces-nevit.jpg"}}],"thr$total":{"$t":"2"}},{"id":{"$t":"tag:blogger.com,1999:blog-3874343899452800092.post-6070259063573818187"},"published":{"$t":"2008-07-16T16:41:00.015-03:00"},"updated":{"$t":"2008-07-16T18:03:21.946-03:00"},"category":[{"scheme":"http://www.blogger.com/atom/ns#","term":"Guilherme Fiúza"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Mauro Lima"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Meu nome não é Johnny"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Selton Mello"}],"title":{"type":"text","$t":"MONTAÑA RUSA"},"summary":{"type":"text","$t":" La figura del narcotraficante está asociada al poder, la lujuria y la muerte. Películas como Scarface (1983) y Traffic (2000) se encargaron de enaltecer esta creencia, al mostrar la ascensión y el ocaso de personajes inescrupulosos. Pero no siempre lo bueno llega en frasco chico o únicamente los bandidos se cubren el rostro con un antifaz. Lejos de ensayar una apología sobre el tema, el filme "},"link":[{"rel":"replies","type":"application/atom+xml","href":"http:\/\/le-criticon.blogspot.com\/feeds\/6070259063573818187\/comments\/default","title":"Enviar comentarios"},{"rel":"replies","type":"text/html","href":"http:\/\/le-criticon.blogspot.com\/2008\/07\/montaa-rusa.html#comment-form","title":"1 comentarios"},{"rel":"edit","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/3874343899452800092\/posts\/default\/6070259063573818187"},{"rel":"self","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/3874343899452800092\/posts\/default\/6070259063573818187"},{"rel":"alternate","type":"text/html","href":"http:\/\/le-criticon.blogspot.com\/2008\/07\/montaa-rusa.html","title":"MONTAÑA RUSA"}],"author":[{"name":{"$t":"Marcel Celmar"},"uri":{"$t":"http:\/\/www.blogger.com\/profile\/13804012043339392705"},"email":{"$t":"noreply@blogger.com"},"gd$image":{"rel":"http://schemas.google.com/g/2005#thumbnail","width":"24","height":"32","src":"http:\/\/bp2.blogger.com\/_DJtuhrCfgjs\/R-GT1ZRia7I\/AAAAAAAAADo\/U-slqLceyQ0\/S220\/453px-Faces-nevit.jpg"}}],"thr$total":{"$t":"1"}},{"id":{"$t":"tag:blogger.com,1999:blog-3874343899452800092.post-7171610226489470169"},"published":{"$t":"2008-07-15T17:59:00.010-03:00"},"updated":{"$t":"2008-07-15T22:17:27.762-03:00"},"category":[{"scheme":"http://www.blogger.com/atom/ns#","term":"best seller"},{"scheme":"http://www.blogger.com/atom/ns#","term":"booktrailer"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Charles Baudelaire"}],"title":{"type":"text","$t":"PROXIMOS ESTRENOS"},"summary":{"type":"text","$t":" Los vendedores de humo no descansan. Atentos a cualquier mecanismo que obstruya la capacidad de compra, están siempre urdiendo métodos engañosos para vulnerar la resistencia de los consumidores. La nueva estrategia de estos \"creativos\" apunta al negocio editorial. Y el invento con el que pretenden captar a los lectores desprevenidos son los booktrailer. Sí, aunque resulte increíble, para vender "},"link":[{"rel":"replies","type":"application/atom+xml","href":"http:\/\/le-criticon.blogspot.com\/feeds\/7171610226489470169\/comments\/default","title":"Enviar comentarios"},{"rel":"replies","type":"text/html","href":"http:\/\/le-criticon.blogspot.com\/2008\/07\/proximos-estrenos.html#comment-form","title":"0 comentarios"},{"rel":"edit","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/3874343899452800092\/posts\/default\/7171610226489470169"},{"rel":"self","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/3874343899452800092\/posts\/default\/7171610226489470169"},{"rel":"alternate","type":"text/html","href":"http:\/\/le-criticon.blogspot.com\/2008\/07\/proximos-estrenos.html","title":"PROXIMOS ESTRENOS"}],"author":[{"name":{"$t":"Altazor"},"uri":{"$t":"http:\/\/www.blogger.com\/profile\/00964863927097668508"},"email":{"$t":"noreply@blogger.com"},"gd$image":{"rel":"http://schemas.google.com/g/2005#thumbnail","width":"21","height":"32","src":"http:\/\/bp1.blogger.com\/_pbZDFlX0Ve4\/SDnBS2SXNZI\/AAAAAAAAAAs\/tCYIMXzZQdo\/S220\/foto.JPG"}}],"thr$total":{"$t":"0"}},{"id":{"$t":"tag:blogger.com,1999:blog-3874343899452800092.post-5453708165692664990"},"published":{"$t":"2008-07-13T12:53:00.008-03:00"},"updated":{"$t":"2008-07-13T23:36:29.095-03:00"},"category":[{"scheme":"http://www.blogger.com/atom/ns#","term":"Beck"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Cat Power"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Danger Mouse"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Modern Guilt"}],"title":{"type":"text","$t":"TODO CAMBIA"},"summary":{"type":"text","$t":"Cuando aquel impulso adolescente del que habló Kurt Donald Cobain se extingue, ¿la tragedia es la única ruta de escape o se puede optar por una lenta madurez? Tratando de responder a estos y otros interrogantes, Beck aparece con Modern Guilt, un disco que constituye la antítesis de Mellow Gold (1994), en donde ser un “loser” era motivo de orgullo. Letras metafísicas que hablan sobre castigos y "},"link":[{"rel":"replies","type":"application/atom+xml","href":"http:\/\/le-criticon.blogspot.com\/feeds\/5453708165692664990\/comments\/default","title":"Enviar comentarios"},{"rel":"replies","type":"text/html","href":"http:\/\/le-criticon.blogspot.com\/2008\/07\/todo-cambia.html#comment-form","title":"1 comentarios"},{"rel":"edit","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/3874343899452800092\/posts\/default\/5453708165692664990"},{"rel":"self","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/3874343899452800092\/posts\/default\/5453708165692664990"},{"rel":"alternate","type":"text/html","href":"http:\/\/le-criticon.blogspot.com\/2008\/07\/todo-cambia.html","title":"TODO CAMBIA"}],"author":[{"name":{"$t":"Anthony \"el quakero\""},"uri":{"$t":"http:\/\/www.blogger.com\/profile\/05931660534371760150"},"email":{"$t":"noreply@blogger.com"},"gd$image":{"rel":"http://schemas.google.com/g/2005#thumbnail","width":"32","height":"24","src":"http:\/\/bp1.blogger.com\/_b1X7xC27TS8\/R-GbYlm0rAI\/AAAAAAAAAAM\/GSDUB37xRJI\/S220\/Mirada.jpg"}}],"thr$total":{"$t":"1"}},{"id":{"$t":"tag:blogger.com,1999:blog-3874343899452800092.post-2406234716098554732"},"published":{"$t":"2008-07-12T14:28:00.008-03:00"},"updated":{"$t":"2008-07-12T15:00:20.043-03:00"},"category":[{"scheme":"http://www.blogger.com/atom/ns#","term":"Beyond the rave"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Christopher Lee"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Hammer Films"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Peter Cushing"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Terence Fisher"}],"title":{"type":"text","$t":"EL ORIGEN DEL MIEDO"},"summary":{"type":"text","$t":"Corría el año 1934 y el actor Will Hammer se asociaba con la distribuidora Exclusive y daba origen a la productora británica Hammer Films, considerada un referente en materia de terror gótico y ciencia ficción. A lo largo de su historia, alternó la gloria con el fracaso: fue enterrada y volvió a resucitar en varias ocasiones. En su lucha por la subsistencia fue testigo del nacimiento de la "},"link":[{"rel":"replies","type":"application/atom+xml","href":"http:\/\/le-criticon.blogspot.com\/feeds\/2406234716098554732\/comments\/default","title":"Enviar comentarios"},{"rel":"replies","type":"text/html","href":"http:\/\/le-criticon.blogspot.com\/2008\/07\/el-origen-del-miedo.html#comment-form","title":"0 comentarios"},{"rel":"edit","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/3874343899452800092\/posts\/default\/2406234716098554732"},{"rel":"self","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/3874343899452800092\/posts\/default\/2406234716098554732"},{"rel":"alternate","type":"text/html","href":"http:\/\/le-criticon.blogspot.com\/2008\/07\/el-origen-del-miedo.html","title":"EL ORIGEN DEL MIEDO"}],"author":[{"name":{"$t":"Marcel Celmar"},"uri":{"$t":"http:\/\/www.blogger.com\/profile\/13804012043339392705"},"email":{"$t":"noreply@blogger.com"},"gd$image":{"rel":"http://schemas.google.com/g/2005#thumbnail","width":"24","height":"32","src":"http:\/\/bp2.blogger.com\/_DJtuhrCfgjs\/R-GT1ZRia7I\/AAAAAAAAADo\/U-slqLceyQ0\/S220\/453px-Faces-nevit.jpg"}}],"thr$total":{"$t":"0"}},{"id":{"$t":"tag:blogger.com,1999:blog-3874343899452800092.post-5616737117730442066"},"published":{"$t":"2008-07-10T11:57:00.010-03:00"},"updated":{"$t":"2008-07-21T15:01:12.698-03:00"},"category":[{"scheme":"http://www.blogger.com/atom/ns#","term":"Auschwitz"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Drancy"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Emotional Arithmetic"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Max von Sydow"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Paolo Barzman"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Susan Sarandon"}],"title":{"type":"text","$t":"REENCUENTRO"},"summary":{"type":"text","$t":" El pasado no siempre es lo que ocurrió sino también aquello que nunca termina de suceder. Muchas veces, las consecuencias del ayer se mezclan con el presente bajo la forma de recuerdos quietos. De esa cárcel temporal que arma la memoria trata Emotional Arithmetic, un filme en donde se refleja la carga que representa ser un sobreviviente al holocausto luego de 65 años. Un elenco de figuras "},"link":[{"rel":"replies","type":"application/atom+xml","href":"http:\/\/le-criticon.blogspot.com\/feeds\/5616737117730442066\/comments\/default","title":"Enviar comentarios"},{"rel":"replies","type":"text/html","href":"http:\/\/le-criticon.blogspot.com\/2008\/07\/reencuentro.html#comment-form","title":"0 comentarios"},{"rel":"edit","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/3874343899452800092\/posts\/default\/5616737117730442066"},{"rel":"self","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/3874343899452800092\/posts\/default\/5616737117730442066"},{"rel":"alternate","type":"text/html","href":"http:\/\/le-criticon.blogspot.com\/2008\/07\/reencuentro.html","title":"REENCUENTRO"}],"author":[{"name":{"$t":"Marcel Celmar"},"uri":{"$t":"http:\/\/www.blogger.com\/profile\/13804012043339392705"},"email":{"$t":"noreply@blogger.com"},"gd$image":{"rel":"http://schemas.google.com/g/2005#thumbnail","width":"24","height":"32","src":"http:\/\/bp2.blogger.com\/_DJtuhrCfgjs\/R-GT1ZRia7I\/AAAAAAAAADo\/U-slqLceyQ0\/S220\/453px-Faces-nevit.jpg"}}],"thr$total":{"$t":"0"}},{"id":{"$t":"tag:blogger.com,1999:blog-3874343899452800092.post-2375133075561106118"},"published":{"$t":"2008-07-08T19:42:00.010-03:00"},"updated":{"$t":"2008-07-08T20:19:23.853-03:00"},"category":[{"scheme":"http://www.blogger.com/atom/ns#","term":"Horus"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Jesucristo"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Joseph Campbell"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Krishna"},{"scheme":"http://www.blogger.com/atom/ns#","term":"los mitos"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Zeitgeist"}],"title":{"type":"text","$t":"EL PODER DEL MITO"},"summary":{"type":"text","$t":"Al igual que el sistema de creencias compartido por la mitología greco romana, este paralelismo se repitió en otras doctrinas como ocurrió con la tradición egipcio-cristiana. Acaso porque todos los cultos nacen de un mismo principio fundador que es la moral. La transmisión oral de estas enseñanzas sirvió para fijar los valores de las antiguas comunidades, articuladas a través de relatos "},"link":[{"rel":"replies","type":"application/atom+xml","href":"http:\/\/le-criticon.blogspot.com\/feeds\/2375133075561106118\/comments\/default","title":"Enviar comentarios"},{"rel":"replies","type":"text/html","href":"http:\/\/le-criticon.blogspot.com\/2008\/07\/el-poder-del-mito.html#comment-form","title":"0 comentarios"},{"rel":"edit","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/3874343899452800092\/posts\/default\/2375133075561106118"},{"rel":"self","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/3874343899452800092\/posts\/default\/2375133075561106118"},{"rel":"alternate","type":"text/html","href":"http:\/\/le-criticon.blogspot.com\/2008\/07\/el-poder-del-mito.html","title":"EL PODER DEL MITO"}],"author":[{"name":{"$t":"Marcel Celmar"},"uri":{"$t":"http:\/\/www.blogger.com\/profile\/13804012043339392705"},"email":{"$t":"noreply@blogger.com"},"gd$image":{"rel":"http://schemas.google.com/g/2005#thumbnail","width":"24","height":"32","src":"http:\/\/bp2.blogger.com\/_DJtuhrCfgjs\/R-GT1ZRia7I\/AAAAAAAAADo\/U-slqLceyQ0\/S220\/453px-Faces-nevit.jpg"}}],"thr$total":{"$t":"0"}},{"id":{"$t":"tag:blogger.com,1999:blog-3874343899452800092.post-4669909142596997609"},"published":{"$t":"2008-07-07T11:36:00.009-03:00"},"updated":{"$t":"2008-07-07T11:50:52.361-03:00"},"category":[{"scheme":"http://www.blogger.com/atom/ns#","term":"Beauty is the Promise of Happiness"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Dios ha muerto"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Friedrich Wilhelm Nietzsche"}],"title":{"type":"text","$t":"MATAR LOS CIELOS"},"summary":{"type":"text","$t":"Don Friedrich Wilhelm Nietzsche fue uno de los intelectuales que más influyó en el dogma contemporáneo. Si bien abordó diferentes enfoques, el eje de su pensamiento lo constituyen: la voluntad de poder, el superhombre, la auto superación de la moral y el eterno retorno. Una de sus máximas más celebradas dice que “Dios ha muerto”, a través de la cual pretende desenmascarar los intereses que "},"link":[{"rel":"replies","type":"application/atom+xml","href":"http:\/\/le-criticon.blogspot.com\/feeds\/4669909142596997609\/comments\/default","title":"Enviar comentarios"},{"rel":"replies","type":"text/html","href":"http:\/\/le-criticon.blogspot.com\/2008\/07\/don-friedrich-wilhelm-nietzsche-fue-uno.html#comment-form","title":"0 comentarios"},{"rel":"edit","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/3874343899452800092\/posts\/default\/4669909142596997609"},{"rel":"self","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/3874343899452800092\/posts\/default\/4669909142596997609"},{"rel":"alternate","type":"text/html","href":"http:\/\/le-criticon.blogspot.com\/2008\/07\/don-friedrich-wilhelm-nietzsche-fue-uno.html","title":"MATAR LOS CIELOS"}],"author":[{"name":{"$t":"Marcel Celmar"},"uri":{"$t":"http:\/\/www.blogger.com\/profile\/13804012043339392705"},"email":{"$t":"noreply@blogger.com"},"gd$image":{"rel":"http://schemas.google.com/g/2005#thumbnail","width":"24","height":"32","src":"http:\/\/bp2.blogger.com\/_DJtuhrCfgjs\/R-GT1ZRia7I\/AAAAAAAAADo\/U-slqLceyQ0\/S220\/453px-Faces-nevit.jpg"}}],"thr$total":{"$t":"0"}},{"id":{"$t":"tag:blogger.com,1999:blog-3874343899452800092.post-2834834290691452398"},"published":{"$t":"2008-07-06T16:14:00.010-03:00"},"updated":{"$t":"2008-07-06T22:43:21.543-03:00"},"category":[{"scheme":"http://www.blogger.com/atom/ns#","term":"El Fin de los Tiempos"},{"scheme":"http://www.blogger.com/atom/ns#","term":"enemigo ecológico"},{"scheme":"http://www.blogger.com/atom/ns#","term":"M. Night Shyamalan"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Mark Wahlberg"}],"title":{"type":"text","$t":"ENEMIGO SILENCIOSO"},"summary":{"type":"text","$t":"En una sociedad en donde todas las piezas encajan sin fricción, un desajuste en alguna de sus articulaciones puede significar la desintegración de aquel andamiaje colectivo. Parte de esta fantasía apocalíptica se reconstruye en El Fin de los Tiempos, un filme en donde se muestra como las estructuras de un Estado de control colapsan ante la amenaza de una fuerza indefinida. Pero a diferencia de "},"link":[{"rel":"replies","type":"application/atom+xml","href":"http:\/\/le-criticon.blogspot.com\/feeds\/2834834290691452398\/comments\/default","title":"Enviar comentarios"},{"rel":"replies","type":"text/html","href":"http:\/\/le-criticon.blogspot.com\/2008\/07\/enemigo-silencioso.html#comment-form","title":"3 comentarios"},{"rel":"edit","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/3874343899452800092\/posts\/default\/2834834290691452398"},{"rel":"self","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/3874343899452800092\/posts\/default\/2834834290691452398"},{"rel":"alternate","type":"text/html","href":"http:\/\/le-criticon.blogspot.com\/2008\/07\/enemigo-silencioso.html","title":"ENEMIGO SILENCIOSO"}],"author":[{"name":{"$t":"Marcel Celmar"},"uri":{"$t":"http:\/\/www.blogger.com\/profile\/13804012043339392705"},"email":{"$t":"noreply@blogger.com"},"gd$image":{"rel":"http://schemas.google.com/g/2005#thumbnail","width":"24","height":"32","src":"http:\/\/bp2.blogger.com\/_DJtuhrCfgjs\/R-GT1ZRia7I\/AAAAAAAAADo\/U-slqLceyQ0\/S220\/453px-Faces-nevit.jpg"}}],"thr$total":{"$t":"3"}},{"id":{"$t":"tag:blogger.com,1999:blog-3874343899452800092.post-1768560436392029218"},"published":{"$t":"2008-07-04T12:35:00.005-03:00"},"updated":{"$t":"2008-07-04T12:55:57.120-03:00"},"category":[{"scheme":"http://www.blogger.com/atom/ns#","term":"celulares"},{"scheme":"http://www.blogger.com/atom/ns#","term":"estudios"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Sound Snacking"}],"title":{"type":"text","$t":"AMANSAR A LAS FIERAS"},"summary":{"type":"text","$t":"Si hay un lema que impuso el mercantilismo más desenfrenado es el de adaptación o decadencia. La posibilidad de que el pasado se convierta en presente está dada por su capacidad de mutación. Uno de los objetos que más transformaciones experimentó en los últimos tiempos fue la música. En el transcurso de 10 años, el Long Play fue devorado por el CD, quien a su vez sucumbió bajo el acento del MP3. "},"link":[{"rel":"replies","type":"application/atom+xml","href":"http:\/\/le-criticon.blogspot.com\/feeds\/1768560436392029218\/comments\/default","title":"Enviar comentarios"},{"rel":"replies","type":"text/html","href":"http:\/\/le-criticon.blogspot.com\/2008\/07\/amansar-las-fieras.html#comment-form","title":"0 comentarios"},{"rel":"edit","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/3874343899452800092\/posts\/default\/1768560436392029218"},{"rel":"self","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/3874343899452800092\/posts\/default\/1768560436392029218"},{"rel":"alternate","type":"text/html","href":"http:\/\/le-criticon.blogspot.com\/2008\/07\/amansar-las-fieras.html","title":"AMANSAR A LAS FIERAS"}],"author":[{"name":{"$t":"Altazor"},"uri":{"$t":"http:\/\/www.blogger.com\/profile\/00964863927097668508"},"email":{"$t":"noreply@blogger.com"},"gd$image":{"rel":"http://schemas.google.com/g/2005#thumbnail","width":"21","height":"32","src":"http:\/\/bp1.blogger.com\/_pbZDFlX0Ve4\/SDnBS2SXNZI\/AAAAAAAAAAs\/tCYIMXzZQdo\/S220\/foto.JPG"}}],"thr$total":{"$t":"0"}},{"id":{"$t":"tag:blogger.com,1999:blog-3874343899452800092.post-4196944466963295095"},"published":{"$t":"2008-07-03T13:53:00.022-03:00"},"updated":{"$t":"2008-07-03T17:45:43.655-03:00"},"category":[{"scheme":"http://www.blogger.com/atom/ns#","term":"foto del año"},{"scheme":"http://www.blogger.com/atom/ns#","term":"fotógrafos profesionales"},{"scheme":"http://www.blogger.com/atom/ns#","term":"World Press Photo"}],"title":{"type":"text","$t":"VUELTA AL MUNDO"},"summary":{"type":"text","$t":" La fundación World Press Photo organiza anualmente el World Press Photo of the Year, el concurso más prestigioso de la fotografía periodística. Su objetivo es apoyar y difundir la labor de los fotógrafos de prensa. Muchos de los trabajos que están en la galería de finalistas recorrieron el mundo, ya que son testimonios que ocuparon las páginas de revistas y periódicos durante 2007 y parte de "},"link":[{"rel":"replies","type":"application/atom+xml","href":"http:\/\/le-criticon.blogspot.com\/feeds\/4196944466963295095\/comments\/default","title":"Enviar comentarios"},{"rel":"replies","type":"text/html","href":"http:\/\/le-criticon.blogspot.com\/2008\/07\/vuelta-al-mundo.html#comment-form","title":"1 comentarios"},{"rel":"edit","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/3874343899452800092\/posts\/default\/4196944466963295095"},{"rel":"self","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/3874343899452800092\/posts\/default\/4196944466963295095"},{"rel":"alternate","type":"text/html","href":"http:\/\/le-criticon.blogspot.com\/2008\/07\/vuelta-al-mundo.html","title":"VUELTA AL MUNDO"}],"author":[{"name":{"$t":"Marcel Celmar"},"uri":{"$t":"http:\/\/www.blogger.com\/profile\/13804012043339392705"},"email":{"$t":"noreply@blogger.com"},"gd$image":{"rel":"http://schemas.google.com/g/2005#thumbnail","width":"24","height":"32","src":"http:\/\/bp2.blogger.com\/_DJtuhrCfgjs\/R-GT1ZRia7I\/AAAAAAAAADo\/U-slqLceyQ0\/S220\/453px-Faces-nevit.jpg"}}],"thr$total":{"$t":"1"}},{"id":{"$t":"tag:blogger.com,1999:blog-3874343899452800092.post-8047801856925443130"},"published":{"$t":"2008-07-02T12:27:00.006-03:00"},"updated":{"$t":"2008-07-02T12:51:55.611-03:00"},"category":[{"scheme":"http://www.blogger.com/atom/ns#","term":"autómatas"},{"scheme":"http://www.blogger.com/atom/ns#","term":"cabeza parlante"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Neuchâtel"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Pierre Jaquet-Droz"}],"title":{"type":"text","$t":"CASI HUMANO"},"summary":{"type":"text","$t":"Las criaturas mecánicas han despertado la curiosidad del hombre desde épocas tempranas. En el siglo XIII, el monje Alberto Magno creó la primer “cabeza parlante” con vidrio, hierro y cuero. La misma fue destruida por su discípulo Santo Tomás de Aquino, por considerarla una obra del demonio. Otro de los que probó suerte fue el gran Leonardo Da Vinci, quien ensambló al menos dos de estos cuerpos "},"link":[{"rel":"replies","type":"application/atom+xml","href":"http:\/\/le-criticon.blogspot.com\/feeds\/8047801856925443130\/comments\/default","title":"Enviar comentarios"},{"rel":"replies","type":"text/html","href":"http:\/\/le-criticon.blogspot.com\/2008\/07\/casi-humano.html#comment-form","title":"0 comentarios"},{"rel":"edit","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/3874343899452800092\/posts\/default\/8047801856925443130"},{"rel":"self","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/3874343899452800092\/posts\/default\/8047801856925443130"},{"rel":"alternate","type":"text/html","href":"http:\/\/le-criticon.blogspot.com\/2008\/07\/casi-humano.html","title":"CASI HUMANO"}],"author":[{"name":{"$t":"Altazor"},"uri":{"$t":"http:\/\/www.blogger.com\/profile\/00964863927097668508"},"email":{"$t":"noreply@blogger.com"},"gd$image":{"rel":"http://schemas.google.com/g/2005#thumbnail","width":"21","height":"32","src":"http:\/\/bp1.blogger.com\/_pbZDFlX0Ve4\/SDnBS2SXNZI\/AAAAAAAAAAs\/tCYIMXzZQdo\/S220\/foto.JPG"}}],"thr$total":{"$t":"0"}},{"id":{"$t":"tag:blogger.com,1999:blog-3874343899452800092.post-6684221447443883492"},"published":{"$t":"2008-07-01T18:02:00.011-03:00"},"updated":{"$t":"2008-07-01T18:51:14.906-03:00"},"category":[{"scheme":"http://www.blogger.com/atom/ns#","term":"Giuseppe Ferrara"},{"scheme":"http://www.blogger.com/atom/ns#","term":"La Margarita"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Las cartas no llegaron"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Mauricio Rosencof"}],"title":{"type":"text","$t":"RESISTIRE"},"summary":{"type":"text","$t":" Hay historias que por la honestidad de su desdicha, merecen escaparse del olvido. Este es el caso del escritor uruguayo y ex dirigente tupamaro Mauricio Rosencof, quien pasó 13 años (1972-1985) de su vida en una prisión. Aunque el reconocimiento de la industria cinematográfica se filtró por el hueco más delgado. Las cartas no llegaron es un libro publicado en 2004, donde el narrador imagina un "},"link":[{"rel":"replies","type":"application/atom+xml","href":"http:\/\/le-criticon.blogspot.com\/feeds\/6684221447443883492\/comments\/default","title":"Enviar comentarios"},{"rel":"replies","type":"text/html","href":"http:\/\/le-criticon.blogspot.com\/2008\/07\/resistire.html#comment-form","title":"0 comentarios"},{"rel":"edit","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/3874343899452800092\/posts\/default\/6684221447443883492"},{"rel":"self","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/3874343899452800092\/posts\/default\/6684221447443883492"},{"rel":"alternate","type":"text/html","href":"http:\/\/le-criticon.blogspot.com\/2008\/07\/resistire.html","title":"RESISTIRE"}],"author":[{"name":{"$t":"Anthony \"el quakero\""},"uri":{"$t":"http:\/\/www.blogger.com\/profile\/05931660534371760150"},"email":{"$t":"noreply@blogger.com"},"gd$image":{"rel":"http://schemas.google.com/g/2005#thumbnail","width":"32","height":"24","src":"http:\/\/bp1.blogger.com\/_b1X7xC27TS8\/R-GbYlm0rAI\/AAAAAAAAAAM\/GSDUB37xRJI\/S220\/Mirada.jpg"}}],"thr$total":{"$t":"0"}},{"id":{"$t":"tag:blogger.com,1999:blog-3874343899452800092.post-3772804263480576605"},"published":{"$t":"2008-06-30T11:26:00.005-03:00"},"updated":{"$t":"2008-07-21T15:09:38.817-03:00"},"category":[{"scheme":"http://www.blogger.com/atom/ns#","term":"Chrysalis"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Julien Leclercq"},{"scheme":"http://www.blogger.com/atom/ns#","term":"memorias"},{"scheme":"http://www.blogger.com/atom/ns#","term":"recuerdos"}],"title":{"type":"text","$t":"EN MEMORIA"},"summary":{"type":"text","$t":"Basándose en la figuración de que una persona es un inventario de experiencias y recuerdos, muchas películas --como es el caso de Chrysalis—sostienen que para transformar a un individuo basta con despintarle sus memorias. En todo este proceso, la función cerebral y las conexiones sinápticas que abastecen a las neuronas cumplen un papel fundamental. Pero lo que en Eternal Sunshine of the Spotless "},"link":[{"rel":"replies","type":"application/atom+xml","href":"http:\/\/le-criticon.blogspot.com\/feeds\/3772804263480576605\/comments\/default","title":"Enviar comentarios"},{"rel":"replies","type":"text/html","href":"http:\/\/le-criticon.blogspot.com\/2008\/07\/en-memoria.html#comment-form","title":"0 comentarios"},{"rel":"edit","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/3874343899452800092\/posts\/default\/3772804263480576605"},{"rel":"self","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/3874343899452800092\/posts\/default\/3772804263480576605"},{"rel":"alternate","type":"text/html","href":"http:\/\/le-criticon.blogspot.com\/2008\/07\/en-memoria.html","title":"EN MEMORIA"}],"author":[{"name":{"$t":"Marcel Celmar"},"uri":{"$t":"http:\/\/www.blogger.com\/profile\/13804012043339392705"},"email":{"$t":"noreply@blogger.com"},"gd$image":{"rel":"http://schemas.google.com/g/2005#thumbnail","width":"24","height":"32","src":"http:\/\/bp2.blogger.com\/_DJtuhrCfgjs\/R-GT1ZRia7I\/AAAAAAAAADo\/U-slqLceyQ0\/S220\/453px-Faces-nevit.jpg"}}],"thr$total":{"$t":"0"}},{"id":{"$t":"tag:blogger.com,1999:blog-3874343899452800092.post-2526883405395697655"},"published":{"$t":"2008-06-29T11:35:00.005-03:00"},"updated":{"$t":"2008-06-29T12:51:52.119-03:00"},"category":[{"scheme":"http://www.blogger.com/atom/ns#","term":"Feed The Animals"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Girl Talk"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Greg Gillis"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Mash Up"}],"title":{"type":"text","$t":"LOS EDUCADORES"},"summary":{"type":"text","$t":"La modalidad de pago voluntario por tema es una estrategia de orden kantiano para que los jóvenes, acostumbrados a conseguir música por la arbitrariedad de un clic, eduquen su conciencia moral para que su valoración sobre la condición de este acto se modifique. Uno de los impulsores de esta dialéctica bueno\/malo fue Radiohead, quienes en In Rainbows, su último lanzamiento, apelaron al intelecto, "},"link":[{"rel":"replies","type":"application/atom+xml","href":"http:\/\/le-criticon.blogspot.com\/feeds\/2526883405395697655\/comments\/default","title":"Enviar comentarios"},{"rel":"replies","type":"text/html","href":"http:\/\/le-criticon.blogspot.com\/2008\/06\/los-educadores.html#comment-form","title":"0 comentarios"},{"rel":"edit","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/3874343899452800092\/posts\/default\/2526883405395697655"},{"rel":"self","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/3874343899452800092\/posts\/default\/2526883405395697655"},{"rel":"alternate","type":"text/html","href":"http:\/\/le-criticon.blogspot.com\/2008\/06\/los-educadores.html","title":"LOS EDUCADORES"}],"author":[{"name":{"$t":"Anthony \"el quakero\""},"uri":{"$t":"http:\/\/www.blogger.com\/profile\/05931660534371760150"},"email":{"$t":"noreply@blogger.com"},"gd$image":{"rel":"http://schemas.google.com/g/2005#thumbnail","width":"32","height":"24","src":"http:\/\/bp1.blogger.com\/_b1X7xC27TS8\/R-GbYlm0rAI\/AAAAAAAAAAM\/GSDUB37xRJI\/S220\/Mirada.jpg"}}],"thr$total":{"$t":"0"}},{"id":{"$t":"tag:blogger.com,1999:blog-3874343899452800092.post-2822448090054349546"},"published":{"$t":"2008-06-27T13:06:00.006-03:00"},"updated":{"$t":"2008-07-21T15:18:48.836-03:00"},"category":[{"scheme":"http://www.blogger.com/atom/ns#","term":"Alison Eastwood"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Clint Eastwood"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Kevin Bacon"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Marcia Gay Harden"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Rails and Ties"}],"title":{"type":"text","$t":"A LA DISTANCIA"},"summary":{"type":"text","$t":" Hay días en que todo parece salir mal. Esta sospecha se revela al poner un pie fuera de la cama y condiciona el resto de la jornada. Pero el problema va mucho más allá de una vibración negativa o un maleficio vudú. Y por más que se ponga la mejor energía para torcer la situación, lo único que se consigue es potenciar la adversidad. En estos casos, lo recomendable es quedarse en un rincón cruzado"},"link":[{"rel":"replies","type":"application/atom+xml","href":"http:\/\/le-criticon.blogspot.com\/feeds\/2822448090054349546\/comments\/default","title":"Enviar comentarios"},{"rel":"replies","type":"text/html","href":"http:\/\/le-criticon.blogspot.com\/2008\/06\/la-distancia.html#comment-form","title":"0 comentarios"},{"rel":"edit","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/3874343899452800092\/posts\/default\/2822448090054349546"},{"rel":"self","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/3874343899452800092\/posts\/default\/2822448090054349546"},{"rel":"alternate","type":"text/html","href":"http:\/\/le-criticon.blogspot.com\/2008\/06\/la-distancia.html","title":"A LA DISTANCIA"}],"author":[{"name":{"$t":"Marcel Celmar"},"uri":{"$t":"http:\/\/www.blogger.com\/profile\/13804012043339392705"},"email":{"$t":"noreply@blogger.com"},"gd$image":{"rel":"http://schemas.google.com/g/2005#thumbnail","width":"24","height":"32","src":"http:\/\/bp2.blogger.com\/_DJtuhrCfgjs\/R-GT1ZRia7I\/AAAAAAAAADo\/U-slqLceyQ0\/S220\/453px-Faces-nevit.jpg"}}],"thr$total":{"$t":"0"}},{"id":{"$t":"tag:blogger.com,1999:blog-3874343899452800092.post-3481617741993700894"},"published":{"$t":"2008-06-26T11:57:00.008-03:00"},"updated":{"$t":"2008-06-26T12:19:18.910-03:00"},"category":[{"scheme":"http://www.blogger.com/atom/ns#","term":"cuerpo del delito"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Marc Schoelermann"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Pathology"}],"title":{"type":"text","$t":"FORENSES"},"summary":{"type":"text","$t":"El propósito de los médicos de una morgue y los peritos policiales es muy similar, su objetivo consiste en resolver un enigma. Para llegar a la verdad, estas profesiones utilizan métodos afines. En ambos casos, el metier se resume en la observación directa, la recolección de pistas y el poder de la intuición. Pero mientras los detectives supervisan la escena del crimen y su jurisdicción es la "},"link":[{"rel":"replies","type":"application/atom+xml","href":"http:\/\/le-criticon.blogspot.com\/feeds\/3481617741993700894\/comments\/default","title":"Enviar comentarios"},{"rel":"replies","type":"text/html","href":"http:\/\/le-criticon.blogspot.com\/2008\/06\/forenses.html#comment-form","title":"1 comentarios"},{"rel":"edit","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/3874343899452800092\/posts\/default\/3481617741993700894"},{"rel":"self","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/3874343899452800092\/posts\/default\/3481617741993700894"},{"rel":"alternate","type":"text/html","href":"http:\/\/le-criticon.blogspot.com\/2008\/06\/forenses.html","title":"FORENSES"}],"author":[{"name":{"$t":"Marcel Celmar"},"uri":{"$t":"http:\/\/www.blogger.com\/profile\/13804012043339392705"},"email":{"$t":"noreply@blogger.com"},"gd$image":{"rel":"http://schemas.google.com/g/2005#thumbnail","width":"24","height":"32","src":"http:\/\/bp2.blogger.com\/_DJtuhrCfgjs\/R-GT1ZRia7I\/AAAAAAAAADo\/U-slqLceyQ0\/S220\/453px-Faces-nevit.jpg"}}],"thr$total":{"$t":"1"}},{"id":{"$t":"tag:blogger.com,1999:blog-3874343899452800092.post-260877000888260744"},"published":{"$t":"2008-06-24T13:31:00.020-03:00"},"updated":{"$t":"2008-06-24T22:14:59.188-03:00"},"category":[{"scheme":"http://www.blogger.com/atom/ns#","term":"Adolf Loos"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Adorno"},{"scheme":"http://www.blogger.com/atom/ns#","term":"autonomía del arte"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Defaced"}],"title":{"type":"text","$t":"ABSTRACCIONES"},"summary":{"type":"text","$t":"Decir que un artista logró colgar una pieza en un museo es empezar a contar la historia por el final. La consagración es un proceso no siempre meritorio que puede demorar años, décadas y hasta siglos. En todo caso, el interrogante a develar no es quién llegó a la cúpula sino cómo. La contrariedad que gobierna al canon reside en su método de selección. Es el arte comercial el artefacto mejor "},"link":[{"rel":"replies","type":"application/atom+xml","href":"http:\/\/le-criticon.blogspot.com\/feeds\/260877000888260744\/comments\/default","title":"Enviar comentarios"},{"rel":"replies","type":"text/html","href":"http:\/\/le-criticon.blogspot.com\/2008\/06\/abstracciones.html#comment-form","title":"1 comentarios"},{"rel":"edit","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/3874343899452800092\/posts\/default\/260877000888260744"},{"rel":"self","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/3874343899452800092\/posts\/default\/260877000888260744"},{"rel":"alternate","type":"text/html","href":"http:\/\/le-criticon.blogspot.com\/2008\/06\/abstracciones.html","title":"ABSTRACCIONES"}],"author":[{"name":{"$t":"Marcel Celmar"},"uri":{"$t":"http:\/\/www.blogger.com\/profile\/13804012043339392705"},"email":{"$t":"noreply@blogger.com"},"gd$image":{"rel":"http://schemas.google.com/g/2005#thumbnail","width":"24","height":"32","src":"http:\/\/bp2.blogger.com\/_DJtuhrCfgjs\/R-GT1ZRia7I\/AAAAAAAAADo\/U-slqLceyQ0\/S220\/453px-Faces-nevit.jpg"}}],"thr$total":{"$t":"1"}},{"id":{"$t":"tag:blogger.com,1999:blog-3874343899452800092.post-6263397511944945134"},"published":{"$t":"2008-06-23T11:39:00.008-03:00"},"updated":{"$t":"2008-06-23T12:14:28.222-03:00"},"category":[{"scheme":"http://www.blogger.com/atom/ns#","term":"Alan Weisman"},{"scheme":"http://www.blogger.com/atom/ns#","term":"mundo sin gente"},{"scheme":"http://www.blogger.com/atom/ns#","term":"población cero"},{"scheme":"http://www.blogger.com/atom/ns#","term":"The World Without Us"},{"scheme":"http://www.blogger.com/atom/ns#","term":"vida después de la gente"}],"title":{"type":"text","$t":"UN DIA CUALQUIERA"},"summary":{"type":"text","$t":" Que sucedería con la tierra si de pronto, un día cualquiera, el Homo sapiens simplemente desapareciera sin dejar rastros. Esta misma pregunta se la planteó Alan Weisman, un periodista que se desempeña como profesor en la Universidad de California, en su libro The World Without Us (El mundo sin nosotros). Pero lejos del enfoque clásica de la ciencia ficción, al estilo La Tierra Permanece de "},"link":[{"rel":"replies","type":"application/atom+xml","href":"http:\/\/le-criticon.blogspot.com\/feeds\/6263397511944945134\/comments\/default","title":"Enviar comentarios"},{"rel":"replies","type":"text/html","href":"http:\/\/le-criticon.blogspot.com\/2008\/06\/un-dia-cualquiera.html#comment-form","title":"21 comentarios"},{"rel":"edit","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/3874343899452800092\/posts\/default\/6263397511944945134"},{"rel":"self","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/3874343899452800092\/posts\/default\/6263397511944945134"},{"rel":"alternate","type":"text/html","href":"http:\/\/le-criticon.blogspot.com\/2008\/06\/un-dia-cualquiera.html","title":"UN DIA CUALQUIERA"}],"author":[{"name":{"$t":"Marcel Celmar"},"uri":{"$t":"http:\/\/www.blogger.com\/profile\/13804012043339392705"},"email":{"$t":"noreply@blogger.com"},"gd$image":{"rel":"http://schemas.google.com/g/2005#thumbnail","width":"24","height":"32","src":"http:\/\/bp2.blogger.com\/_DJtuhrCfgjs\/R-GT1ZRia7I\/AAAAAAAAADo\/U-slqLceyQ0\/S220\/453px-Faces-nevit.jpg"}}],"thr$total":{"$t":"21"}},{"id":{"$t":"tag:blogger.com,1999:blog-3874343899452800092.post-4467677789523663962"},"published":{"$t":"2008-06-20T12:42:00.010-03:00"},"updated":{"$t":"2008-06-23T16:06:23.348-03:00"},"category":[{"scheme":"http://www.blogger.com/atom/ns#","term":"An American Crime"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Catherine Keener"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Ellen Page"},{"scheme":"http://www.blogger.com/atom/ns#","term":"familia Baniszewski"},{"scheme":"http://www.blogger.com/atom/ns#","term":"The Girl Next Door"}],"title":{"type":"text","$t":"DULCE INOCENCIA"},"summary":{"type":"text","$t":" El filme An American Crime es una historia verídica que tuvo lugar en la ciudad de Indianápolis en el año 1965. Para intentar esclarecer un hecho tan despiadado, los medios agotaron litros de tinta sobre el proceso judicial caratulado “El estado de Indiana contra Baniszewski”. Como para entender su impacto social, los abusos perpetrados son comparable con los de Natascha Kampusch, la joven "},"link":[{"rel":"replies","type":"application/atom+xml","href":"http:\/\/le-criticon.blogspot.com\/feeds\/4467677789523663962\/comments\/default","title":"Enviar comentarios"},{"rel":"replies","type":"text/html","href":"http:\/\/le-criticon.blogspot.com\/2008\/06\/dulce-inocencia.html#comment-form","title":"0 comentarios"},{"rel":"edit","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/3874343899452800092\/posts\/default\/4467677789523663962"},{"rel":"self","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/3874343899452800092\/posts\/default\/4467677789523663962"},{"rel":"alternate","type":"text/html","href":"http:\/\/le-criticon.blogspot.com\/2008\/06\/dulce-inocencia.html","title":"DULCE INOCENCIA"}],"author":[{"name":{"$t":"Marcel Celmar"},"uri":{"$t":"http:\/\/www.blogger.com\/profile\/13804012043339392705"},"email":{"$t":"noreply@blogger.com"},"gd$image":{"rel":"http://schemas.google.com/g/2005#thumbnail","width":"24","height":"32","src":"http:\/\/bp2.blogger.com\/_DJtuhrCfgjs\/R-GT1ZRia7I\/AAAAAAAAADo\/U-slqLceyQ0\/S220\/453px-Faces-nevit.jpg"}}],"thr$total":{"$t":"0"}},{"id":{"$t":"tag:blogger.com,1999:blog-3874343899452800092.post-3087933804930415202"},"published":{"$t":"2008-06-19T12:56:00.019-03:00"},"updated":{"$t":"2008-06-25T22:06:05.501-03:00"},"category":[{"scheme":"http://www.blogger.com/atom/ns#","term":"Blu"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Buenos Aires"},{"scheme":"http://www.blogger.com/atom/ns#","term":"graffities"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Muto"}],"title":{"type":"text","$t":"PAREDES QUE HABLAN"},"summary":{"type":"text","$t":" El arte puede ser expresado a través de diferentes materiales y sobre cualquier tipo de superficie. Desde una hoja de papel con un garabato, un grano de arroz entallado o un espacio público con graffities. Así, el artista italiano llamado Blu, viaja por las distintas capitales del orbe para dejar su sello personal en muros y fachadas de edificios. Uno de sus trabajos más curiosos fue bautizado "},"link":[{"rel":"replies","type":"application/atom+xml","href":"http:\/\/le-criticon.blogspot.com\/feeds\/3087933804930415202\/comments\/default","title":"Enviar comentarios"},{"rel":"replies","type":"text/html","href":"http:\/\/le-criticon.blogspot.com\/2008\/06\/paredes-que-hablan.html#comment-form","title":"0 comentarios"},{"rel":"edit","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/3874343899452800092\/posts\/default\/3087933804930415202"},{"rel":"self","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/3874343899452800092\/posts\/default\/3087933804930415202"},{"rel":"alternate","type":"text/html","href":"http:\/\/le-criticon.blogspot.com\/2008\/06\/paredes-que-hablan.html","title":"PAREDES QUE HABLAN"}],"author":[{"name":{"$t":"Marcel Celmar"},"uri":{"$t":"http:\/\/www.blogger.com\/profile\/13804012043339392705"},"email":{"$t":"noreply@blogger.com"},"gd$image":{"rel":"http://schemas.google.com/g/2005#thumbnail","width":"24","height":"32","src":"http:\/\/bp2.blogger.com\/_DJtuhrCfgjs\/R-GT1ZRia7I\/AAAAAAAAADo\/U-slqLceyQ0\/S220\/453px-Faces-nevit.jpg"}}],"thr$total":{"$t":"0"}},{"id":{"$t":"tag:blogger.com,1999:blog-3874343899452800092.post-5125817784880903788"},"published":{"$t":"2008-06-18T13:30:00.008-03:00"},"updated":{"$t":"2008-06-23T16:09:23.573-03:00"},"category":[{"scheme":"http://www.blogger.com/atom/ns#","term":"Christopher Ciccone"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Hard Candy"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Justin Timberlake"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Madonna"}],"title":{"type":"text","$t":"CON LA POLVORA MOJADA"},"summary":{"type":"text","$t":"Hay discos que crecen a contrapelo del rumor y aunque sus cuerdas sean tensadas con dinamita no consiguen afinar. El conflicto va más allá de una mala campaña de comunicación lanzada por el sello o los ambiguos mensajes del artista. Lo cierto es que el cedé no consigue despegar en las pistas y pasa desapercibido por el dial. Esto le sucede a Babasónicos con el lanzamiento de Mucho y también a "},"link":[{"rel":"replies","type":"application/atom+xml","href":"http:\/\/le-criticon.blogspot.com\/feeds\/5125817784880903788\/comments\/default","title":"Enviar comentarios"},{"rel":"replies","type":"text/html","href":"http:\/\/le-criticon.blogspot.com\/2008\/06\/con-la-polvora-mojada.html#comment-form","title":"0 comentarios"},{"rel":"edit","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/3874343899452800092\/posts\/default\/5125817784880903788"},{"rel":"self","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/3874343899452800092\/posts\/default\/5125817784880903788"},{"rel":"alternate","type":"text/html","href":"http:\/\/le-criticon.blogspot.com\/2008\/06\/con-la-polvora-mojada.html","title":"CON LA POLVORA MOJADA"}],"author":[{"name":{"$t":"Marcel Celmar"},"uri":{"$t":"http:\/\/www.blogger.com\/profile\/13804012043339392705"},"email":{"$t":"noreply@blogger.com"},"gd$image":{"rel":"http://schemas.google.com/g/2005#thumbnail","width":"24","height":"32","src":"http:\/\/bp2.blogger.com\/_DJtuhrCfgjs\/R-GT1ZRia7I\/AAAAAAAAADo\/U-slqLceyQ0\/S220\/453px-Faces-nevit.jpg"}}],"thr$total":{"$t":"0"}},{"id":{"$t":"tag:blogger.com,1999:blog-3874343899452800092.post-3918474459006113479"},"published":{"$t":"2008-06-17T12:49:00.015-03:00"},"updated":{"$t":"2008-06-23T16:11:38.172-03:00"},"category":[{"scheme":"http://www.blogger.com/atom/ns#","term":"Anton Yelchin"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Charlie Bartlett"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Jon Poll"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Robert Downey Jr."}],"title":{"type":"text","$t":"TIEMPO DE JUVENTUD"},"summary":{"type":"text","$t":" Las historias para adolescentes son uno de los platos preferidos de los estudios de cine, aunque jamás los sirven a la temperatura adecuada. O son de tono moralizantes (Dead Poets Society -1989), completamente irrelevantes (American Pie - 1999) o demasiado localista (Juno - 2007). Tomando un gajo de cada flor, Charlie Bartlett logra plantar un relato que por momentos deja un sabor solemne, en "},"link":[{"rel":"replies","type":"application/atom+xml","href":"http:\/\/le-criticon.blogspot.com\/feeds\/3918474459006113479\/comments\/default","title":"Enviar comentarios"},{"rel":"replies","type":"text/html","href":"http:\/\/le-criticon.blogspot.com\/2008\/06\/tiempo-de-juventud.html#comment-form","title":"0 comentarios"},{"rel":"edit","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/3874343899452800092\/posts\/default\/3918474459006113479"},{"rel":"self","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/3874343899452800092\/posts\/default\/3918474459006113479"},{"rel":"alternate","type":"text/html","href":"http:\/\/le-criticon.blogspot.com\/2008\/06\/tiempo-de-juventud.html","title":"TIEMPO DE JUVENTUD"}],"author":[{"name":{"$t":"Marcel Celmar"},"uri":{"$t":"http:\/\/www.blogger.com\/profile\/13804012043339392705"},"email":{"$t":"noreply@blogger.com"},"gd$image":{"rel":"http://schemas.google.com/g/2005#thumbnail","width":"24","height":"32","src":"http:\/\/bp2.blogger.com\/_DJtuhrCfgjs\/R-GT1ZRia7I\/AAAAAAAAADo\/U-slqLceyQ0\/S220\/453px-Faces-nevit.jpg"}}],"thr$total":{"$t":"0"}},{"id":{"$t":"tag:blogger.com,1999:blog-3874343899452800092.post-2054653780941382681"},"published":{"$t":"2008-06-16T12:18:00.009-03:00"},"updated":{"$t":"2008-06-23T16:13:32.302-03:00"},"category":[{"scheme":"http://www.blogger.com/atom/ns#","term":"Death Defying Acts"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Houdini"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Scoop"},{"scheme":"http://www.blogger.com/atom/ns#","term":"The Illusionist"},{"scheme":"http://www.blogger.com/atom/ns#","term":"The Prestige"}],"title":{"type":"text","$t":"EL SECRETO PROFESIONAL"},"summary":{"type":"text","$t":" El éxito, como tantos otros factores de riesgo, tiene la particularidad de volverse viral. Este bacilo infeccioso encuentra en el cine comercial la forma más conveniente para su propagación. Así, basta que surja un personaje con un desarrollo atractivo para que las imitaciones empiecen a ramificarse por el sistema mercantil. Durante los años 80, los psicópatas enmachetados fueron el blanco de "},"link":[{"rel":"replies","type":"application/atom+xml","href":"http:\/\/le-criticon.blogspot.com\/feeds\/2054653780941382681\/comments\/default","title":"Enviar comentarios"},{"rel":"replies","type":"text/html","href":"http:\/\/le-criticon.blogspot.com\/2008\/06\/el-secreto-profesional.html#comment-form","title":"0 comentarios"},{"rel":"edit","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/3874343899452800092\/posts\/default\/2054653780941382681"},{"rel":"self","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/3874343899452800092\/posts\/default\/2054653780941382681"},{"rel":"alternate","type":"text/html","href":"http:\/\/le-criticon.blogspot.com\/2008\/06\/el-secreto-profesional.html","title":"EL SECRETO PROFESIONAL"}],"author":[{"name":{"$t":"Marcel Celmar"},"uri":{"$t":"http:\/\/www.blogger.com\/profile\/13804012043339392705"},"email":{"$t":"noreply@blogger.com"},"gd$image":{"rel":"http://schemas.google.com/g/2005#thumbnail","width":"24","height":"32","src":"http:\/\/bp2.blogger.com\/_DJtuhrCfgjs\/R-GT1ZRia7I\/AAAAAAAAADo\/U-slqLceyQ0\/S220\/453px-Faces-nevit.jpg"}}],"thr$total":{"$t":"0"}},{"id":{"$t":"tag:blogger.com,1999:blog-3874343899452800092.post-1524672942630934198"},"published":{"$t":"2008-06-14T19:06:00.011-03:00"},"updated":{"$t":"2008-06-23T16:15:57.228-03:00"},"category":[{"scheme":"http://www.blogger.com/atom/ns#","term":"Gnarls Barkley"},{"scheme":"http://www.blogger.com/atom/ns#","term":"N.E.R.D."},{"scheme":"http://www.blogger.com/atom/ns#","term":"Seeing Sounds"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Timbaland"}],"title":{"type":"text","$t":"COSA DE NEGROS"},"summary":{"type":"text","$t":" En el hip hop existen varias vertientes musicales. Los Gangsta rap, que cuenta entre sus filas a tipos realmente malos como Snoop Dogg, Dr. Dre, 50 Cent, están en picada. El hip hop travestido en rhythm and blues es propiedad de Timbaland (alias Timothy Z. Mosley), un moreno machazo que endulza el rap con gotitas de erotismo. Es el productor de moda y en su lista de clientes aparecen Nelly "},"link":[{"rel":"replies","type":"application/atom+xml","href":"http:\/\/le-criticon.blogspot.com\/feeds\/1524672942630934198\/comments\/default","title":"Enviar comentarios"},{"rel":"replies","type":"text/html","href":"http:\/\/le-criticon.blogspot.com\/2008\/06\/cosa-de-negros.html#comment-form","title":"0 comentarios"},{"rel":"edit","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/3874343899452800092\/posts\/default\/1524672942630934198"},{"rel":"self","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/3874343899452800092\/posts\/default\/1524672942630934198"},{"rel":"alternate","type":"text/html","href":"http:\/\/le-criticon.blogspot.com\/2008\/06\/cosa-de-negros.html","title":"COSA DE NEGROS"}],"author":[{"name":{"$t":"Anthony \"el quakero\""},"uri":{"$t":"http:\/\/www.blogger.com\/profile\/05931660534371760150"},"email":{"$t":"noreply@blogger.com"},"gd$image":{"rel":"http://schemas.google.com/g/2005#thumbnail","width":"32","height":"24","src":"http:\/\/bp1.blogger.com\/_b1X7xC27TS8\/R-GbYlm0rAI\/AAAAAAAAAAM\/GSDUB37xRJI\/S220\/Mirada.jpg"}}],"thr$total":{"$t":"0"}},{"id":{"$t":"tag:blogger.com,1999:blog-3874343899452800092.post-2162533590173871161"},"published":{"$t":"2008-06-13T13:49:00.006-03:00"},"updated":{"$t":"2008-06-13T17:00:31.897-03:00"},"category":[{"scheme":"http://www.blogger.com/atom/ns#","term":"Brendan Gleeson"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Colin Farrell"},{"scheme":"http://www.blogger.com/atom/ns#","term":"In Bruges"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Martin McDonagh"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Ralph Fiennes"}],"title":{"type":"text","$t":"MATADORES"},"summary":{"type":"text","$t":"Las películas inglesas y su fina ironía resulta una combinación tan característica como el té de las cinco con scones. Aunque la mezcla de los ingredientes siempre es moderada, en algunos casos el humor negro es el ingrediente predominante y en otros, como ocurre con In Bruges, la violencia febril es el eje sobre el que se enrama la historia.Uno de los aciertos del debutante Martin McDonagh es "},"link":[{"rel":"replies","type":"application/atom+xml","href":"http:\/\/le-criticon.blogspot.com\/feeds\/2162533590173871161\/comments\/default","title":"Enviar comentarios"},{"rel":"replies","type":"text/html","href":"http:\/\/le-criticon.blogspot.com\/2008\/06\/matadores.html#comment-form","title":"0 comentarios"},{"rel":"edit","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/3874343899452800092\/posts\/default\/2162533590173871161"},{"rel":"self","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/3874343899452800092\/posts\/default\/2162533590173871161"},{"rel":"alternate","type":"text/html","href":"http:\/\/le-criticon.blogspot.com\/2008\/06\/matadores.html","title":"MATADORES"}],"author":[{"name":{"$t":"Marcel Celmar"},"uri":{"$t":"http:\/\/www.blogger.com\/profile\/13804012043339392705"},"email":{"$t":"noreply@blogger.com"},"gd$image":{"rel":"http://schemas.google.com/g/2005#thumbnail","width":"24","height":"32","src":"http:\/\/bp2.blogger.com\/_DJtuhrCfgjs\/R-GT1ZRia7I\/AAAAAAAAADo\/U-slqLceyQ0\/S220\/453px-Faces-nevit.jpg"}}],"thr$total":{"$t":"0"}},{"id":{"$t":"tag:blogger.com,1999:blog-3874343899452800092.post-5042162414983393216"},"published":{"$t":"2008-06-11T13:33:00.017-03:00"},"updated":{"$t":"2008-06-11T16:15:14.034-03:00"},"category":[{"scheme":"http://www.blogger.com/atom/ns#","term":"AC\/DC"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Led Zeppelin"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Metallica"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Pink Floyd"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Queen y The Beatles"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Sex Pixtols"},{"scheme":"http://www.blogger.com/atom/ns#","term":"The Door"},{"scheme":"http://www.blogger.com/atom/ns#","term":"The Stooges"}],"title":{"type":"text","$t":"EL IMPERIO DEL ROCK"},"summary":{"type":"text","$t":" El rock es uno de los movimientos más contradictorios de la cultura moderna. Nació como una expresión de protesta que fue adoptada por millones de jóvenes, pero cuando las ideologías se apagaron y el paradigma reinante pasó a ser la reputación, los músicos, se aprovecharon de aquel público que los idolatraba, para construir un mito que de a poco se resquebraja. A continuación, algunos signos que"},"link":[{"rel":"replies","type":"application/atom+xml","href":"http:\/\/le-criticon.blogspot.com\/feeds\/5042162414983393216\/comments\/default","title":"Enviar comentarios"},{"rel":"replies","type":"text/html","href":"http:\/\/le-criticon.blogspot.com\/2008\/06\/el-imperio-del-rock.html#comment-form","title":"0 comentarios"},{"rel":"edit","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/3874343899452800092\/posts\/default\/5042162414983393216"},{"rel":"self","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/3874343899452800092\/posts\/default\/5042162414983393216"},{"rel":"alternate","type":"text/html","href":"http:\/\/le-criticon.blogspot.com\/2008\/06\/el-imperio-del-rock.html","title":"EL IMPERIO DEL ROCK"}],"author":[{"name":{"$t":"Anthony \"el quakero\""},"uri":{"$t":"http:\/\/www.blogger.com\/profile\/05931660534371760150"},"email":{"$t":"noreply@blogger.com"},"gd$image":{"rel":"http://schemas.google.com/g/2005#thumbnail","width":"32","height":"24","src":"http:\/\/bp1.blogger.com\/_b1X7xC27TS8\/R-GbYlm0rAI\/AAAAAAAAAAM\/GSDUB37xRJI\/S220\/Mirada.jpg"}}],"thr$total":{"$t":"0"}},{"id":{"$t":"tag:blogger.com,1999:blog-3874343899452800092.post-6391230400193272689"},"published":{"$t":"2008-06-10T10:46:00.004-03:00"},"updated":{"$t":"2008-06-10T11:01:57.505-03:00"},"category":[{"scheme":"http://www.blogger.com/atom/ns#","term":"Carlos Reygadas"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Menonitas"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Stellet Licht"}],"title":{"type":"text","$t":"LA COMUNIDAD"},"summary":{"type":"text","$t":"Se hacen películas pensando en el público masivo, hay otras menos directas, reservadas para los cinéfilos y existe una tercer categoría que se especializa en producir éxitos para los festivales. Sobre esta métrica resbaladiza se desplaza Stellet Licht (Luz silenciosa), una producción mexicana que, como no podía ser de otra forma, obtuvo el Premio del Jurado en el pasado Festival de Cannes, se "},"link":[{"rel":"replies","type":"application/atom+xml","href":"http:\/\/le-criticon.blogspot.com\/feeds\/6391230400193272689\/comments\/default","title":"Enviar comentarios"},{"rel":"replies","type":"text/html","href":"http:\/\/le-criticon.blogspot.com\/2008\/06\/la-comunidad.html#comment-form","title":"1 comentarios"},{"rel":"edit","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/3874343899452800092\/posts\/default\/6391230400193272689"},{"rel":"self","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/3874343899452800092\/posts\/default\/6391230400193272689"},{"rel":"alternate","type":"text/html","href":"http:\/\/le-criticon.blogspot.com\/2008\/06\/la-comunidad.html","title":"LA COMUNIDAD"}],"author":[{"name":{"$t":"Marcel Celmar"},"uri":{"$t":"http:\/\/www.blogger.com\/profile\/13804012043339392705"},"email":{"$t":"noreply@blogger.com"},"gd$image":{"rel":"http://schemas.google.com/g/2005#thumbnail","width":"24","height":"32","src":"http:\/\/bp2.blogger.com\/_DJtuhrCfgjs\/R-GT1ZRia7I\/AAAAAAAAADo\/U-slqLceyQ0\/S220\/453px-Faces-nevit.jpg"}}],"thr$total":{"$t":"1"}},{"id":{"$t":"tag:blogger.com,1999:blog-3874343899452800092.post-7557396952908010497"},"published":{"$t":"2008-06-09T11:15:00.014-03:00"},"updated":{"$t":"2008-06-09T12:12:59.420-03:00"},"category":[{"scheme":"http://www.blogger.com/atom/ns#","term":"Bajo Fondo Tango Club"},{"scheme":"http://www.blogger.com/atom/ns#","term":"cortometrajes"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Future Shorts"}],"title":{"type":"text","$t":"EN BREVES INSTANTES"},"summary":{"type":"text","$t":"Involucrarse en un filme requiere, como mínimo, 90 minutos de tiempo. Para quien no disponga esa cantidad y pretenda cargar imágenes breves en sus pensamientos, puede recurrir a los cortos. Uno de los referentes en la materia es Future Shorts, se trata de un festival internacional de cortometrajes que se ocupa de recopilar los mejores exponentes del género y los da a conocer en diferentes "},"link":[{"rel":"replies","type":"application/atom+xml","href":"http:\/\/le-criticon.blogspot.com\/feeds\/7557396952908010497\/comments\/default","title":"Enviar comentarios"},{"rel":"replies","type":"text/html","href":"http:\/\/le-criticon.blogspot.com\/2008\/06\/en-breves-instantes.html#comment-form","title":"1 comentarios"},{"rel":"edit","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/3874343899452800092\/posts\/default\/7557396952908010497"},{"rel":"self","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/3874343899452800092\/posts\/default\/7557396952908010497"},{"rel":"alternate","type":"text/html","href":"http:\/\/le-criticon.blogspot.com\/2008\/06\/en-breves-instantes.html","title":"EN BREVES INSTANTES"}],"author":[{"name":{"$t":"Marcel Celmar"},"uri":{"$t":"http:\/\/www.blogger.com\/profile\/13804012043339392705"},"email":{"$t":"noreply@blogger.com"},"gd$image":{"rel":"http://schemas.google.com/g/2005#thumbnail","width":"24","height":"32","src":"http:\/\/bp2.blogger.com\/_DJtuhrCfgjs\/R-GT1ZRia7I\/AAAAAAAAADo\/U-slqLceyQ0\/S220\/453px-Faces-nevit.jpg"}}],"thr$total":{"$t":"1"}},{"id":{"$t":"tag:blogger.com,1999:blog-3874343899452800092.post-6440216557502095851"},"published":{"$t":"2008-06-07T13:30:00.001-03:00"},"updated":{"$t":"2008-06-07T13:47:01.582-03:00"},"category":[{"scheme":"http://www.blogger.com/atom/ns#","term":"ConservaPedia"},{"scheme":"http://www.blogger.com/atom/ns#","term":"FrikiPedia"},{"scheme":"http://www.blogger.com/atom/ns#","term":"LostPedia"},{"scheme":"http://www.blogger.com/atom/ns#","term":"WikiLengua"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Wikipedia"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Wookieepedia"}],"title":{"type":"text","$t":"WIKI-WIKI BOM-BOM"},"summary":{"type":"text","$t":" Para todos los angurrientos del saber, esos que necesitan acumular pila de datos de la más variada índole, en Internet se desató la obsesión por las Pedias (del griego educación, por enciclopedias) y los Wikis (páginas que pueden ser creadas y editadas por cualquier persona). Pero no todos están de acuerdo con el sistema de escritura comunitaria propuesto por Wikipedia. Quienes son los más "},"link":[{"rel":"replies","type":"application/atom+xml","href":"http:\/\/le-criticon.blogspot.com\/feeds\/6440216557502095851\/comments\/default","title":"Enviar comentarios"},{"rel":"replies","type":"text/html","href":"http:\/\/le-criticon.blogspot.com\/2008\/06\/wiki-wiki-bom-bom.html#comment-form","title":"0 comentarios"},{"rel":"edit","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/3874343899452800092\/posts\/default\/6440216557502095851"},{"rel":"self","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/3874343899452800092\/posts\/default\/6440216557502095851"},{"rel":"alternate","type":"text/html","href":"http:\/\/le-criticon.blogspot.com\/2008\/06\/wiki-wiki-bom-bom.html","title":"WIKI-WIKI BOM-BOM"}],"author":[{"name":{"$t":"Altazor"},"uri":{"$t":"http:\/\/www.blogger.com\/profile\/00964863927097668508"},"email":{"$t":"noreply@blogger.com"},"gd$image":{"rel":"http://schemas.google.com/g/2005#thumbnail","width":"21","height":"32","src":"http:\/\/bp1.blogger.com\/_pbZDFlX0Ve4\/SDnBS2SXNZI\/AAAAAAAAAAs\/tCYIMXzZQdo\/S220\/foto.JPG"}}],"thr$total":{"$t":"0"}},{"id":{"$t":"tag:blogger.com,1999:blog-3874343899452800092.post-2850044355094988069"},"published":{"$t":"2008-06-06T13:14:00.007-03:00"},"updated":{"$t":"2008-06-06T13:39:29.598-03:00"},"category":[{"scheme":"http://www.blogger.com/atom/ns#","term":"Black Water"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Greg McLean"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Jaws"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Lake Placid"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Primeval"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Rogue"}],"title":{"type":"text","$t":"EL REINO DEL COLMILLO"},"summary":{"type":"text","$t":" En el universo cinematográfico, a los paladines justicieros como a los villanos despiadados les llega el momento del relevo. Una de las amenazas en peligro de extinción son los tiburones, célebre depredador submarino al cual, directores como Samuel Fuller (Shark! - 1969) y Steven Spielberg (Jaws - 1975) galardonaron con el título de “terror de los mares”. Pero la gloria fue del pasado. Hoy, un "},"link":[{"rel":"replies","type":"application/atom+xml","href":"http:\/\/le-criticon.blogspot.com\/feeds\/2850044355094988069\/comments\/default","title":"Enviar comentarios"},{"rel":"replies","type":"text/html","href":"http:\/\/le-criticon.blogspot.com\/2008\/06\/el-reino-del-colmillo.html#comment-form","title":"0 comentarios"},{"rel":"edit","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/3874343899452800092\/posts\/default\/2850044355094988069"},{"rel":"self","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/3874343899452800092\/posts\/default\/2850044355094988069"},{"rel":"alternate","type":"text/html","href":"http:\/\/le-criticon.blogspot.com\/2008\/06\/el-reino-del-colmillo.html","title":"EL REINO DEL COLMILLO"}],"author":[{"name":{"$t":"Marcel Celmar"},"uri":{"$t":"http:\/\/www.blogger.com\/profile\/13804012043339392705"},"email":{"$t":"noreply@blogger.com"},"gd$image":{"rel":"http://schemas.google.com/g/2005#thumbnail","width":"24","height":"32","src":"http:\/\/bp2.blogger.com\/_DJtuhrCfgjs\/R-GT1ZRia7I\/AAAAAAAAADo\/U-slqLceyQ0\/S220\/453px-Faces-nevit.jpg"}}],"thr$total":{"$t":"0"}},{"id":{"$t":"tag:blogger.com,1999:blog-3874343899452800092.post-5212524570345657958"},"published":{"$t":"2008-06-05T20:17:00.006-03:00"},"updated":{"$t":"2008-06-05T20:49:54.862-03:00"},"category":[{"scheme":"http://www.blogger.com/atom/ns#","term":"método simbólico de expresión"}],"title":{"type":"text","$t":"TODO DICHO"},"summary":{"type":"text","$t":"Para los tímidos, o aquellos que nunca encuentran la palabra justa que concuerde con sus pensamientos, existe una gran cantidad de medios simbólicos para expresar lo que uno tiene en mente. Sin perder la capacidad de ingenio, cuatro ejemplos por demás ilustrativos, según la personalidad del hablante.Para los más precavidosA quienes les gusta dirigir la conversaciónEsos que se creen dueños de la "},"link":[{"rel":"replies","type":"application/atom+xml","href":"http:\/\/le-criticon.blogspot.com\/feeds\/5212524570345657958\/comments\/default","title":"Enviar comentarios"},{"rel":"replies","type":"text/html","href":"http:\/\/le-criticon.blogspot.com\/2008\/06\/todo-dicho.html#comment-form","title":"1 comentarios"},{"rel":"edit","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/3874343899452800092\/posts\/default\/5212524570345657958"},{"rel":"self","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/3874343899452800092\/posts\/default\/5212524570345657958"},{"rel":"alternate","type":"text/html","href":"http:\/\/le-criticon.blogspot.com\/2008\/06\/todo-dicho.html","title":"TODO DICHO"}],"author":[{"name":{"$t":"Altazor"},"uri":{"$t":"http:\/\/www.blogger.com\/profile\/00964863927097668508"},"email":{"$t":"noreply@blogger.com"},"gd$image":{"rel":"http://schemas.google.com/g/2005#thumbnail","width":"21","height":"32","src":"http:\/\/bp1.blogger.com\/_pbZDFlX0Ve4\/SDnBS2SXNZI\/AAAAAAAAAAs\/tCYIMXzZQdo\/S220\/foto.JPG"}}],"thr$total":{"$t":"1"}},{"id":{"$t":"tag:blogger.com,1999:blog-3874343899452800092.post-1496369337853547120"},"published":{"$t":"2008-06-04T19:12:00.009-03:00"},"updated":{"$t":"2008-06-04T21:17:00.044-03:00"},"category":[{"scheme":"http://www.blogger.com/atom/ns#","term":"Free Kitten"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Inherit"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Kim Gordon"},{"scheme":"http://www.blogger.com/atom/ns#","term":"noise experimental"}],"title":{"type":"text","$t":"PERFORANDO EL RUIDO"},"summary":{"type":"text","$t":" Hágase la siguiente mixtura: en un cubo vacío agregar un chorro de Velvet Underground con una pizca de Siouxsie Sioux y revolver hasta conseguir una textura Nick Cave \u0026 the Bad Seeds. Olfatee el recipiente, su aroma será ligeramente similar a Free Kitten, la banda integrada por Kim Gordon (Sonic Youth), Julie Cafritz (Pussy Galore) y la robusta Yoshimi P-We (Boredoms) en los parches. Estas "},"link":[{"rel":"replies","type":"application/atom+xml","href":"http:\/\/le-criticon.blogspot.com\/feeds\/1496369337853547120\/comments\/default","title":"Enviar comentarios"},{"rel":"replies","type":"text/html","href":"http:\/\/le-criticon.blogspot.com\/2008\/06\/perforando-el-ruido.html#comment-form","title":"2 comentarios"},{"rel":"edit","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/3874343899452800092\/posts\/default\/1496369337853547120"},{"rel":"self","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/3874343899452800092\/posts\/default\/1496369337853547120"},{"rel":"alternate","type":"text/html","href":"http:\/\/le-criticon.blogspot.com\/2008\/06\/perforando-el-ruido.html","title":"PERFORANDO EL RUIDO"}],"author":[{"name":{"$t":"Anthony \"el quakero\""},"uri":{"$t":"http:\/\/www.blogger.com\/profile\/05931660534371760150"},"email":{"$t":"noreply@blogger.com"},"gd$image":{"rel":"http://schemas.google.com/g/2005#thumbnail","width":"32","height":"24","src":"http:\/\/bp1.blogger.com\/_b1X7xC27TS8\/R-GbYlm0rAI\/AAAAAAAAAAM\/GSDUB37xRJI\/S220\/Mirada.jpg"}}],"thr$total":{"$t":"2"}},{"id":{"$t":"tag:blogger.com,1999:blog-3874343899452800092.post-7015392721284500259"},"published":{"$t":"2008-06-03T19:02:00.004-03:00"},"updated":{"$t":"2008-06-03T19:14:38.017-03:00"},"category":[{"scheme":"http://www.blogger.com/atom/ns#","term":"Joachim Trier"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Reconstruction"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Reprise"}],"title":{"type":"text","$t":"BUSCANDO ALGUN DESTINO"},"summary":{"type":"text","$t":" Para consumar el trayecto que va de la infancia a la madurez, la existencia prepara tres categorías de individuos: los genios conflictuados, los mediocres perseverantes y los perdedores sin culpa. Sin tener en cuenta la escala de grises que se esparce en cada rango, la más ventajosa de las posiciones es la intermedia [mediocres perseverantes], porque como bien se retrata en el filme noruego "},"link":[{"rel":"replies","type":"application/atom+xml","href":"http:\/\/le-criticon.blogspot.com\/feeds\/7015392721284500259\/comments\/default","title":"Enviar comentarios"},{"rel":"replies","type":"text/html","href":"http:\/\/le-criticon.blogspot.com\/2008\/06\/buscando-algun-destino.html#comment-form","title":"0 comentarios"},{"rel":"edit","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/3874343899452800092\/posts\/default\/7015392721284500259"},{"rel":"self","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/3874343899452800092\/posts\/default\/7015392721284500259"},{"rel":"alternate","type":"text/html","href":"http:\/\/le-criticon.blogspot.com\/2008\/06\/buscando-algun-destino.html","title":"BUSCANDO ALGUN DESTINO"}],"author":[{"name":{"$t":"Marcel Celmar"},"uri":{"$t":"http:\/\/www.blogger.com\/profile\/13804012043339392705"},"email":{"$t":"noreply@blogger.com"},"gd$image":{"rel":"http://schemas.google.com/g/2005#thumbnail","width":"24","height":"32","src":"http:\/\/bp2.blogger.com\/_DJtuhrCfgjs\/R-GT1ZRia7I\/AAAAAAAAADo\/U-slqLceyQ0\/S220\/453px-Faces-nevit.jpg"}}],"thr$total":{"$t":"0"}},{"id":{"$t":"tag:blogger.com,1999:blog-3874343899452800092.post-1725278830084916169"},"published":{"$t":"2008-06-02T13:05:00.005-03:00"},"updated":{"$t":"2008-06-02T13:22:57.666-03:00"},"category":[{"scheme":"http://www.blogger.com/atom/ns#","term":"Leonera"},{"scheme":"http://www.blogger.com/atom/ns#","term":"nuevo cine argentino"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Pablo Trapero"}],"title":{"type":"text","$t":"ATRAPADA SIN SALIDA"},"summary":{"type":"text","$t":"El potencial de cualquier obra se mide a través de la forma y del contenido. Para que a esta dualidad se la pueda catalogar de original, estos ingredientes deben ser cocinados a la par. Si entendemos que el contenido es lo que se hace, o lo que se presenta dentro de una forma, podemos argumentar que a Leonera, el nuevo filme de Pablo Trapero, cabe atribuirle un significado diferente a lo que el "},"link":[{"rel":"replies","type":"application/atom+xml","href":"http:\/\/le-criticon.blogspot.com\/feeds\/1725278830084916169\/comments\/default","title":"Enviar comentarios"},{"rel":"replies","type":"text/html","href":"http:\/\/le-criticon.blogspot.com\/2008\/06\/atrapada-sin-salida.html#comment-form","title":"0 comentarios"},{"rel":"edit","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/3874343899452800092\/posts\/default\/1725278830084916169"},{"rel":"self","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/3874343899452800092\/posts\/default\/1725278830084916169"},{"rel":"alternate","type":"text/html","href":"http:\/\/le-criticon.blogspot.com\/2008\/06\/atrapada-sin-salida.html","title":"ATRAPADA SIN SALIDA"}],"author":[{"name":{"$t":"Marcel Celmar"},"uri":{"$t":"http:\/\/www.blogger.com\/profile\/13804012043339392705"},"email":{"$t":"noreply@blogger.com"},"gd$image":{"rel":"http://schemas.google.com/g/2005#thumbnail","width":"24","height":"32","src":"http:\/\/bp2.blogger.com\/_DJtuhrCfgjs\/R-GT1ZRia7I\/AAAAAAAAADo\/U-slqLceyQ0\/S220\/453px-Faces-nevit.jpg"}}],"thr$total":{"$t":"0"}},{"id":{"$t":"tag:blogger.com,1999:blog-3874343899452800092.post-4809664913455225695"},"published":{"$t":"2008-05-30T12:56:00.014-03:00"},"updated":{"$t":"2008-05-30T15:43:29.846-03:00"},"category":[{"scheme":"http://www.blogger.com/atom/ns#","term":"Alfonso Cuarón"},{"scheme":"http://www.blogger.com/atom/ns#","term":"La doctrina del shock"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Naomi Klein"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Noam Chomsky"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Toni Negri"}],"title":{"type":"text","$t":"ESPEJITOS DE COLORES"},"summary":{"type":"text","$t":" Son muchas las personas que se ganan la vida pensando en como vulnerar la resistencia de los compradores. Esta incitación no se produce en abstracto sino que va asociada con una determinada marca. Así, mientras uno va por la calle, escucha radio, ve televisión o, simplemente vive, el mensaje latente es: si usted usa estas zapatillas se sentirá en el aire, si consume estas hamburguesas será "},"link":[{"rel":"replies","type":"application/atom+xml","href":"http:\/\/le-criticon.blogspot.com\/feeds\/4809664913455225695\/comments\/default","title":"Enviar comentarios"},{"rel":"replies","type":"text/html","href":"http:\/\/le-criticon.blogspot.com\/2008\/05\/espejitos-de-colores.html#comment-form","title":"2 comentarios"},{"rel":"edit","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/3874343899452800092\/posts\/default\/4809664913455225695"},{"rel":"self","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/3874343899452800092\/posts\/default\/4809664913455225695"},{"rel":"alternate","type":"text/html","href":"http:\/\/le-criticon.blogspot.com\/2008\/05\/espejitos-de-colores.html","title":"ESPEJITOS DE COLORES"}],"author":[{"name":{"$t":"Marcel Celmar"},"uri":{"$t":"http:\/\/www.blogger.com\/profile\/13804012043339392705"},"email":{"$t":"noreply@blogger.com"},"gd$image":{"rel":"http://schemas.google.com/g/2005#thumbnail","width":"24","height":"32","src":"http:\/\/bp2.blogger.com\/_DJtuhrCfgjs\/R-GT1ZRia7I\/AAAAAAAAADo\/U-slqLceyQ0\/S220\/453px-Faces-nevit.jpg"}}],"thr$total":{"$t":"2"}},{"id":{"$t":"tag:blogger.com,1999:blog-3874343899452800092.post-6233003885885228902"},"published":{"$t":"2008-05-28T14:01:00.013-03:00"},"updated":{"$t":"2008-05-28T16:43:02.435-03:00"},"category":[{"scheme":"http://www.blogger.com/atom/ns#","term":"Alex de la Iglesia"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Elijah Wood"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Guillermo Martínez"},{"scheme":"http://www.blogger.com/atom/ns#","term":"John Hurt"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Los crímenes de Oxford"}],"title":{"type":"text","$t":"ENTRE SOSPECHAS"},"summary":{"type":"text","$t":"El género policial inglés se presenta bajo la forma de un enigma que busca desafiar la imaginación y la capacidad deductiva del lector. El inspector, privilegia el uso de la razón por sobre la fuerza y se apoya en sus cálculos para resolver el acertijo. Basándose en esta premisa literaria, el director Alex de la Iglesia rodó Los crímenes de Oxford, adaptación de la novela homónima del matemático "},"link":[{"rel":"replies","type":"application/atom+xml","href":"http:\/\/le-criticon.blogspot.com\/feeds\/6233003885885228902\/comments\/default","title":"Enviar comentarios"},{"rel":"replies","type":"text/html","href":"http:\/\/le-criticon.blogspot.com\/2008\/05\/los-sospechosos.html#comment-form","title":"2 comentarios"},{"rel":"edit","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/3874343899452800092\/posts\/default\/6233003885885228902"},{"rel":"self","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/3874343899452800092\/posts\/default\/6233003885885228902"},{"rel":"alternate","type":"text/html","href":"http:\/\/le-criticon.blogspot.com\/2008\/05\/los-sospechosos.html","title":"ENTRE SOSPECHAS"}],"author":[{"name":{"$t":"Marcel Celmar"},"uri":{"$t":"http:\/\/www.blogger.com\/profile\/13804012043339392705"},"email":{"$t":"noreply@blogger.com"},"gd$image":{"rel":"http://schemas.google.com/g/2005#thumbnail","width":"24","height":"32","src":"http:\/\/bp2.blogger.com\/_DJtuhrCfgjs\/R-GT1ZRia7I\/AAAAAAAAADo\/U-slqLceyQ0\/S220\/453px-Faces-nevit.jpg"}}],"thr$total":{"$t":"2"}},{"id":{"$t":"tag:blogger.com,1999:blog-3874343899452800092.post-1644296186466359836"},"published":{"$t":"2008-05-27T16:12:00.010-03:00"},"updated":{"$t":"2008-05-27T20:05:50.631-03:00"},"category":[{"scheme":"http://www.blogger.com/atom/ns#","term":"Denys Arcand"},{"scheme":"http://www.blogger.com/atom/ns#","term":"L'Age des Tenebres"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Marc Labrèche"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Rufus Wainwright"}],"title":{"type":"text","$t":"EL SEÑOR LEBLANC"},"summary":{"type":"text","$t":" Se puede tener la apariencia de una persona formada, asumir las responsabilidades de un adulto, usar anteojos ridículamente gruesos como los del señor Jean-Marc Leblanc (Marc Labrèche, protagonista del filme L'Age des Tenebres) y sin embargo, mantener las mismas fantasías que un adolescente. Quizás porque la cultura del vacío, como le sucede a muchos, los preparó para morir pero no para ser "},"link":[{"rel":"replies","type":"application/atom+xml","href":"http:\/\/le-criticon.blogspot.com\/feeds\/1644296186466359836\/comments\/default","title":"Enviar comentarios"},{"rel":"replies","type":"text/html","href":"http:\/\/le-criticon.blogspot.com\/2008\/05\/el-seor-leblanc.html#comment-form","title":"2 comentarios"},{"rel":"edit","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/3874343899452800092\/posts\/default\/1644296186466359836"},{"rel":"self","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/3874343899452800092\/posts\/default\/1644296186466359836"},{"rel":"alternate","type":"text/html","href":"http:\/\/le-criticon.blogspot.com\/2008\/05\/el-seor-leblanc.html","title":"EL SEÑOR LEBLANC"}],"author":[{"name":{"$t":"Marcel Celmar"},"uri":{"$t":"http:\/\/www.blogger.com\/profile\/13804012043339392705"},"email":{"$t":"noreply@blogger.com"},"gd$image":{"rel":"http://schemas.google.com/g/2005#thumbnail","width":"24","height":"32","src":"http:\/\/bp2.blogger.com\/_DJtuhrCfgjs\/R-GT1ZRia7I\/AAAAAAAAADo\/U-slqLceyQ0\/S220\/453px-Faces-nevit.jpg"}}],"thr$total":{"$t":"2"}},{"id":{"$t":"tag:blogger.com,1999:blog-3874343899452800092.post-5345335869419297323"},"published":{"$t":"2008-05-26T19:16:00.005-03:00"},"updated":{"$t":"2008-05-26T19:40:19.062-03:00"},"category":[{"scheme":"http://www.blogger.com/atom/ns#","term":"Devil May Care"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Ian Fleming"},{"scheme":"http://www.blogger.com/atom/ns#","term":"James Bond"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Sebastian Faulks"}],"title":{"type":"text","$t":"NINGUN SECRETO"},"summary":{"type":"text","$t":"Para conmemorar el centenario del escritor Ian Fleming, formador del personaje de James Bond, los festejos previstos incluyen la publicación de una nueva novela del agente más ganador de la pantalla. Pero no se trata de un material que apareció repentinamente en un cajón con llaves o un boceto sin final. La trampa es más sutil aunque menos engañosa que en otras ocasiones.Porque en realidad, los "},"link":[{"rel":"replies","type":"application/atom+xml","href":"http:\/\/le-criticon.blogspot.com\/feeds\/5345335869419297323\/comments\/default","title":"Enviar comentarios"},{"rel":"replies","type":"text/html","href":"http:\/\/le-criticon.blogspot.com\/2008\/05\/ningun-secreto.html#comment-form","title":"0 comentarios"},{"rel":"edit","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/3874343899452800092\/posts\/default\/5345335869419297323"},{"rel":"self","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/3874343899452800092\/posts\/default\/5345335869419297323"},{"rel":"alternate","type":"text/html","href":"http:\/\/le-criticon.blogspot.com\/2008\/05\/ningun-secreto.html","title":"NINGUN SECRETO"}],"author":[{"name":{"$t":"Marcel Celmar"},"uri":{"$t":"http:\/\/www.blogger.com\/profile\/13804012043339392705"},"email":{"$t":"noreply@blogger.com"},"gd$image":{"rel":"http://schemas.google.com/g/2005#thumbnail","width":"24","height":"32","src":"http:\/\/bp2.blogger.com\/_DJtuhrCfgjs\/R-GT1ZRia7I\/AAAAAAAAADo\/U-slqLceyQ0\/S220\/453px-Faces-nevit.jpg"}}],"thr$total":{"$t":"0"}},{"id":{"$t":"tag:blogger.com,1999:blog-3874343899452800092.post-2038348730805417284"},"published":{"$t":"2008-05-25T16:51:00.007-03:00"},"updated":{"$t":"2008-05-25T17:22:35.294-03:00"},"category":[{"scheme":"http://www.blogger.com/atom/ns#","term":"audiolibro"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Edgar Allan Poe"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Julio Cortázar"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Miguel de Cervantes"}],"title":{"type":"text","$t":"LA MUERTE DEL LECTOR"},"summary":{"type":"text","$t":"En un mundo que se quedó sin tiempo porque todo es urgente y no puede esperar, el hábito de lectura es una de las prácticas más castigadas por la modernidad. Cada vez son menos los individuos que eligen la literatura como medio de entretenimiento o dispersión. Mientras las páginas de los clásicos sufren una invasión de ácaros y polillas, Internet se alió con la televisión para ofrecen diversión "},"link":[{"rel":"replies","type":"application/atom+xml","href":"http:\/\/le-criticon.blogspot.com\/feeds\/2038348730805417284\/comments\/default","title":"Enviar comentarios"},{"rel":"replies","type":"text/html","href":"http:\/\/le-criticon.blogspot.com\/2008\/05\/la-muerte-del-lector.html#comment-form","title":"1 comentarios"},{"rel":"edit","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/3874343899452800092\/posts\/default\/2038348730805417284"},{"rel":"self","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/3874343899452800092\/posts\/default\/2038348730805417284"},{"rel":"alternate","type":"text/html","href":"http:\/\/le-criticon.blogspot.com\/2008\/05\/la-muerte-del-lector.html","title":"LA MUERTE DEL LECTOR"}],"author":[{"name":{"$t":"Altazor"},"uri":{"$t":"http:\/\/www.blogger.com\/profile\/00964863927097668508"},"email":{"$t":"noreply@blogger.com"},"gd$image":{"rel":"http://schemas.google.com/g/2005#thumbnail","width":"21","height":"32","src":"http:\/\/bp1.blogger.com\/_pbZDFlX0Ve4\/SDnBS2SXNZI\/AAAAAAAAAAs\/tCYIMXzZQdo\/S220\/foto.JPG"}}],"thr$total":{"$t":"1"}},{"id":{"$t":"tag:blogger.com,1999:blog-3874343899452800092.post-6117709454204795822"},"published":{"$t":"2008-05-24T19:21:00.004-03:00"},"updated":{"$t":"2008-05-24T19:44:05.717-03:00"},"category":[{"scheme":"http://www.blogger.com/atom/ns#","term":"Ben X"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Nic Balthazar"}],"title":{"type":"text","$t":"MUNDO DE SENSACIONES"},"summary":{"type":"text","$t":"No todos pueden soportar las embestidas de la realidad con la misma entereza. Para algunos la solución consiste en chocar contra la gruesa epidermis cotidiana y otros, en cambio, eligen aislarse del resto para habitar un mundo paralelo en donde todo es ideal, porque no existe la miseria, la muerte o la venganza. De estas y otras cuestiones se ocupa Ben X un filme belga que escapa a los cánones "},"link":[{"rel":"replies","type":"application/atom+xml","href":"http:\/\/le-criticon.blogspot.com\/feeds\/6117709454204795822\/comments\/default","title":"Enviar comentarios"},{"rel":"replies","type":"text/html","href":"http:\/\/le-criticon.blogspot.com\/2008\/05\/mundo-de-sensaciones.html#comment-form","title":"0 comentarios"},{"rel":"edit","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/3874343899452800092\/posts\/default\/6117709454204795822"},{"rel":"self","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/3874343899452800092\/posts\/default\/6117709454204795822"},{"rel":"alternate","type":"text/html","href":"http:\/\/le-criticon.blogspot.com\/2008\/05\/mundo-de-sensaciones.html","title":"MUNDO DE SENSACIONES"}],"author":[{"name":{"$t":"Marcel Celmar"},"uri":{"$t":"http:\/\/www.blogger.com\/profile\/13804012043339392705"},"email":{"$t":"noreply@blogger.com"},"gd$image":{"rel":"http://schemas.google.com/g/2005#thumbnail","width":"24","height":"32","src":"http:\/\/bp2.blogger.com\/_DJtuhrCfgjs\/R-GT1ZRia7I\/AAAAAAAAADo\/U-slqLceyQ0\/S220\/453px-Faces-nevit.jpg"}}],"thr$total":{"$t":"0"}},{"id":{"$t":"tag:blogger.com,1999:blog-3874343899452800092.post-7269182080065805263"},"published":{"$t":"2008-05-21T14:10:00.011-03:00"},"updated":{"$t":"2008-05-21T16:43:18.225-03:00"},"category":[{"scheme":"http://www.blogger.com/atom/ns#","term":"arte callejero"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Banksy"},{"scheme":"http://www.blogger.com/atom/ns#","term":"graffiti"},{"scheme":"http://www.blogger.com/atom/ns#","term":"murales"}],"title":{"type":"text","$t":"DESDE LAS SOMBRAS"},"summary":{"type":"text","$t":" Sin que nadie sepa su verdadero nombre ni conozca su apariencia, Banksy es un artista de guerrilla que va por las principales capitales dejando su marca en los espacios públicos o ingresando en los grandes museos (Tate Modern de Londres, el MOMA: Museo Metropolitano de Arte, el Museo de Brooklyn, el Museo Americano de Historia Natural de Nueva York y el Museo Británico de Londres) para colgar "},"link":[{"rel":"replies","type":"application/atom+xml","href":"http:\/\/le-criticon.blogspot.com\/feeds\/7269182080065805263\/comments\/default","title":"Enviar comentarios"},{"rel":"replies","type":"text/html","href":"http:\/\/le-criticon.blogspot.com\/2008\/05\/desde-las-sombras.html#comment-form","title":"0 comentarios"},{"rel":"edit","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/3874343899452800092\/posts\/default\/7269182080065805263"},{"rel":"self","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/3874343899452800092\/posts\/default\/7269182080065805263"},{"rel":"alternate","type":"text/html","href":"http:\/\/le-criticon.blogspot.com\/2008\/05\/desde-las-sombras.html","title":"DESDE LAS SOMBRAS"}],"author":[{"name":{"$t":"Marcel Celmar"},"uri":{"$t":"http:\/\/www.blogger.com\/profile\/13804012043339392705"},"email":{"$t":"noreply@blogger.com"},"gd$image":{"rel":"http://schemas.google.com/g/2005#thumbnail","width":"24","height":"32","src":"http:\/\/bp2.blogger.com\/_DJtuhrCfgjs\/R-GT1ZRia7I\/AAAAAAAAADo\/U-slqLceyQ0\/S220\/453px-Faces-nevit.jpg"}}],"thr$total":{"$t":"0"}},{"id":{"$t":"tag:blogger.com,1999:blog-3874343899452800092.post-6309134430053332322"},"published":{"$t":"2008-05-20T13:12:00.007-03:00"},"updated":{"$t":"2008-05-20T16:55:20.490-03:00"},"category":[{"scheme":"http://www.blogger.com/atom/ns#","term":"2raumwohnung"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Ina Müller"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Neue Deutsche Welle"},{"scheme":"http://www.blogger.com/atom/ns#","term":"T.Raumschmiere"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Tokio Hotel"}],"title":{"type":"text","$t":"SUBE LA ESPUMA"},"summary":{"type":"text","$t":" Aunque la música alemana carga con el peso armónico de Beethoven + Wagner y las especulaciones realizadas por Kant, Hegel y Adorno, las nuevas corrientes no se embotellaron en el gesto clásico o la pausa teórica y salieron a pintar el pentagrama con símbolos cambiantes. Más allá de la crueldad sonora de Rammstein, Palais Schaumburg y Einsturzende Neubauten o la maquinaria robótica de Kraftwerk y"},"link":[{"rel":"replies","type":"application/atom+xml","href":"http:\/\/le-criticon.blogspot.com\/feeds\/6309134430053332322\/comments\/default","title":"Enviar comentarios"},{"rel":"replies","type":"text/html","href":"http:\/\/le-criticon.blogspot.com\/2008\/05\/sube-la-espuma.html#comment-form","title":"1 comentarios"},{"rel":"edit","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/3874343899452800092\/posts\/default\/6309134430053332322"},{"rel":"self","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/3874343899452800092\/posts\/default\/6309134430053332322"},{"rel":"alternate","type":"text/html","href":"http:\/\/le-criticon.blogspot.com\/2008\/05\/sube-la-espuma.html","title":"SUBE LA ESPUMA"}],"author":[{"name":{"$t":"Anthony \"el quakero\""},"uri":{"$t":"http:\/\/www.blogger.com\/profile\/05931660534371760150"},"email":{"$t":"noreply@blogger.com"},"gd$image":{"rel":"http://schemas.google.com/g/2005#thumbnail","width":"32","height":"24","src":"http:\/\/bp1.blogger.com\/_b1X7xC27TS8\/R-GbYlm0rAI\/AAAAAAAAAAM\/GSDUB37xRJI\/S220\/Mirada.jpg"}}],"thr$total":{"$t":"1"}},{"id":{"$t":"tag:blogger.com,1999:blog-3874343899452800092.post-3103851102417019257"},"published":{"$t":"2008-05-10T15:31:00.003-03:00"},"updated":{"$t":"2008-05-10T15:48:34.829-03:00"},"category":[{"scheme":"http://www.blogger.com/atom/ns#","term":"El baño de papá"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Enrique Fernández y César Charlone"}],"title":{"type":"text","$t":"MUNDO RODANTE"},"summary":{"type":"text","$t":" La ilusión es la medicina sanadora de los desamparados. Los infortunados se aferran a ella como el conquistador a sus medallas o el dormilón a su almohada, porque es la única riqueza terrenal que no se agota con el uso. De estas alegrías y otras desdichas trata el filme uruguayo El baño de mi papá, donde se describe con generosa sinceridad el valor del sacrificio.No es casualidad que la película"},"link":[{"rel":"replies","type":"application/atom+xml","href":"http:\/\/le-criticon.blogspot.com\/feeds\/3103851102417019257\/comments\/default","title":"Enviar comentarios"},{"rel":"replies","type":"text/html","href":"http:\/\/le-criticon.blogspot.com\/2008\/05\/mundo-rodante.html#comment-form","title":"4 comentarios"},{"rel":"edit","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/3874343899452800092\/posts\/default\/3103851102417019257"},{"rel":"self","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/3874343899452800092\/posts\/default\/3103851102417019257"},{"rel":"alternate","type":"text/html","href":"http:\/\/le-criticon.blogspot.com\/2008\/05\/mundo-rodante.html","title":"MUNDO RODANTE"}],"author":[{"name":{"$t":"Marcel Celmar"},"uri":{"$t":"http:\/\/www.blogger.com\/profile\/13804012043339392705"},"email":{"$t":"noreply@blogger.com"},"gd$image":{"rel":"http://schemas.google.com/g/2005#thumbnail","width":"24","height":"32","src":"http:\/\/bp2.blogger.com\/_DJtuhrCfgjs\/R-GT1ZRia7I\/AAAAAAAAADo\/U-slqLceyQ0\/S220\/453px-Faces-nevit.jpg"}}],"thr$total":{"$t":"4"}},{"id":{"$t":"tag:blogger.com,1999:blog-3874343899452800092.post-3149324481588663326"},"published":{"$t":"2008-05-08T12:27:00.010-03:00"},"updated":{"$t":"2008-05-08T17:04:31.472-03:00"},"category":[{"scheme":"http://www.blogger.com/atom/ns#","term":"Anamorph"},{"scheme":"http://www.blogger.com/atom/ns#","term":"David Fincher"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Henry Miller"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Willem Dafoe"}],"title":{"type":"text","$t":"EN FALSA ESCUADRA"},"summary":{"type":"text","$t":"La esencia de cualquier filme policial es lograr que el público se involucre en las investigaciones. Pero mantener la tensión no es nada simple. Para ello es necesario administrar las pistas con discreción, cosa de que no se descubra la trama en los primeros avances ni sea tan compleja que se pierda todo interés en seguirla. Como para que la experiencia sea aun más estilizada, Anamorph le agrega "},"link":[{"rel":"replies","type":"application/atom+xml","href":"http:\/\/le-criticon.blogspot.com\/feeds\/3149324481588663326\/comments\/default","title":"Enviar comentarios"},{"rel":"replies","type":"text/html","href":"http:\/\/le-criticon.blogspot.com\/2008\/05\/en-falsa-escuadra.html#comment-form","title":"0 comentarios"},{"rel":"edit","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/3874343899452800092\/posts\/default\/3149324481588663326"},{"rel":"self","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/3874343899452800092\/posts\/default\/3149324481588663326"},{"rel":"alternate","type":"text/html","href":"http:\/\/le-criticon.blogspot.com\/2008\/05\/en-falsa-escuadra.html","title":"EN FALSA ESCUADRA"}],"author":[{"name":{"$t":"Marcel Celmar"},"uri":{"$t":"http:\/\/www.blogger.com\/profile\/13804012043339392705"},"email":{"$t":"noreply@blogger.com"},"gd$image":{"rel":"http://schemas.google.com/g/2005#thumbnail","width":"24","height":"32","src":"http:\/\/bp2.blogger.com\/_DJtuhrCfgjs\/R-GT1ZRia7I\/AAAAAAAAADo\/U-slqLceyQ0\/S220\/453px-Faces-nevit.jpg"}}],"thr$total":{"$t":"0"}},{"id":{"$t":"tag:blogger.com,1999:blog-3874343899452800092.post-6048819774243113781"},"published":{"$t":"2008-05-06T13:44:00.032-03:00"},"updated":{"$t":"2008-05-07T17:03:59.038-03:00"},"category":[{"scheme":"http://www.blogger.com/atom/ns#","term":"El día de los trífidos"},{"scheme":"http://www.blogger.com/atom/ns#","term":"John Wyndham"},{"scheme":"http://www.blogger.com/atom/ns#","term":"población mundial"}],"title":{"type":"text","$t":"PLANTAS SOCIALISTAS"},"summary":{"type":"text","$t":"Nadie sabe realmente de dónde provienen, incluso muchas personas ignoran por completo sus cualidades. Algunos científicos vinculan su origen con la antigua Unión Socialista Soviética, donde por casualidad, un biólogo y un ingeniero, mientras mantenían una conversación informal, se les ocurrió cruzar dos o más especies vegetales para obtener una que fuera resistente a todos los climas. Porque no "},"link":[{"rel":"replies","type":"application/atom+xml","href":"http:\/\/le-criticon.blogspot.com\/feeds\/6048819774243113781\/comments\/default","title":"Enviar comentarios"},{"rel":"replies","type":"text/html","href":"http:\/\/le-criticon.blogspot.com\/2008\/05\/dia-de-las-plantas.html#comment-form","title":"0 comentarios"},{"rel":"edit","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/3874343899452800092\/posts\/default\/6048819774243113781"},{"rel":"self","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/3874343899452800092\/posts\/default\/6048819774243113781"},{"rel":"alternate","type":"text/html","href":"http:\/\/le-criticon.blogspot.com\/2008\/05\/dia-de-las-plantas.html","title":"PLANTAS SOCIALISTAS"}],"author":[{"name":{"$t":"Marcel Celmar"},"uri":{"$t":"http:\/\/www.blogger.com\/profile\/13804012043339392705"},"email":{"$t":"noreply@blogger.com"},"gd$image":{"rel":"http://schemas.google.com/g/2005#thumbnail","width":"24","height":"32","src":"http:\/\/bp2.blogger.com\/_DJtuhrCfgjs\/R-GT1ZRia7I\/AAAAAAAAADo\/U-slqLceyQ0\/S220\/453px-Faces-nevit.jpg"}}],"thr$total":{"$t":"0"}},{"id":{"$t":"tag:blogger.com,1999:blog-3874343899452800092.post-2733796648633182831"},"published":{"$t":"2008-05-05T09:54:00.007-03:00"},"updated":{"$t":"2008-05-10T15:57:07.073-03:00"},"category":[{"scheme":"http://www.blogger.com/atom/ns#","term":"Funny Games US"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Michael Haneke"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Naomi Watts"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Tim Roth"}],"title":{"type":"text","$t":"DE GUANTES BLANCOS"},"summary":{"type":"text","$t":" La curiosidad puede ser el motor de valiosos hallazgos o el pretexto para saborear rotundas decepciones. El germen de estas dos posibilidades está inmerso en el tejido de Funny Games US, una nueva versión que el propio Michael Haneke realizó de su clásico del año 1997. Y aunque en literatura es frecuente que se vuelva a publicar una obra “revisada por el autor” o que en cine se conozca una "},"link":[{"rel":"replies","type":"application/atom+xml","href":"http:\/\/le-criticon.blogspot.com\/feeds\/2733796648633182831\/comments\/default","title":"Enviar comentarios"},{"rel":"replies","type":"text/html","href":"http:\/\/le-criticon.blogspot.com\/2008\/05\/de-guantge-blanco.html#comment-form","title":"0 comentarios"},{"rel":"edit","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/3874343899452800092\/posts\/default\/2733796648633182831"},{"rel":"self","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/3874343899452800092\/posts\/default\/2733796648633182831"},{"rel":"alternate","type":"text/html","href":"http:\/\/le-criticon.blogspot.com\/2008\/05\/de-guantge-blanco.html","title":"DE GUANTES BLANCOS"}],"author":[{"name":{"$t":"Marcel Celmar"},"uri":{"$t":"http:\/\/www.blogger.com\/profile\/13804012043339392705"},"email":{"$t":"noreply@blogger.com"},"gd$image":{"rel":"http://schemas.google.com/g/2005#thumbnail","width":"24","height":"32","src":"http:\/\/bp2.blogger.com\/_DJtuhrCfgjs\/R-GT1ZRia7I\/AAAAAAAAADo\/U-slqLceyQ0\/S220\/453px-Faces-nevit.jpg"}}],"thr$total":{"$t":"0"}},{"id":{"$t":"tag:blogger.com,1999:blog-3874343899452800092.post-3943619739515864148"},"published":{"$t":"2008-05-04T19:02:00.000-03:00"},"updated":{"$t":"2008-05-05T19:21:26.891-03:00"},"category":[{"scheme":"http://www.blogger.com/atom/ns#","term":"Friedrich Schiller"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Johann Wolfgang von Goethe"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Wilhelm von Humboldt"}],"title":{"type":"text","$t":"SER O NO SER"},"summary":{"type":"text","$t":"El 9 de mayo de 1805 fue una tarde lluviosa en Weimar, una ciudad del Bundesland de Turingia en Alemania. Ese mismo día, moría el poeta, historiador, filósofo, dramaturgo y quien sabe cuántas cosas más, Friedrich Schiller, de una pulmonía causada por un severo cuadro de tuberculosis. Apenas 203 años después, la Fundación Clásicos de Weimar desistió de seguir buscando el cráneo auténtico, tras "},"link":[{"rel":"replies","type":"application/atom+xml","href":"http:\/\/le-criticon.blogspot.com\/feeds\/3943619739515864148\/comments\/default","title":"Enviar comentarios"},{"rel":"replies","type":"text/html","href":"http:\/\/le-criticon.blogspot.com\/2008\/05\/ser-o-no-ser.html#comment-form","title":"0 comentarios"},{"rel":"edit","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/3874343899452800092\/posts\/default\/3943619739515864148"},{"rel":"self","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/3874343899452800092\/posts\/default\/3943619739515864148"},{"rel":"alternate","type":"text/html","href":"http:\/\/le-criticon.blogspot.com\/2008\/05\/ser-o-no-ser.html","title":"SER O NO SER"}],"author":[{"name":{"$t":"Anthony \"el quakero\""},"uri":{"$t":"http:\/\/www.blogger.com\/profile\/05931660534371760150"},"email":{"$t":"noreply@blogger.com"},"gd$image":{"rel":"http://schemas.google.com/g/2005#thumbnail","width":"32","height":"24","src":"http:\/\/bp1.blogger.com\/_b1X7xC27TS8\/R-GbYlm0rAI\/AAAAAAAAAAM\/GSDUB37xRJI\/S220\/Mirada.jpg"}}],"thr$total":{"$t":"0"}},{"id":{"$t":"tag:blogger.com,1999:blog-3874343899452800092.post-8754428157132054709"},"published":{"$t":"2008-05-02T18:57:00.003-03:00"},"updated":{"$t":"2008-05-02T19:03:52.019-03:00"},"category":[{"scheme":"http://www.blogger.com/atom/ns#","term":"Kim Stanley Robinson"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Lunar Reconnaissance Orbiter"},{"scheme":"http://www.blogger.com/atom/ns#","term":"NASA"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Send Your Name to the Moon"}],"title":{"type":"text","$t":"OBJETO INALCANZABLE"},"summary":{"type":"text","$t":"La luna, aquel cuerpo radial armado de cuatro rostros, que disparó la imaginación de poetas y astrónomos, sigue velando su intimidad a la órbita de los hombres. En un intento más por transgredir su silencio atmosférico, una nueva exploración terrestre intentará dejar su huella en la superficie de aquel planeta. Pero la expedición, en lugar de plantar una bandera se propone multiplicar nombres.Lo "},"link":[{"rel":"replies","type":"application/atom+xml","href":"http:\/\/le-criticon.blogspot.com\/feeds\/8754428157132054709\/comments\/default","title":"Enviar comentarios"},{"rel":"replies","type":"text/html","href":"http:\/\/le-criticon.blogspot.com\/2008\/05\/objeto-inalcanzable.html#comment-form","title":"0 comentarios"},{"rel":"edit","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/3874343899452800092\/posts\/default\/8754428157132054709"},{"rel":"self","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/3874343899452800092\/posts\/default\/8754428157132054709"},{"rel":"alternate","type":"text/html","href":"http:\/\/le-criticon.blogspot.com\/2008\/05\/objeto-inalcanzable.html","title":"OBJETO INALCANZABLE"}],"author":[{"name":{"$t":"Anthony \"el quakero\""},"uri":{"$t":"http:\/\/www.blogger.com\/profile\/05931660534371760150"},"email":{"$t":"noreply@blogger.com"},"gd$image":{"rel":"http://schemas.google.com/g/2005#thumbnail","width":"32","height":"24","src":"http:\/\/bp1.blogger.com\/_b1X7xC27TS8\/R-GbYlm0rAI\/AAAAAAAAAAM\/GSDUB37xRJI\/S220\/Mirada.jpg"}}],"thr$total":{"$t":"0"}},{"id":{"$t":"tag:blogger.com,1999:blog-3874343899452800092.post-4063633819287966885"},"published":{"$t":"2008-04-30T12:34:00.012-03:00"},"updated":{"$t":"2008-04-30T15:47:45.786-03:00"},"category":[{"scheme":"http://www.blogger.com/atom/ns#","term":"Bernard and Doris"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Bernard Lafferty"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Bob Balaban"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Doris Duke"}],"title":{"type":"text","$t":"AMO Y ESCLAVO"},"summary":{"type":"text","$t":"Por su exacerbada lealtad, el mayordomo es un personaje que captó la admiración del cineasta. Entre la obsecuencia y la codicia, estos fieles servidores del buen aristócrata están atentos al mínimo detalle y son capaces de cualquier sacrificio para cumplir con sus obligaciones. A la extensa lista de caracterizaciones hechas en la pantalla grande, se arrima Bernard and Doris, un filme que se apoya"},"link":[{"rel":"replies","type":"application/atom+xml","href":"http:\/\/le-criticon.blogspot.com\/feeds\/4063633819287966885\/comments\/default","title":"Enviar comentarios"},{"rel":"replies","type":"text/html","href":"http:\/\/le-criticon.blogspot.com\/2008\/04\/amo-y-esclavo.html#comment-form","title":"0 comentarios"},{"rel":"edit","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/3874343899452800092\/posts\/default\/4063633819287966885"},{"rel":"self","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/3874343899452800092\/posts\/default\/4063633819287966885"},{"rel":"alternate","type":"text/html","href":"http:\/\/le-criticon.blogspot.com\/2008\/04\/amo-y-esclavo.html","title":"AMO Y ESCLAVO"}],"author":[{"name":{"$t":"Marcel Celmar"},"uri":{"$t":"http:\/\/www.blogger.com\/profile\/13804012043339392705"},"email":{"$t":"noreply@blogger.com"},"gd$image":{"rel":"http://schemas.google.com/g/2005#thumbnail","width":"24","height":"32","src":"http:\/\/bp2.blogger.com\/_DJtuhrCfgjs\/R-GT1ZRia7I\/AAAAAAAAADo\/U-slqLceyQ0\/S220\/453px-Faces-nevit.jpg"}}],"thr$total":{"$t":"0"}},{"id":{"$t":"tag:blogger.com,1999:blog-3874343899452800092.post-5006358498518009312"},"published":{"$t":"2008-04-29T08:57:00.009-03:00"},"updated":{"$t":"2008-04-29T10:22:25.878-03:00"},"category":[{"scheme":"http://www.blogger.com/atom/ns#","term":"existencia"},{"scheme":"http://www.blogger.com/atom/ns#","term":"ilusión óptica"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Matrix"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Platón"},{"scheme":"http://www.blogger.com/atom/ns#","term":"realidad"},{"scheme":"http://www.blogger.com/atom/ns#","term":"sentidos"}],"title":{"type":"text","$t":"NADA ES REAL"},"summary":{"type":"text","$t":" ¿La realidad es igual para todo el universo o cada ser construye un mundo a semejanza de su imagen? Si nos atenemos a la definición psicoanalítica de la realidad dirá que “es aquello que parece ser”; para un científico será “existencia real y efectiva de algo”; mientras que para un esquizofrénico como Philip K. Dick “aquello que cuando dejamos de creer en su influencia, tampoco desaparece”.En "},"link":[{"rel":"replies","type":"application/atom+xml","href":"http:\/\/le-criticon.blogspot.com\/feeds\/5006358498518009312\/comments\/default","title":"Enviar comentarios"},{"rel":"replies","type":"text/html","href":"http:\/\/le-criticon.blogspot.com\/2008\/04\/nada-es-real.html#comment-form","title":"6 comentarios"},{"rel":"edit","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/3874343899452800092\/posts\/default\/5006358498518009312"},{"rel":"self","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/3874343899452800092\/posts\/default\/5006358498518009312"},{"rel":"alternate","type":"text/html","href":"http:\/\/le-criticon.blogspot.com\/2008\/04\/nada-es-real.html","title":"NADA ES REAL"}],"author":[{"name":{"$t":"Marcel Celmar"},"uri":{"$t":"http:\/\/www.blogger.com\/profile\/13804012043339392705"},"email":{"$t":"noreply@blogger.com"},"gd$image":{"rel":"http://schemas.google.com/g/2005#thumbnail","width":"24","height":"32","src":"http:\/\/bp2.blogger.com\/_DJtuhrCfgjs\/R-GT1ZRia7I\/AAAAAAAAADo\/U-slqLceyQ0\/S220\/453px-Faces-nevit.jpg"}}],"thr$total":{"$t":"6"}},{"id":{"$t":"tag:blogger.com,1999:blog-3874343899452800092.post-4462243947460301982"},"published":{"$t":"2008-04-27T18:16:00.005-03:00"},"updated":{"$t":"2008-06-10T18:36:17.627-03:00"},"category":[{"scheme":"http://www.blogger.com/atom/ns#","term":"Habitaquo"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Klopka"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Srdjan Golubovic"},{"scheme":"http://www.blogger.com/atom/ns#","term":"The trap"}],"title":{"type":"text","$t":"NI EL TIRO DEL FINAL"},"summary":{"type":"text","$t":" Hay personas que pueden sobrellevar la carga más pesada sin la menor animosidad y otros, a quienes el peso de sus determinaciones les impide avanzar en línea recta. No es que el primero sea superior al otro, simplemente, aprendió que para ser feliz hay que saber olvidar. Parte de este experiencia se despliega en Klopka, un filme de origen Serbio.La historia pone sobre el tablero la siguiente "},"link":[{"rel":"replies","type":"application/atom+xml","href":"http:\/\/le-criticon.blogspot.com\/feeds\/4462243947460301982\/comments\/default","title":"Enviar comentarios"},{"rel":"replies","type":"text/html","href":"http:\/\/le-criticon.blogspot.com\/2008\/04\/ni-el-tiro-del-final.html#comment-form","title":"0 comentarios"},{"rel":"edit","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/3874343899452800092\/posts\/default\/4462243947460301982"},{"rel":"self","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/3874343899452800092\/posts\/default\/4462243947460301982"},{"rel":"alternate","type":"text/html","href":"http:\/\/le-criticon.blogspot.com\/2008\/04\/ni-el-tiro-del-final.html","title":"NI EL TIRO DEL FINAL"}],"author":[{"name":{"$t":"Marcel Celmar"},"uri":{"$t":"http:\/\/www.blogger.com\/profile\/13804012043339392705"},"email":{"$t":"noreply@blogger.com"},"gd$image":{"rel":"http://schemas.google.com/g/2005#thumbnail","width":"24","height":"32","src":"http:\/\/bp2.blogger.com\/_DJtuhrCfgjs\/R-GT1ZRia7I\/AAAAAAAAADo\/U-slqLceyQ0\/S220\/453px-Faces-nevit.jpg"}}],"thr$total":{"$t":"0"}},{"id":{"$t":"tag:blogger.com,1999:blog-3874343899452800092.post-9042318608116689971"},"published":{"$t":"2008-04-26T12:30:00.008-03:00"},"updated":{"$t":"2008-04-30T14:06:07.643-03:00"},"category":[{"scheme":"http://www.blogger.com/atom/ns#","term":"Gerard Butler"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Hilary Swank"},{"scheme":"http://www.blogger.com/atom/ns#","term":"P.S. I Love You"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Richard LaGravenese"}],"title":{"type":"text","$t":"NAUFRAGIO EMOTIVO"},"summary":{"type":"text","$t":" Encontrar el punto justo en una comedia dramática requiere el mismo criterio que para coordinar un plato elaborado. Si le falta sabor o le sobra emoción, todo se va al tacho, porque el paladar de los comensales tiene su punto de sensibilidad. A esta prueba de sabores se enfrenta P.S. I Love You, una historia con envoltura de simpatía y corazón de llanto.Si hay un recurso que este filme sabe "},"link":[{"rel":"replies","type":"application/atom+xml","href":"http:\/\/le-criticon.blogspot.com\/feeds\/9042318608116689971\/comments\/default","title":"Enviar comentarios"},{"rel":"replies","type":"text/html","href":"http:\/\/le-criticon.blogspot.com\/2008\/04\/naufragio-emotivo.html#comment-form","title":"20 comentarios"},{"rel":"edit","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/3874343899452800092\/posts\/default\/9042318608116689971"},{"rel":"self","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/3874343899452800092\/posts\/default\/9042318608116689971"},{"rel":"alternate","type":"text/html","href":"http:\/\/le-criticon.blogspot.com\/2008\/04\/naufragio-emotivo.html","title":"NAUFRAGIO EMOTIVO"}],"author":[{"name":{"$t":"Marcel Celmar"},"uri":{"$t":"http:\/\/www.blogger.com\/profile\/13804012043339392705"},"email":{"$t":"noreply@blogger.com"},"gd$image":{"rel":"http://schemas.google.com/g/2005#thumbnail","width":"24","height":"32","src":"http:\/\/bp2.blogger.com\/_DJtuhrCfgjs\/R-GT1ZRia7I\/AAAAAAAAADo\/U-slqLceyQ0\/S220\/453px-Faces-nevit.jpg"}}],"thr$total":{"$t":"20"}},{"id":{"$t":"tag:blogger.com,1999:blog-3874343899452800092.post-6593150823977923610"},"published":{"$t":"2008-04-25T11:17:00.007-03:00"},"updated":{"$t":"2008-04-25T15:19:07.596-03:00"},"category":[{"scheme":"http://www.blogger.com/atom/ns#","term":"Adele"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Camille"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Madita"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Music Hole"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Nouvelle Vague"}],"title":{"type":"text","$t":"CON ACENTO FRANCES"},"summary":{"type":"text","$t":"Será porque resulta simpático echarle la culpa de todo a la modernidad o porque el inglés se convirtió en un referente lingüístico, que la chanson francesa fue perdiendo parte de su pelaje. Una de sus exponentes contemporáneas es la áspera Camille, que acaba de grabar un nuevo disco íntegramente en inglés. Pero si la globalización te quita, algo a cambio también te da. La influencia del género se"},"link":[{"rel":"replies","type":"application/atom+xml","href":"http:\/\/le-criticon.blogspot.com\/feeds\/6593150823977923610\/comments\/default","title":"Enviar comentarios"},{"rel":"replies","type":"text/html","href":"http:\/\/le-criticon.blogspot.com\/2008\/04\/con-acento-frances.html#comment-form","title":"0 comentarios"},{"rel":"edit","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/3874343899452800092\/posts\/default\/6593150823977923610"},{"rel":"self","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/3874343899452800092\/posts\/default\/6593150823977923610"},{"rel":"alternate","type":"text/html","href":"http:\/\/le-criticon.blogspot.com\/2008\/04\/con-acento-frances.html","title":"CON ACENTO FRANCES"}],"author":[{"name":{"$t":"Anthony \"el quakero\""},"uri":{"$t":"http:\/\/www.blogger.com\/profile\/05931660534371760150"},"email":{"$t":"noreply@blogger.com"},"gd$image":{"rel":"http://schemas.google.com/g/2005#thumbnail","width":"32","height":"24","src":"http:\/\/bp1.blogger.com\/_b1X7xC27TS8\/R-GbYlm0rAI\/AAAAAAAAAAM\/GSDUB37xRJI\/S220\/Mirada.jpg"}}],"thr$total":{"$t":"0"}},{"id":{"$t":"tag:blogger.com,1999:blog-3874343899452800092.post-5389101512329282561"},"published":{"$t":"2008-04-24T10:53:00.007-03:00"},"updated":{"$t":"2008-04-24T11:16:09.099-03:00"},"category":[{"scheme":"http://www.blogger.com/atom/ns#","term":"Diane Lane"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Gregory Hoblit"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Jigsaw"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Saw"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Untraceable"}],"title":{"type":"text","$t":"SIN PALABRAS"},"summary":{"type":"text","$t":" Al momento de escoger un filme, el espectador pone en juego una serie de variables. En esta elección hay gran cuota de intuición, una parte de esperanza y una ciega confianza que avala esta decisión. Muchas veces, esta apuesta sorprende por lo inesperado y otras, no hace más que confirmar un mal pálpito. Si alguien trazó un pronóstico para ver Untraceable, lo mejor es que evite la influencia de "},"link":[{"rel":"replies","type":"application/atom+xml","href":"http:\/\/le-criticon.blogspot.com\/feeds\/5389101512329282561\/comments\/default","title":"Enviar comentarios"},{"rel":"replies","type":"text/html","href":"http:\/\/le-criticon.blogspot.com\/2008\/04\/sin-palabras.html#comment-form","title":"4 comentarios"},{"rel":"edit","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/3874343899452800092\/posts\/default\/5389101512329282561"},{"rel":"self","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/3874343899452800092\/posts\/default\/5389101512329282561"},{"rel":"alternate","type":"text/html","href":"http:\/\/le-criticon.blogspot.com\/2008\/04\/sin-palabras.html","title":"SIN PALABRAS"}],"author":[{"name":{"$t":"Marcel Celmar"},"uri":{"$t":"http:\/\/www.blogger.com\/profile\/13804012043339392705"},"email":{"$t":"noreply@blogger.com"},"gd$image":{"rel":"http://schemas.google.com/g/2005#thumbnail","width":"24","height":"32","src":"http:\/\/bp2.blogger.com\/_DJtuhrCfgjs\/R-GT1ZRia7I\/AAAAAAAAADo\/U-slqLceyQ0\/S220\/453px-Faces-nevit.jpg"}}],"thr$total":{"$t":"4"}},{"id":{"$t":"tag:blogger.com,1999:blog-3874343899452800092.post-1582203751407106069"},"published":{"$t":"2008-04-23T11:42:00.006-03:00"},"updated":{"$t":"2008-04-23T20:50:38.759-03:00"},"category":[{"scheme":"http://www.blogger.com/atom/ns#","term":"Copyleft"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Luther Blisset"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Wu Ming"}],"title":{"type":"text","$t":"TORMENTA DE IDEAS"},"summary":{"type":"text","$t":" Muchos consideran a la escritura como el arte de la soledad. Será porque la concentración está asociada al aislamiento o porque los grandes escritores cultivaron el destierro voluntario. Para revertir este concepto bizantino, un grupo de cinco pensadores italianos asociaron sus ideas para dar forma a Wu Ming: la primer escritura colectiva de masas.Pero la noción Wu Ming (según su pronunciación "},"link":[{"rel":"replies","type":"application/atom+xml","href":"http:\/\/le-criticon.blogspot.com\/feeds\/1582203751407106069\/comments\/default","title":"Enviar comentarios"},{"rel":"replies","type":"text/html","href":"http:\/\/le-criticon.blogspot.com\/2008\/04\/tormenta-de-ideas.html#comment-form","title":"2 comentarios"},{"rel":"edit","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/3874343899452800092\/posts\/default\/1582203751407106069"},{"rel":"self","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/3874343899452800092\/posts\/default\/1582203751407106069"},{"rel":"alternate","type":"text/html","href":"http:\/\/le-criticon.blogspot.com\/2008\/04\/tormenta-de-ideas.html","title":"TORMENTA DE IDEAS"}],"author":[{"name":{"$t":"Marcel Celmar"},"uri":{"$t":"http:\/\/www.blogger.com\/profile\/13804012043339392705"},"email":{"$t":"noreply@blogger.com"},"gd$image":{"rel":"http://schemas.google.com/g/2005#thumbnail","width":"24","height":"32","src":"http:\/\/bp2.blogger.com\/_DJtuhrCfgjs\/R-GT1ZRia7I\/AAAAAAAAADo\/U-slqLceyQ0\/S220\/453px-Faces-nevit.jpg"}}],"thr$total":{"$t":"2"}},{"id":{"$t":"tag:blogger.com,1999:blog-3874343899452800092.post-6578012968403435096"},"published":{"$t":"2008-04-22T11:05:00.007-03:00"},"updated":{"$t":"2008-04-22T11:26:37.794-03:00"},"category":[{"scheme":"http://www.blogger.com/atom/ns#","term":"Laura Linney"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Philip Seymour Hoffman"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Tamara Jenkins"},{"scheme":"http://www.blogger.com/atom/ns#","term":"The Savages"}],"title":{"type":"text","$t":"ENTRE CANIBALES"},"summary":{"type":"text","$t":" Quizás uno de los proverbios más coreados por el común de la gente, sea aquel que dice “no hay mal que por bien no venga”. En esa máxima del optimista, que encuentra un consuelo aun en las circunstancias más desgraciadas, se mira The Savage, un típico producto del cine independiente norteamericano, con un guión bien elaborado y convincentes actuaciones de sus figuras.Uno de los grandes méritos "},"link":[{"rel":"replies","type":"application/atom+xml","href":"http:\/\/le-criticon.blogspot.com\/feeds\/6578012968403435096\/comments\/default","title":"Enviar comentarios"},{"rel":"replies","type":"text/html","href":"http:\/\/le-criticon.blogspot.com\/2008\/04\/entre-canibales.html#comment-form","title":"1 comentarios"},{"rel":"edit","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/3874343899452800092\/posts\/default\/6578012968403435096"},{"rel":"self","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/3874343899452800092\/posts\/default\/6578012968403435096"},{"rel":"alternate","type":"text/html","href":"http:\/\/le-criticon.blogspot.com\/2008\/04\/entre-canibales.html","title":"ENTRE CANIBALES"}],"author":[{"name":{"$t":"Marcel Celmar"},"uri":{"$t":"http:\/\/www.blogger.com\/profile\/13804012043339392705"},"email":{"$t":"noreply@blogger.com"},"gd$image":{"rel":"http://schemas.google.com/g/2005#thumbnail","width":"24","height":"32","src":"http:\/\/bp2.blogger.com\/_DJtuhrCfgjs\/R-GT1ZRia7I\/AAAAAAAAADo\/U-slqLceyQ0\/S220\/453px-Faces-nevit.jpg"}}],"thr$total":{"$t":"1"}},{"id":{"$t":"tag:blogger.com,1999:blog-3874343899452800092.post-6211291356307757003"},"published":{"$t":"2008-04-21T20:16:00.007-03:00"},"updated":{"$t":"2008-04-21T20:37:28.339-03:00"},"category":[{"scheme":"http://www.blogger.com/atom/ns#","term":"Das Tote Haus Uhr"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Gregor Schneider"}],"title":{"type":"text","$t":"EL ACTO EN CUESTION"},"summary":{"type":"text","$t":" Desde que el artificio se estacionó en un rincón oblicuo a la realidad (algo que los especialistas apellidan minimalismo) es que el arte se convirtió en una razón de artistas. Y desde que el vacío puede ser vestido de vanguardia y gozar de un aplauso sin palmas, se instaló la decadencia. Una cifra más en la muerte anunciada del artista tuvo lugar estos días en Alemania. La crónica del matutino "},"link":[{"rel":"replies","type":"application/atom+xml","href":"http:\/\/le-criticon.blogspot.com\/feeds\/6211291356307757003\/comments\/default","title":"Enviar comentarios"},{"rel":"replies","type":"text/html","href":"http:\/\/le-criticon.blogspot.com\/2008\/04\/el-acto-en-cuestion.html#comment-form","title":"0 comentarios"},{"rel":"edit","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/3874343899452800092\/posts\/default\/6211291356307757003"},{"rel":"self","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/3874343899452800092\/posts\/default\/6211291356307757003"},{"rel":"alternate","type":"text/html","href":"http:\/\/le-criticon.blogspot.com\/2008\/04\/el-acto-en-cuestion.html","title":"EL ACTO EN CUESTION"}],"author":[{"name":{"$t":"Anthony \"el quakero\""},"uri":{"$t":"http:\/\/www.blogger.com\/profile\/05931660534371760150"},"email":{"$t":"noreply@blogger.com"},"gd$image":{"rel":"http://schemas.google.com/g/2005#thumbnail","width":"32","height":"24","src":"http:\/\/bp1.blogger.com\/_b1X7xC27TS8\/R-GbYlm0rAI\/AAAAAAAAAAM\/GSDUB37xRJI\/S220\/Mirada.jpg"}}],"thr$total":{"$t":"0"}},{"id":{"$t":"tag:blogger.com,1999:blog-3874343899452800092.post-6059446576720834800"},"published":{"$t":"2008-04-19T15:06:00.019-03:00"},"updated":{"$t":"2008-04-19T23:21:56.636-03:00"},"category":[{"scheme":"http://www.blogger.com/atom/ns#","term":"[Rec]"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Cloverfield"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Jaume Balagueró y Paco Plaza"}],"title":{"type":"text","$t":"EN CLAUSTROFOBIA"},"summary":{"type":"text","$t":" Quienes extinguieron hasta el último bocado de Cloverfield y ahora deseen pasar al siguiente plato, al observar con detenimiento la carta hallarán un postre muy concentrado llamado [Rec] (2007). Si uno se deja guiar por el envase o su nombre de origen, lo más probable es que nunca se lo lleve a la boca, porque en lugar de estar pensado para agradar, su intención es producir indigestión.Por una "},"link":[{"rel":"replies","type":"application/atom+xml","href":"http:\/\/le-criticon.blogspot.com\/feeds\/6059446576720834800\/comments\/default","title":"Enviar comentarios"},{"rel":"replies","type":"text/html","href":"http:\/\/le-criticon.blogspot.com\/2008\/04\/en-claustrofobia.html#comment-form","title":"1 comentarios"},{"rel":"edit","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/3874343899452800092\/posts\/default\/6059446576720834800"},{"rel":"self","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/3874343899452800092\/posts\/default\/6059446576720834800"},{"rel":"alternate","type":"text/html","href":"http:\/\/le-criticon.blogspot.com\/2008\/04\/en-claustrofobia.html","title":"EN CLAUSTROFOBIA"}],"author":[{"name":{"$t":"Marcel Celmar"},"uri":{"$t":"http:\/\/www.blogger.com\/profile\/13804012043339392705"},"email":{"$t":"noreply@blogger.com"},"gd$image":{"rel":"http://schemas.google.com/g/2005#thumbnail","width":"24","height":"32","src":"http:\/\/bp2.blogger.com\/_DJtuhrCfgjs\/R-GT1ZRia7I\/AAAAAAAAADo\/U-slqLceyQ0\/S220\/453px-Faces-nevit.jpg"}}],"thr$total":{"$t":"1"}},{"id":{"$t":"tag:blogger.com,1999:blog-3874343899452800092.post-8403376128317927742"},"published":{"$t":"2008-04-18T13:42:00.003-03:00"},"updated":{"$t":"2008-04-18T13:54:46.686-03:00"},"category":[{"scheme":"http://www.blogger.com/atom/ns#","term":"Anoche (2005)"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Babasónicos"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Mucho (2008)"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Pijamas"}],"title":{"type":"text","$t":"LOS DESFACHATADOS"},"summary":{"type":"text","$t":"Decir que los Babasónicos son el grupo más constante del rock argentino no es arriesgar demasiado. Decir que Mucho (2008), su noveno disco oficial [sin contar remixes, lados B, ni en vivo] está a la altura de los anteriores, es otro cantar.El gran mérito de esta agrupación de Lanús es que no se dejó emborrachar por el éxito y luego del reconocimiento general que les llegó con Anoche (2005), no "},"link":[{"rel":"replies","type":"application/atom+xml","href":"http:\/\/le-criticon.blogspot.com\/feeds\/8403376128317927742\/comments\/default","title":"Enviar comentarios"},{"rel":"replies","type":"text/html","href":"http:\/\/le-criticon.blogspot.com\/2008\/04\/los-desfachatados.html#comment-form","title":"0 comentarios"},{"rel":"edit","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/3874343899452800092\/posts\/default\/8403376128317927742"},{"rel":"self","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/3874343899452800092\/posts\/default\/8403376128317927742"},{"rel":"alternate","type":"text/html","href":"http:\/\/le-criticon.blogspot.com\/2008\/04\/los-desfachatados.html","title":"LOS DESFACHATADOS"}],"author":[{"name":{"$t":"Marcel Celmar"},"uri":{"$t":"http:\/\/www.blogger.com\/profile\/13804012043339392705"},"email":{"$t":"noreply@blogger.com"},"gd$image":{"rel":"http://schemas.google.com/g/2005#thumbnail","width":"24","height":"32","src":"http:\/\/bp2.blogger.com\/_DJtuhrCfgjs\/R-GT1ZRia7I\/AAAAAAAAADo\/U-slqLceyQ0\/S220\/453px-Faces-nevit.jpg"}}],"thr$total":{"$t":"0"}},{"id":{"$t":"tag:blogger.com,1999:blog-3874343899452800092.post-2652883525779600535"},"published":{"$t":"2008-04-17T12:24:00.008-03:00"},"updated":{"$t":"2008-04-17T20:02:19.864-03:00"},"category":[{"scheme":"http://www.blogger.com/atom/ns#","term":"Cine asiático"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Dark Water"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Kairo"},{"scheme":"http://www.blogger.com/atom/ns#","term":"The eye"},{"scheme":"http://www.blogger.com/atom/ns#","term":"The Grudge"},{"scheme":"http://www.blogger.com/atom/ns#","term":"The ring"}],"title":{"type":"text","$t":"CURADOS DE ESPANTO"},"summary":{"type":"text","$t":"Con el elogio de lo oculto y las maldiciones ancestrales, el cine de terror oriental renovó la sensibilidad del miedo, perdida por el efecto de engendros pegajosos o psicópatas encapuchado que se regeneran al infinito. Atentos a esta tendencia, la industria comenzó a imitar ese modelo tan promisorio. Y lo que se inició con un convincente The ring (2002) llegó a rebalsar el vaso con la gota en The"},"link":[{"rel":"replies","type":"application/atom+xml","href":"http:\/\/le-criticon.blogspot.com\/feeds\/2652883525779600535\/comments\/default","title":"Enviar comentarios"},{"rel":"replies","type":"text/html","href":"http:\/\/le-criticon.blogspot.com\/2008\/04\/curados-de-espanto.html#comment-form","title":"1 comentarios"},{"rel":"edit","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/3874343899452800092\/posts\/default\/2652883525779600535"},{"rel":"self","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/3874343899452800092\/posts\/default\/2652883525779600535"},{"rel":"alternate","type":"text/html","href":"http:\/\/le-criticon.blogspot.com\/2008\/04\/curados-de-espanto.html","title":"CURADOS DE ESPANTO"}],"author":[{"name":{"$t":"Marcel Celmar"},"uri":{"$t":"http:\/\/www.blogger.com\/profile\/13804012043339392705"},"email":{"$t":"noreply@blogger.com"},"gd$image":{"rel":"http://schemas.google.com/g/2005#thumbnail","width":"24","height":"32","src":"http:\/\/bp2.blogger.com\/_DJtuhrCfgjs\/R-GT1ZRia7I\/AAAAAAAAADo\/U-slqLceyQ0\/S220\/453px-Faces-nevit.jpg"}}],"thr$total":{"$t":"1"}},{"id":{"$t":"tag:blogger.com,1999:blog-3874343899452800092.post-5610618278359232334"},"published":{"$t":"2008-04-16T12:28:00.009-03:00"},"updated":{"$t":"2008-04-16T13:31:24.048-03:00"},"category":[{"scheme":"http://www.blogger.com/atom/ns#","term":"Alan Moore"},{"scheme":"http://www.blogger.com/atom/ns#","term":"La Liga de los Hombres Extraordinarios"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Lost Girl"},{"scheme":"http://www.blogger.com/atom/ns#","term":"V de Vendetta y From Hell"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Watchmen"}],"title":{"type":"text","$t":"V DE VIÑETA"},"summary":{"type":"text","$t":" En una época de héroes reblandecidos por la exposición mediática, cualquier mequetrefe con capa y antifaz salta de las viñetas al cine. Pero no siempre fue así. Hubo un tiempo de papel y témpera, en donde sólo podían sobrevivir los más aptos. En aquellos años, un señor llamado Alan Moore, padre entre otros de Watchmen, V de Vendetta y From Hell, insinuaba que los cómics no eran sólo para "},"link":[{"rel":"replies","type":"application/atom+xml","href":"http:\/\/le-criticon.blogspot.com\/feeds\/5610618278359232334\/comments\/default","title":"Enviar comentarios"},{"rel":"replies","type":"text/html","href":"http:\/\/le-criticon.blogspot.com\/2008\/04\/v-de-vieta.html#comment-form","title":"1 comentarios"},{"rel":"edit","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/3874343899452800092\/posts\/default\/5610618278359232334"},{"rel":"self","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/3874343899452800092\/posts\/default\/5610618278359232334"},{"rel":"alternate","type":"text/html","href":"http:\/\/le-criticon.blogspot.com\/2008\/04\/v-de-vieta.html","title":"V DE VIÑETA"}],"author":[{"name":{"$t":"Marcel Celmar"},"uri":{"$t":"http:\/\/www.blogger.com\/profile\/13804012043339392705"},"email":{"$t":"noreply@blogger.com"},"gd$image":{"rel":"http://schemas.google.com/g/2005#thumbnail","width":"24","height":"32","src":"http:\/\/bp2.blogger.com\/_DJtuhrCfgjs\/R-GT1ZRia7I\/AAAAAAAAADo\/U-slqLceyQ0\/S220\/453px-Faces-nevit.jpg"}}],"thr$total":{"$t":"1"}},{"id":{"$t":"tag:blogger.com,1999:blog-3874343899452800092.post-4494092861001788611"},"published":{"$t":"2008-04-15T20:01:00.007-03:00"},"updated":{"$t":"2008-04-15T20:19:05.208-03:00"},"category":[{"scheme":"http://www.blogger.com/atom/ns#","term":"Kraftwerk"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Ladytron"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Synth Pop"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Velocifero"}],"title":{"type":"text","$t":"OSCURA ELECTRICIDAD"},"summary":{"type":"text","$t":"Aunque suene a invento moderno, el Synth Pop es un género que ya tiene sus añitos. Su origen se remonta a principios de los 80’, donde debutó con el nombre de New Wave. En los 90 se mezcló con la resaca del Post punk y el Glam rock y evolucionó al Tecno Pop. Acaso uno de los grupos más representativos de la actualidad sea Ladytron, quien está a punto de editar su cuarto disco, titulado Velocifero"},"link":[{"rel":"replies","type":"application/atom+xml","href":"http:\/\/le-criticon.blogspot.com\/feeds\/4494092861001788611\/comments\/default","title":"Enviar comentarios"},{"rel":"replies","type":"text/html","href":"http:\/\/le-criticon.blogspot.com\/2008\/04\/oscura-electricidad.html#comment-form","title":"2 comentarios"},{"rel":"edit","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/3874343899452800092\/posts\/default\/4494092861001788611"},{"rel":"self","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/3874343899452800092\/posts\/default\/4494092861001788611"},{"rel":"alternate","type":"text/html","href":"http:\/\/le-criticon.blogspot.com\/2008\/04\/oscura-electricidad.html","title":"OSCURA ELECTRICIDAD"}],"author":[{"name":{"$t":"Anthony \"el quakero\""},"uri":{"$t":"http:\/\/www.blogger.com\/profile\/05931660534371760150"},"email":{"$t":"noreply@blogger.com"},"gd$image":{"rel":"http://schemas.google.com/g/2005#thumbnail","width":"32","height":"24","src":"http:\/\/bp1.blogger.com\/_b1X7xC27TS8\/R-GbYlm0rAI\/AAAAAAAAAAM\/GSDUB37xRJI\/S220\/Mirada.jpg"}}],"thr$total":{"$t":"2"}},{"id":{"$t":"tag:blogger.com,1999:blog-3874343899452800092.post-8994978853779931825"},"published":{"$t":"2008-04-15T11:26:00.005-03:00"},"updated":{"$t":"2008-04-15T11:47:27.703-03:00"},"category":[{"scheme":"http://www.blogger.com/atom/ns#","term":"Chuang Tzu"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Francis Ford Coppola"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Tetro"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Youth Without Youth"}],"title":{"type":"text","$t":"FRAGMENTADO"},"summary":{"type":"text","$t":" Hay gente que tiene las puertas del infinito siempre abiertas y toda la fealdad de la que son capaces, no servirá para mover un solo nervio de su verdugo. Uno de estos privilegiados es un vecino ilustre del barrio de Palermo, nos referimos al señor Francis Ford Coppola quien luego de 10 años de prudencia, volvió a dirigir una película. Se trata de la inescrutable Youth Without Youth (2007). Como"},"link":[{"rel":"replies","type":"application/atom+xml","href":"http:\/\/le-criticon.blogspot.com\/feeds\/8994978853779931825\/comments\/default","title":"Enviar comentarios"},{"rel":"replies","type":"text/html","href":"http:\/\/le-criticon.blogspot.com\/2008\/04\/fragmentado.html#comment-form","title":"4 comentarios"},{"rel":"edit","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/3874343899452800092\/posts\/default\/8994978853779931825"},{"rel":"self","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/3874343899452800092\/posts\/default\/8994978853779931825"},{"rel":"alternate","type":"text/html","href":"http:\/\/le-criticon.blogspot.com\/2008\/04\/fragmentado.html","title":"FRAGMENTADO"}],"author":[{"name":{"$t":"Marcel Celmar"},"uri":{"$t":"http:\/\/www.blogger.com\/profile\/13804012043339392705"},"email":{"$t":"noreply@blogger.com"},"gd$image":{"rel":"http://schemas.google.com/g/2005#thumbnail","width":"24","height":"32","src":"http:\/\/bp2.blogger.com\/_DJtuhrCfgjs\/R-GT1ZRia7I\/AAAAAAAAADo\/U-slqLceyQ0\/S220\/453px-Faces-nevit.jpg"}}],"thr$total":{"$t":"4"}},{"id":{"$t":"tag:blogger.com,1999:blog-3874343899452800092.post-3665199316074804517"},"published":{"$t":"2008-04-14T20:32:00.005-03:00"},"updated":{"$t":"2008-04-14T21:01:38.963-03:00"},"category":[{"scheme":"http://www.blogger.com/atom/ns#","term":"Albert Einstein"},{"scheme":"http://www.blogger.com/atom/ns#","term":"John Archibald Wheeler"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Kim Stanley Robinson"}],"title":{"type":"text","$t":"MANCHAS DEL UNIVERSO"},"summary":{"type":"text","$t":"Hace falta tener la amplitud óptica de un poeta para imaginar la muerte de un planeta. Es necesario ser un enamorado de la magia (ci-fi) para proyectar un “agujero negro”. Todo esto y mucho más, fue John Archibald Wheeler, quien este domingo, a los 96 años, acaba de abandonar el universo. Con su teoría no sólo ensanchó los límites de la física, sino también los de la ciencia ficción. La imagen "},"link":[{"rel":"replies","type":"application/atom+xml","href":"http:\/\/le-criticon.blogspot.com\/feeds\/3665199316074804517\/comments\/default","title":"Enviar comentarios"},{"rel":"replies","type":"text/html","href":"http:\/\/le-criticon.blogspot.com\/2008\/04\/manchas-del-universo.html#comment-form","title":"0 comentarios"},{"rel":"edit","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/3874343899452800092\/posts\/default\/3665199316074804517"},{"rel":"self","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/3874343899452800092\/posts\/default\/3665199316074804517"},{"rel":"alternate","type":"text/html","href":"http:\/\/le-criticon.blogspot.com\/2008\/04\/manchas-del-universo.html","title":"MANCHAS DEL UNIVERSO"}],"author":[{"name":{"$t":"Marcel Celmar"},"uri":{"$t":"http:\/\/www.blogger.com\/profile\/13804012043339392705"},"email":{"$t":"noreply@blogger.com"},"gd$image":{"rel":"http://schemas.google.com/g/2005#thumbnail","width":"24","height":"32","src":"http:\/\/bp2.blogger.com\/_DJtuhrCfgjs\/R-GT1ZRia7I\/AAAAAAAAADo\/U-slqLceyQ0\/S220\/453px-Faces-nevit.jpg"}}],"thr$total":{"$t":"0"}},{"id":{"$t":"tag:blogger.com,1999:blog-3874343899452800092.post-6071710752845315787"},"published":{"$t":"2008-04-13T22:21:00.009-03:00"},"updated":{"$t":"2008-04-14T13:06:48.988-03:00"},"category":[{"scheme":"http://www.blogger.com/atom/ns#","term":"Eric Bana"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Natalie Portman"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Scarlett Johansson"},{"scheme":"http://www.blogger.com/atom/ns#","term":"The other Boleyn girl"}],"title":{"type":"text","$t":"SORPRESA SIN SENTIMIENTOS"},"summary":{"type":"text","$t":" Quien puede negar que los dramas victorianos se convirtieron en una moda. Lo que no se llega a explicar con claridad es, si se trata de una demanda de consumo, una fascinación por esos trajes fastuosos, o la búsqueda de un retrato convincente. A esa larga lista de estrenos mundiales se suma The other Boleyn girl, un filme ambientado en la corte del rey Enrique VIII de Inglaterra.Si hubiera que "},"link":[{"rel":"replies","type":"application/atom+xml","href":"http:\/\/le-criticon.blogspot.com\/feeds\/6071710752845315787\/comments\/default","title":"Enviar comentarios"},{"rel":"replies","type":"text/html","href":"http:\/\/le-criticon.blogspot.com\/2008\/04\/sorpresa-sin-sentimientos.html#comment-form","title":"1 comentarios"},{"rel":"edit","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/3874343899452800092\/posts\/default\/6071710752845315787"},{"rel":"self","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/3874343899452800092\/posts\/default\/6071710752845315787"},{"rel":"alternate","type":"text/html","href":"http:\/\/le-criticon.blogspot.com\/2008\/04\/sorpresa-sin-sentimientos.html","title":"SORPRESA SIN SENTIMIENTOS"}],"author":[{"name":{"$t":"Marcel Celmar"},"uri":{"$t":"http:\/\/www.blogger.com\/profile\/13804012043339392705"},"email":{"$t":"noreply@blogger.com"},"gd$image":{"rel":"http://schemas.google.com/g/2005#thumbnail","width":"24","height":"32","src":"http:\/\/bp2.blogger.com\/_DJtuhrCfgjs\/R-GT1ZRia7I\/AAAAAAAAADo\/U-slqLceyQ0\/S220\/453px-Faces-nevit.jpg"}}],"thr$total":{"$t":"1"}},{"id":{"$t":"tag:blogger.com,1999:blog-3874343899452800092.post-10029622185741520"},"published":{"$t":"2008-04-11T12:15:00.007-03:00"},"updated":{"$t":"2008-04-14T13:05:40.403-03:00"},"category":[{"scheme":"http://www.blogger.com/atom/ns#","term":"Die Fälscher"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Stefan Ruzowitzky"},{"scheme":"http://www.blogger.com/atom/ns#","term":"The Counterfeiters"}],"title":{"type":"text","$t":"LA GRAN ESTAFA"},"summary":{"type":"text","$t":" Como un baúl de viajero que se abre a lo escondido, la historia guarda miles de memorias que nunca fueron reveladas. Algunos de estos incidentes, al ser tocados por la luz de la verdad relucen y otros, como ocurre con Die Fälscher (2007), prefieren seguir adormecidos en ese manto de sosiego que concede el tiempo. El filme de Stefan Ruzowitzky que viene de ganar el Oscar a mejor película "},"link":[{"rel":"replies","type":"application/atom+xml","href":"http:\/\/le-criticon.blogspot.com\/feeds\/10029622185741520\/comments\/default","title":"Enviar comentarios"},{"rel":"replies","type":"text/html","href":"http:\/\/le-criticon.blogspot.com\/2008\/04\/la-gran-estafa.html#comment-form","title":"1 comentarios"},{"rel":"edit","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/3874343899452800092\/posts\/default\/10029622185741520"},{"rel":"self","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/3874343899452800092\/posts\/default\/10029622185741520"},{"rel":"alternate","type":"text/html","href":"http:\/\/le-criticon.blogspot.com\/2008\/04\/la-gran-estafa.html","title":"LA GRAN ESTAFA"}],"author":[{"name":{"$t":"Marcel Celmar"},"uri":{"$t":"http:\/\/www.blogger.com\/profile\/13804012043339392705"},"email":{"$t":"noreply@blogger.com"},"gd$image":{"rel":"http://schemas.google.com/g/2005#thumbnail","width":"24","height":"32","src":"http:\/\/bp2.blogger.com\/_DJtuhrCfgjs\/R-GT1ZRia7I\/AAAAAAAAADo\/U-slqLceyQ0\/S220\/453px-Faces-nevit.jpg"}}],"thr$total":{"$t":"1"}},{"id":{"$t":"tag:blogger.com,1999:blog-3874343899452800092.post-9028884563191748441"},"published":{"$t":"2008-04-10T20:42:00.009-03:00"},"updated":{"$t":"2008-06-10T18:36:57.323-03:00"},"category":[{"scheme":"http://www.blogger.com/atom/ns#","term":"Elvis Presley"},{"scheme":"http://www.blogger.com/atom/ns#","term":"George Kalinsky"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Habitaquo"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Marilyn Monroe"}],"title":{"type":"text","$t":"EL REY ESTA VIVO"},"summary":{"type":"text","$t":" La vida te sorprende y si las sorpresas se traducen en números, mejor para el entendimiento. Esta frase que suena a muletilla de película mafiosa, viene a cuento de un nuevo hallazgo arqueológico. En un cajón cerrado con doble vuelta de llave apareció un rollito con 40 fotografías inédita de Elvis. Cuánta alegría nos da. Las imágenes del dios de Mississippi fueron tomadas durante un concierto en"},"link":[{"rel":"replies","type":"application/atom+xml","href":"http:\/\/le-criticon.blogspot.com\/feeds\/9028884563191748441\/comments\/default","title":"Enviar comentarios"},{"rel":"replies","type":"text/html","href":"http:\/\/le-criticon.blogspot.com\/2008\/04\/el-rey-esta-vivo.html#comment-form","title":"0 comentarios"},{"rel":"edit","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/3874343899452800092\/posts\/default\/9028884563191748441"},{"rel":"self","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/3874343899452800092\/posts\/default\/9028884563191748441"},{"rel":"alternate","type":"text/html","href":"http:\/\/le-criticon.blogspot.com\/2008\/04\/el-rey-esta-vivo.html","title":"EL REY ESTA VIVO"}],"author":[{"name":{"$t":"Anthony \"el quakero\""},"uri":{"$t":"http:\/\/www.blogger.com\/profile\/05931660534371760150"},"email":{"$t":"noreply@blogger.com"},"gd$image":{"rel":"http://schemas.google.com/g/2005#thumbnail","width":"32","height":"24","src":"http:\/\/bp1.blogger.com\/_b1X7xC27TS8\/R-GbYlm0rAI\/AAAAAAAAAAM\/GSDUB37xRJI\/S220\/Mirada.jpg"}}],"thr$total":{"$t":"0"}},{"id":{"$t":"tag:blogger.com,1999:blog-3874343899452800092.post-8917528880903750641"},"published":{"$t":"2008-04-08T11:44:00.018-03:00"},"updated":{"$t":"2008-04-15T23:31:52.892-03:00"},"category":[{"scheme":"http://www.blogger.com/atom/ns#","term":"Cloverfield"},{"scheme":"http://www.blogger.com/atom/ns#","term":"J.J. Abrams"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Matt Reeves"}],"title":{"type":"text","$t":"ARDE LA CIUDAD"},"summary":{"type":"text","$t":"Si alguien pretende sorprenderse con Cloverfield luego de ver algún avance, ojear la crítica o escuchar los cometarios, es probable que se lleve una decepción, porque seguramente, queda poco por agregar. En cambio, quienes lograron vacunarse contra el virus del marketing encontrarán un producto pasajero, bien producido y con mucho vértigo.Una de las principales armas con las que amenaza el filme "},"link":[{"rel":"replies","type":"application/atom+xml","href":"http:\/\/le-criticon.blogspot.com\/feeds\/8917528880903750641\/comments\/default","title":"Enviar comentarios"},{"rel":"replies","type":"text/html","href":"http:\/\/le-criticon.blogspot.com\/2008\/04\/arde-la-ciudad.html#comment-form","title":"5 comentarios"},{"rel":"edit","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/3874343899452800092\/posts\/default\/8917528880903750641"},{"rel":"self","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/3874343899452800092\/posts\/default\/8917528880903750641"},{"rel":"alternate","type":"text/html","href":"http:\/\/le-criticon.blogspot.com\/2008\/04\/arde-la-ciudad.html","title":"ARDE LA CIUDAD"}],"author":[{"name":{"$t":"Marcel Celmar"},"uri":{"$t":"http:\/\/www.blogger.com\/profile\/13804012043339392705"},"email":{"$t":"noreply@blogger.com"},"gd$image":{"rel":"http://schemas.google.com/g/2005#thumbnail","width":"24","height":"32","src":"http:\/\/bp2.blogger.com\/_DJtuhrCfgjs\/R-GT1ZRia7I\/AAAAAAAAADo\/U-slqLceyQ0\/S220\/453px-Faces-nevit.jpg"}}],"thr$total":{"$t":"5"}},{"id":{"$t":"tag:blogger.com,1999:blog-3874343899452800092.post-6158233074715286747"},"published":{"$t":"2008-04-07T19:30:00.018-03:00"},"updated":{"$t":"2008-04-15T23:30:46.793-03:00"},"category":[{"scheme":"http://www.blogger.com/atom/ns#","term":"Che Guevara"},{"scheme":"http://www.blogger.com/atom/ns#","term":"María Callas"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Pablo Picasso"},{"scheme":"http://www.blogger.com/atom/ns#","term":"René Burri"}],"title":{"type":"text","$t":"10 PARA LOS 75"},"summary":{"type":"text","$t":"Muchas de las imágenes del fotógrafo René Burri se convirtieron en insignias del siglo XX. Quien puede dudar del valor histórico de esa serie con Pablo Picasso o la mirada solitaria de María Callas al terminar una función. En algunas tomas debió recurrir a la técnica y en otras, como la de aquellos hombres que caminan por un rascacielo, al azar para fijar el objetivo.Uno de sus retratos "},"link":[{"rel":"replies","type":"application/atom+xml","href":"http:\/\/le-criticon.blogspot.com\/feeds\/6158233074715286747\/comments\/default","title":"Enviar comentarios"},{"rel":"replies","type":"text/html","href":"http:\/\/le-criticon.blogspot.com\/2008\/04\/10-para-los-75.html#comment-form","title":"0 comentarios"},{"rel":"edit","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/3874343899452800092\/posts\/default\/6158233074715286747"},{"rel":"self","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/3874343899452800092\/posts\/default\/6158233074715286747"},{"rel":"alternate","type":"text/html","href":"http:\/\/le-criticon.blogspot.com\/2008\/04\/10-para-los-75.html","title":"10 PARA LOS 75"}],"author":[{"name":{"$t":"Marcel Celmar"},"uri":{"$t":"http:\/\/www.blogger.com\/profile\/13804012043339392705"},"email":{"$t":"noreply@blogger.com"},"gd$image":{"rel":"http://schemas.google.com/g/2005#thumbnail","width":"24","height":"32","src":"http:\/\/bp2.blogger.com\/_DJtuhrCfgjs\/R-GT1ZRia7I\/AAAAAAAAADo\/U-slqLceyQ0\/S220\/453px-Faces-nevit.jpg"}}],"thr$total":{"$t":"0"}},{"id":{"$t":"tag:blogger.com,1999:blog-3874343899452800092.post-7113771628855887413"},"published":{"$t":"2008-04-07T12:05:00.018-03:00"},"updated":{"$t":"2008-04-15T23:45:35.916-03:00"},"category":[{"scheme":"http://www.blogger.com/atom/ns#","term":"Crazy"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Gnarls Barkley"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Odd Couple"},{"scheme":"http://www.blogger.com/atom/ns#","term":"St. Elsewhere"}],"title":{"type":"text","$t":"DOS TIPOS AUDACES"},"summary":{"type":"text","$t":" Antes de que el cadáver de St. Elsewhere (2006) se enfríe sobre el pavimento, Gnarls Barkley, la dupla más desvergonzada del cut \u0026 paste, apuró la edición de The Odd Couple, un disco enrarecido por las diferentes influencias que lo constituyen. El resultado es una suerte de Frankestein refinado con cabeza de hip-hop, brazos de surfer, piernas de gospel, tronco psicodélico y un cerebro que piensa"},"link":[{"rel":"replies","type":"application/atom+xml","href":"http:\/\/le-criticon.blogspot.com\/feeds\/7113771628855887413\/comments\/default","title":"Enviar comentarios"},{"rel":"replies","type":"text/html","href":"http:\/\/le-criticon.blogspot.com\/2008\/04\/dos-tipos-audaces.html#comment-form","title":"0 comentarios"},{"rel":"edit","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/3874343899452800092\/posts\/default\/7113771628855887413"},{"rel":"self","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/3874343899452800092\/posts\/default\/7113771628855887413"},{"rel":"alternate","type":"text/html","href":"http:\/\/le-criticon.blogspot.com\/2008\/04\/dos-tipos-audaces.html","title":"DOS TIPOS AUDACES"}],"author":[{"name":{"$t":"Marcel Celmar"},"uri":{"$t":"http:\/\/www.blogger.com\/profile\/13804012043339392705"},"email":{"$t":"noreply@blogger.com"},"gd$image":{"rel":"http://schemas.google.com/g/2005#thumbnail","width":"24","height":"32","src":"http:\/\/bp2.blogger.com\/_DJtuhrCfgjs\/R-GT1ZRia7I\/AAAAAAAAADo\/U-slqLceyQ0\/S220\/453px-Faces-nevit.jpg"}}],"thr$total":{"$t":"0"}},{"id":{"$t":"tag:blogger.com,1999:blog-3874343899452800092.post-3260897846478682628"},"published":{"$t":"2008-04-05T21:13:00.016-03:00"},"updated":{"$t":"2008-04-14T13:03:55.794-03:00"},"category":[{"scheme":"http://www.blogger.com/atom/ns#","term":"Aki Kaurismäki"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Eran Kolirin"},{"scheme":"http://www.blogger.com/atom/ns#","term":"The Bands Visit"}],"title":{"type":"text","$t":"BUSCANDO UN SIMBOLO"},"summary":{"type":"text","$t":"Entre las ligerezas menos aceptables que puede cometer una película está la de prometer algo que nunca va cumplir. Las causas más habituales para este menosprecio del espectador pueden ser, haber proyectado un triángulo para que encastre en un hexaedro, o no saber cómo desatar los piolines que se fueron enredando. Todo lo contrario de lo que sucede en The Bands Visit, un filme israelí cuyo gran "},"link":[{"rel":"replies","type":"application/atom+xml","href":"http:\/\/le-criticon.blogspot.com\/feeds\/3260897846478682628\/comments\/default","title":"Enviar comentarios"},{"rel":"replies","type":"text/html","href":"http:\/\/le-criticon.blogspot.com\/2008\/04\/buscando-un-simbolo.html#comment-form","title":"1 comentarios"},{"rel":"edit","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/3874343899452800092\/posts\/default\/3260897846478682628"},{"rel":"self","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/3874343899452800092\/posts\/default\/3260897846478682628"},{"rel":"alternate","type":"text/html","href":"http:\/\/le-criticon.blogspot.com\/2008\/04\/buscando-un-simbolo.html","title":"BUSCANDO UN SIMBOLO"}],"author":[{"name":{"$t":"Marcel Celmar"},"uri":{"$t":"http:\/\/www.blogger.com\/profile\/13804012043339392705"},"email":{"$t":"noreply@blogger.com"},"gd$image":{"rel":"http://schemas.google.com/g/2005#thumbnail","width":"24","height":"32","src":"http:\/\/bp2.blogger.com\/_DJtuhrCfgjs\/R-GT1ZRia7I\/AAAAAAAAADo\/U-slqLceyQ0\/S220\/453px-Faces-nevit.jpg"}}],"thr$total":{"$t":"1"}},{"id":{"$t":"tag:blogger.com,1999:blog-3874343899452800092.post-8980635975819159936"},"published":{"$t":"2008-04-04T11:43:00.008-03:00"},"updated":{"$t":"2008-04-14T13:03:06.304-03:00"},"category":[{"scheme":"http://www.blogger.com/atom/ns#","term":"Dennis Quaid"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Eduardo Noriega"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Vantage Point"}],"title":{"type":"text","$t":"CON EL LENTE TORCIDO"},"summary":{"type":"text","$t":" Dentro del cine comercial, existe una regla no escrita que indica que, cuando el filme no tiene actores de fuste o cuando todos los rostros son conocidos, hay que desconfiar. Esta máxima de los extremos que al unirse componen un ouroboros, pone sobre el escenario a Vantage Point, un título sólo dispuesto a ofrecer acción, explosiones y un elenco de película.Algo que sorprende y mucho, es que "},"link":[{"rel":"replies","type":"application/atom+xml","href":"http:\/\/le-criticon.blogspot.com\/feeds\/8980635975819159936\/comments\/default","title":"Enviar comentarios"},{"rel":"replies","type":"text/html","href":"http:\/\/le-criticon.blogspot.com\/2008\/04\/con-la-vista-torcida.html#comment-form","title":"2 comentarios"},{"rel":"edit","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/3874343899452800092\/posts\/default\/8980635975819159936"},{"rel":"self","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/3874343899452800092\/posts\/default\/8980635975819159936"},{"rel":"alternate","type":"text/html","href":"http:\/\/le-criticon.blogspot.com\/2008\/04\/con-la-vista-torcida.html","title":"CON EL LENTE TORCIDO"}],"author":[{"name":{"$t":"Marcel Celmar"},"uri":{"$t":"http:\/\/www.blogger.com\/profile\/13804012043339392705"},"email":{"$t":"noreply@blogger.com"},"gd$image":{"rel":"http://schemas.google.com/g/2005#thumbnail","width":"24","height":"32","src":"http:\/\/bp2.blogger.com\/_DJtuhrCfgjs\/R-GT1ZRia7I\/AAAAAAAAADo\/U-slqLceyQ0\/S220\/453px-Faces-nevit.jpg"}}],"thr$total":{"$t":"2"}},{"id":{"$t":"tag:blogger.com,1999:blog-3874343899452800092.post-5409444761275662739"},"published":{"$t":"2008-04-03T16:33:00.007-03:00"},"updated":{"$t":"2008-04-04T14:13:45.129-03:00"},"category":[{"scheme":"http://www.blogger.com/atom/ns#","term":"Martin Scorsese"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Rolling Stones"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Shine a Light"}],"title":{"type":"text","$t":"APAGUEN LA LUZ"},"summary":{"type":"text","$t":" [malqueridos] Aunque desde hace un rato largo los Rolling Stones no tienen nada para decir (desde lo musical, lo personal o sobre lo que les preguntes), y siguen apilando discos que compilan temas que fueron recopilados por un colector de recopilaciones. La excusa para poner la jeta en la tapa de Shine a Light fue la nueva película de Martin Scorsese, que lleva el mismo título.Lo más disparatado"},"link":[{"rel":"replies","type":"application/atom+xml","href":"http:\/\/le-criticon.blogspot.com\/feeds\/5409444761275662739\/comments\/default","title":"Enviar comentarios"},{"rel":"replies","type":"text/html","href":"http:\/\/le-criticon.blogspot.com\/2008\/04\/apaguen-la-luz.html#comment-form","title":"3 comentarios"},{"rel":"edit","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/3874343899452800092\/posts\/default\/5409444761275662739"},{"rel":"self","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/3874343899452800092\/posts\/default\/5409444761275662739"},{"rel":"alternate","type":"text/html","href":"http:\/\/le-criticon.blogspot.com\/2008\/04\/apaguen-la-luz.html","title":"APAGUEN LA LUZ"}],"author":[{"name":{"$t":"Anthony \"el quakero\""},"uri":{"$t":"http:\/\/www.blogger.com\/profile\/05931660534371760150"},"email":{"$t":"noreply@blogger.com"},"gd$image":{"rel":"http://schemas.google.com/g/2005#thumbnail","width":"32","height":"24","src":"http:\/\/bp1.blogger.com\/_b1X7xC27TS8\/R-GbYlm0rAI\/AAAAAAAAAAM\/GSDUB37xRJI\/S220\/Mirada.jpg"}}],"thr$total":{"$t":"3"}},{"id":{"$t":"tag:blogger.com,1999:blog-3874343899452800092.post-8980649539429258599"},"published":{"$t":"2008-04-02T12:39:00.008-03:00"},"updated":{"$t":"2008-04-14T13:01:54.316-03:00"},"category":[{"scheme":"http://www.blogger.com/atom/ns#","term":"Gus Van Sant"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Larry Clark"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Michael Haneke"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Paranoid Park"}],"title":{"type":"text","$t":"VIDA EN PATINETA"},"summary":{"type":"text","$t":" Si algo le faltaba a Gus Van Sant para convertirse en el portavoz de la generación transversal, es una película como Paranoid Park (2007). El director oriundo de Portland no sólo encontró la articulación exacta entre el mundo adolescente y el adulto sino también, la estética para mostrar los conflictos y desaciertos por los que pasan los jóvenes.Pero cabe puntualizar que el lenguaje que utiliza "},"link":[{"rel":"replies","type":"application/atom+xml","href":"http:\/\/le-criticon.blogspot.com\/feeds\/8980649539429258599\/comments\/default","title":"Enviar comentarios"},{"rel":"replies","type":"text/html","href":"http:\/\/le-criticon.blogspot.com\/2008\/04\/vida-en-patineta.html#comment-form","title":"18 comentarios"},{"rel":"edit","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/3874343899452800092\/posts\/default\/8980649539429258599"},{"rel":"self","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/3874343899452800092\/posts\/default\/8980649539429258599"},{"rel":"alternate","type":"text/html","href":"http:\/\/le-criticon.blogspot.com\/2008\/04\/vida-en-patineta.html","title":"VIDA EN PATINETA"}],"author":[{"name":{"$t":"Marcel Celmar"},"uri":{"$t":"http:\/\/www.blogger.com\/profile\/13804012043339392705"},"email":{"$t":"noreply@blogger.com"},"gd$image":{"rel":"http://schemas.google.com/g/2005#thumbnail","width":"24","height":"32","src":"http:\/\/bp2.blogger.com\/_DJtuhrCfgjs\/R-GT1ZRia7I\/AAAAAAAAADo\/U-slqLceyQ0\/S220\/453px-Faces-nevit.jpg"}}],"thr$total":{"$t":"18"}},{"id":{"$t":"tag:blogger.com,1999:blog-3874343899452800092.post-9119168783375832680"},"published":{"$t":"2008-04-01T18:05:00.045-03:00"},"updated":{"$t":"2008-04-02T19:30:04.411-03:00"},"category":[{"scheme":"http://www.blogger.com/atom/ns#","term":"Green Issue"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Madonna"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Vanity Fair"}],"title":{"type":"text","$t":"DIVA A LOS 50"},"summary":{"type":"text","$t":"Son pocos los artistas que pueden soportar el cambio de estación sin languidecer. Madonna es uno de esos casos emblemáticos. Cada década que se inicia, amanece bajo una forma particular. Pero los años la recorren y si no, basta con mirar la evolución de doña Louise Veronica Ciccone Fortin Ritchie [así, sin repetir y sin soplar] a través de las tapas de la revista Vanity Fair (1986 - 2008). En la "},"link":[{"rel":"replies","type":"application/atom+xml","href":"http:\/\/le-criticon.blogspot.com\/feeds\/9119168783375832680\/comments\/default","title":"Enviar comentarios"},{"rel":"replies","type":"text/html","href":"http:\/\/le-criticon.blogspot.com\/2008\/04\/los-50.html#comment-form","title":"3 comentarios"},{"rel":"edit","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/3874343899452800092\/posts\/default\/9119168783375832680"},{"rel":"self","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/3874343899452800092\/posts\/default\/9119168783375832680"},{"rel":"alternate","type":"text/html","href":"http:\/\/le-criticon.blogspot.com\/2008\/04\/los-50.html","title":"DIVA A LOS 50"}],"author":[{"name":{"$t":"Marcel Celmar"},"uri":{"$t":"http:\/\/www.blogger.com\/profile\/13804012043339392705"},"email":{"$t":"noreply@blogger.com"},"gd$image":{"rel":"http://schemas.google.com/g/2005#thumbnail","width":"24","height":"32","src":"http:\/\/bp2.blogger.com\/_DJtuhrCfgjs\/R-GT1ZRia7I\/AAAAAAAAADo\/U-slqLceyQ0\/S220\/453px-Faces-nevit.jpg"}}],"thr$total":{"$t":"3"}},{"id":{"$t":"tag:blogger.com,1999:blog-3874343899452800092.post-8981366807504985520"},"published":{"$t":"2008-04-01T10:57:00.003-03:00"},"updated":{"$t":"2008-04-01T11:10:38.807-03:00"},"category":[{"scheme":"http://www.blogger.com/atom/ns#","term":"Alice"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Last Night"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Moby"}],"title":{"type":"text","$t":"EN MOVI.MIENTO"},"summary":{"type":"text","$t":" A la carabina del encandilado Moby no le quedaban cartuchos en la recámara, por más que el hombre ballena gatillaba el percutor, no había caso, la pólvora no se quemaba y por consiguiente, sus hits no explotaban en el aire. Acaso fastiado por que la luz del sol le impedía dosificar la temperatura a la que hierve la pista de baile, decidió exorcizar males con Last Night (2008), un disco que, "},"link":[{"rel":"replies","type":"application/atom+xml","href":"http:\/\/le-criticon.blogspot.com\/feeds\/8981366807504985520\/comments\/default","title":"Enviar comentarios"},{"rel":"replies","type":"text/html","href":"http:\/\/le-criticon.blogspot.com\/2008\/04\/en-movimiento.html#comment-form","title":"0 comentarios"},{"rel":"edit","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/3874343899452800092\/posts\/default\/8981366807504985520"},{"rel":"self","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/3874343899452800092\/posts\/default\/8981366807504985520"},{"rel":"alternate","type":"text/html","href":"http:\/\/le-criticon.blogspot.com\/2008\/04\/en-movimiento.html","title":"EN MOVI.MIENTO"}],"author":[{"name":{"$t":"Anthony \"el quakero\""},"uri":{"$t":"http:\/\/www.blogger.com\/profile\/05931660534371760150"},"email":{"$t":"noreply@blogger.com"},"gd$image":{"rel":"http://schemas.google.com/g/2005#thumbnail","width":"32","height":"24","src":"http:\/\/bp1.blogger.com\/_b1X7xC27TS8\/R-GbYlm0rAI\/AAAAAAAAAAM\/GSDUB37xRJI\/S220\/Mirada.jpg"}}],"thr$total":{"$t":"0"}},{"id":{"$t":"tag:blogger.com,1999:blog-3874343899452800092.post-1864520480109188840"},"published":{"$t":"2008-03-31T18:42:00.006-03:00"},"updated":{"$t":"2008-03-31T18:55:07.510-03:00"},"category":[{"scheme":"http://www.blogger.com/atom/ns#","term":"AFTRA"},{"scheme":"http://www.blogger.com/atom/ns#","term":"AMPTP"},{"scheme":"http://www.blogger.com/atom/ns#","term":"SAG"}],"title":{"type":"text","$t":"LA LUCHA CONTINUA"},"summary":{"type":"text","$t":" No sólo en Argentina se demora el acuerdo entre los chacareros y el gobierno. En los Estados Unidos, el Sindicato de Actores de la Pantalla (SAG, según sus siglas en inglés) le declaró públicamente la guerra a la Federación Estadounidense de Artistas de Televisión y Radio (AFTRA). Lo que abre una nueva varice de trasfusión entre la yugular de los guionistas y los murciélagos de la industria. De "},"link":[{"rel":"replies","type":"application/atom+xml","href":"http:\/\/le-criticon.blogspot.com\/feeds\/1864520480109188840\/comments\/default","title":"Enviar comentarios"},{"rel":"replies","type":"text/html","href":"http:\/\/le-criticon.blogspot.com\/2008\/03\/la-lucha-continua.html#comment-form","title":"0 comentarios"},{"rel":"edit","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/3874343899452800092\/posts\/default\/1864520480109188840"},{"rel":"self","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/3874343899452800092\/posts\/default\/1864520480109188840"},{"rel":"alternate","type":"text/html","href":"http:\/\/le-criticon.blogspot.com\/2008\/03\/la-lucha-continua.html","title":"LA LUCHA CONTINUA"}],"author":[{"name":{"$t":"Marcel Celmar"},"uri":{"$t":"http:\/\/www.blogger.com\/profile\/13804012043339392705"},"email":{"$t":"noreply@blogger.com"},"gd$image":{"rel":"http://schemas.google.com/g/2005#thumbnail","width":"24","height":"32","src":"http:\/\/bp2.blogger.com\/_DJtuhrCfgjs\/R-GT1ZRia7I\/AAAAAAAAADo\/U-slqLceyQ0\/S220\/453px-Faces-nevit.jpg"}}],"thr$total":{"$t":"0"}},{"id":{"$t":"tag:blogger.com,1999:blog-3874343899452800092.post-4631167138821477387"},"published":{"$t":"2008-03-30T19:39:00.011-03:00"},"updated":{"$t":"2008-04-14T13:00:08.339-03:00"},"category":[{"scheme":"http://www.blogger.com/atom/ns#","term":"Jack Black"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Margot at the Wedding"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Nicole Kidman"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Noah Baumbach"}],"title":{"type":"text","$t":"LAZOS DE FAMILIA"},"summary":{"type":"text","$t":" En muchos aspectos la familia funciona como un lazo de contención para circunstancias extremas o un barranco desde el cual desplomarse ante el mínimo temblor. Algo de esta contradicción intenta retratarse en Margot at the Wedding (2007), un filme que reproduce los padecimientos y excentricidades de un grupo de adultos que se resisten a madurar.No es casualidad que el director de este drama "},"link":[{"rel":"replies","type":"application/atom+xml","href":"http:\/\/le-criticon.blogspot.com\/feeds\/4631167138821477387\/comments\/default","title":"Enviar comentarios"},{"rel":"replies","type":"text/html","href":"http:\/\/le-criticon.blogspot.com\/2008\/03\/lazos-de-familia.html#comment-form","title":"1 comentarios"},{"rel":"edit","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/3874343899452800092\/posts\/default\/4631167138821477387"},{"rel":"self","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/3874343899452800092\/posts\/default\/4631167138821477387"},{"rel":"alternate","type":"text/html","href":"http:\/\/le-criticon.blogspot.com\/2008\/03\/lazos-de-familia.html","title":"LAZOS DE FAMILIA"}],"author":[{"name":{"$t":"Marcel Celmar"},"uri":{"$t":"http:\/\/www.blogger.com\/profile\/13804012043339392705"},"email":{"$t":"noreply@blogger.com"},"gd$image":{"rel":"http://schemas.google.com/g/2005#thumbnail","width":"24","height":"32","src":"http:\/\/bp2.blogger.com\/_DJtuhrCfgjs\/R-GT1ZRia7I\/AAAAAAAAADo\/U-slqLceyQ0\/S220\/453px-Faces-nevit.jpg"}}],"thr$total":{"$t":"1"}},{"id":{"$t":"tag:blogger.com,1999:blog-3874343899452800092.post-3636919053847192884"},"published":{"$t":"2008-03-30T15:49:00.006-03:00"},"updated":{"$t":"2008-03-29T16:12:43.217-03:00"},"category":[{"scheme":"http://www.blogger.com/atom/ns#","term":"Aaron Thomas"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Follow the Elephants"}],"title":{"type":"text","$t":"HUELLAS DE ELEFANTE"},"summary":{"type":"text","$t":" Aunque cueste admitirlo, la música globalizada y homogeneizada da como resultado que todos los grupos del mundo suenen a Coldplay, Queen, Radiohead (o Spinetta, como se dice por acá). De este pasto para vacas flacas hay muchos que se alimentan, pero también hay excepciones. Una de ellas es Aaron Thomas, cuya tonada evoca los campos de trigo y luna sobre los charcos.Más allá de la estereotipada "},"link":[{"rel":"replies","type":"application/atom+xml","href":"http:\/\/le-criticon.blogspot.com\/feeds\/3636919053847192884\/comments\/default","title":"Enviar comentarios"},{"rel":"replies","type":"text/html","href":"http:\/\/le-criticon.blogspot.com\/2008\/03\/huellas-de-elefante.html#comment-form","title":"0 comentarios"},{"rel":"edit","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/3874343899452800092\/posts\/default\/3636919053847192884"},{"rel":"self","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/3874343899452800092\/posts\/default\/3636919053847192884"},{"rel":"alternate","type":"text/html","href":"http:\/\/le-criticon.blogspot.com\/2008\/03\/huellas-de-elefante.html","title":"HUELLAS DE ELEFANTE"}],"author":[{"name":{"$t":"Anthony \"el quakero\""},"uri":{"$t":"http:\/\/www.blogger.com\/profile\/05931660534371760150"},"email":{"$t":"noreply@blogger.com"},"gd$image":{"rel":"http://schemas.google.com/g/2005#thumbnail","width":"32","height":"24","src":"http:\/\/bp1.blogger.com\/_b1X7xC27TS8\/R-GbYlm0rAI\/AAAAAAAAAAM\/GSDUB37xRJI\/S220\/Mirada.jpg"}}],"thr$total":{"$t":"0"}}]}});